建筑是通过对空间的塑造，从而创造一个只有在想象中才存在的现实。这是WAY Studio未/建筑设计研究所最近完成的项目——北京朗园Vintage的“Aye by Meeting Someone-II”餐厅所使用的空间处理方式——把梦境变成现实，为进入的人提供一种短暂的超现实体验。
Architecture, through the manipulation of Space, is the real-life magic for creating a reality that only previously existed in the imagination. This is the vision WAY Studio had when designing recently completed project “Aye by Meeting Someone” restaurant in Beijing – to bring dreams into actuality, to design a spatial performance, and to provide a transient surreal experience to all who dare enter. The objective is to break through independent realities, to create a fantastical place – a Wonderland if you will. As the directors of space create a theatrical experience, the guests become the actors, their alternate selves. Our goal is to break through objective restrictions and turn them into subjective expression, or perchance to provide merely a trigger for the transformation. The building is composed of two dualities — inside and outside, where reality is separated from illusion; and up and down, where one travels to odes of the past or the mysteries of the future. For each individual visitor, it reflects and breaks through to their deepest desires.
The spherical entrance, like the rabbit hole of Alice in Wonderland, crashes into the wall and creates ripples on this divisional boundary between reality and illusion, tearing a portal for visitors to pass through from one realm to the next. The exterior façade is constructed with red brick. In order to create this “ripple” effect, computational scripting was used to design the brick layout, originally intended to couple with mechanical arm construction for accuracy. In the end, a more craftsman method was devised; one-to-one plots of brick positions were printed on 270 rolls of paper, filling a small room. Workers laid each brick on top of the printed outlines, literally constructing “as drawn”. The façade has become juxtaposition between technology and craftsmanship, linking modernity with tradition.
▼圆形“兔子洞”般的入口，the spherical entrance is like the rabbit hole of Alice in Wonderland
▼红砖墙使用了参数工具打造外墙曲线，the exterior façade is constructed with red brick through a computational scripting
Through the entrance into the first floor, you‘re transported to a historical fantasy. The open dining space is composed of traditional elements and materials, but in a non-traditional way, reminiscent of the Jazz Age. The infamous architectural symbol, arches, were used but broken down into hung bronze panels and intersected with a cave-like space, Sci-Fi meets Gatsby. It is in that moment of deja vu, that familiarity which you cannot exactly place, that is the center of this project.
▼餐厅首层，dinging area on the first floor
▼古典建筑元素“拱”与铜板被融入现代设计中，the infamous architectural symbol, arches, were used but broken down into hung bronze panels and intersected with a cave-like space
Duplex seats at the bar were designed for those that prefer a more intimate setting. Wine and stories spill from each glass as you get lost within the greater galaxy that is the jade bar top. And the most vital of any building, the bathroom, has been revitalized from a hidden room into an exclusive dressing room and a private stage for your best performance.
To the left of the entrance, enter into a wormhole, with curvatures of the floor and wall disturbing the perspective, causing one to question whether you are moving vertically or laterally as you pass through the folds of space and time — it is a staircase leading to the other world, the second floor, towards the uncertain and the unknown. The second floor accommodates an open dining space that can also be used for events.
▼室内细部，interior detailed view
▼二层开放式用餐区，open dining area on the second floor
Here, ceilings are becoming walls, blurring the edge of space; hidden doors open to reveal pink, blue, and red – three private dining rooms, each inviting you to its own fantasy. As you enter the innermost sanctuary, secretly brush your hands against the soft and furry texture of velvet on the walls, as the walls are growing and gathering towards the light. Velvet was tailored for each twisting panel, similar to tailoring a dress. This material was inspired by and chosen due to its signature appearances in classical performance fashion or theatre curtains.
▼包厢，private dining room
▼丝绒的质感增添了空间的戏剧性，the use of velvet was inspired by and chosen due to its signature appearances in classical performance fashion or theatre curtains
On the south wall, light filtering features were created, translucent but not transparent, allowing light to filter through creating new internal scenery.
On top of basics such as functionality and circulation, we believe architecture is an art of time and space. In this project, WAY Studio seduces its audience through the use of Space, allowing for new stories to be created every time someone enters and wanders, creating atmospheres to tempt the possibility of making imagination into reality.
▼二层吊顶图，2F ceiling plan
周期: 2018 建成
建筑面积: 600 平米
建筑高度: 9 米
设计团队: 郑涛, 黎紫翎 Fernie Lai, 王涛, Melody Hwang, 曾皓, 王亦鸣, 阎玮琪, 殷风昆, 李旭东, 李嘉馨, 黄赞宁, 李雨泽, 于思达, 范玮, 曹靖
摄影：曾皓, 黎紫翎 Fernie Lai
Location: Beijing China
Type: Architecture Renovation & Interior Design
Time: 2018 Completion
Building Area: 600 sqm
Site Area：300 sqm
Building Height: 9 m
Project: WAY Studio
Team: Zheng Tao, Fernie Lai, Wang Tao, Melody Hwang, Zeng Hao, Mark Wang, Yan WeiQi, Eagle Yin, Li XuDong, Li JiaXin, Huang ZanNing, Li YuZe, Yu Sida, Fan Wei, Cao Jing
Photograph: Zeng Hao, Fernie Lai