1WOR Flagship Store, China by DOMANI

Woman’s Head and four-color fantasy

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非常感谢 东仓建设 予gooood分享以下内容。更多关于他们:DOMANI on gooood.
Appreciations towards DOMANI for providing the following description:

1939年,Pablo Picasso绘制了超现实主义/立体主义作品woman’s head,2017年,巴基斯坦数字艺术家Omar Aqil将其三维化并重新设计成为装置艺术作品。这个跨越的有趣在于超现实主义与立体主义的核心为突破合乎逻辑与有序的现实观,强调本能,反面,潜意识,记忆,探索并认为‘绝对真实是超越现实真实的意识真实’。时隔近百年,本不可触碰的想象被三维化后以物理形态出现在受众眼前,完全具象的形态与材料乃至肌理都在以更当代的形式戏谑反讽的提醒人们现实真实的难以逃脱。

1939, Pablo Picasso painted a surrealism and cubism work, Women’s head. In 2017, digital artist Omar Aqil transformed it into three-dimensional and redesigned it into installation art work, the interesting thing about this crossover is that the core of surrealism and cubism lies in the breakthrough of logical and orderly theory of present, emphasizing the instinct, the subconscious, the memory, exploring and believing that ‘absolute reality is the true consciousness beyond fact.’ Hundreds of years later, this untouchable image has been recreated in three-dimensional and physically present to audience. The complete representational form, material and even texture are frolicking in the form of a contemporary way to remind people that reality is hard to be detached.

▼空间概览,overview

童年玩拼色地图时好奇于几乎所有版本的地图都由四种颜色组成,母亲告诉我:四种颜色板块可以隔离描绘出任何复杂地貌的疆界而不出现同色衔接。遂理解这似乎是个数学游戏。四色地图的原理即世界近代数学界的着名难题‘四色猜想’。用数学语言表示即“将平面任意地细分为不相重迭的区域,每一个区域总可以用1234这四个数字之一来标记而不会使相邻的两个区域得到相同的数字”。我没有能力深究这个数学游戏和它的公式,但当一个空间的基础平面以一种过于崎岖复杂的形态出现时。童年的四色地图是我的第一直觉。

▼毕加索的Woman’s Head,  Woman’s Head by Picasso

▼设计概念示意,design concept diagram

In childhood, I was curious that why almost all versions of map are made up of four colors, when I asked mother, she told me that four color pallets can compose any complex combination without the same color link. So, it seems to be a mathematical game. Later, it was learned that the principle of the four-color map is the famous puzzle of modern mathematics, ‘Four color guess’ ‘Four color Theorem’. In mathematics language is that “The planes are arbitrarily subdivided into areas that do not overlap, each region can always be marked with one of the four digits of 1234, without having the same number in two adjacent areas.” I do not have the ability to solve this mathematical puzzle and its equation, but when a space plan appears in an overly complex form, four-color map from childhood was my first instinct.

▼四色猜想成为分割区域的公式,the division of different areas is based on the four-color pallet

   

以上列举了两个有趣的元素,宝贵的记忆及卓越的当代艺术作品。但回到项目与事件本身,设计师的现实枷锁则与商业目的便昭然若揭。我们需要在一个并不优质的空间基础与精确与造价基础上描述1WOR品牌的两个基本定位(全球设计师品牌买手,轻奢),及令空间足以承载一系列的产品陈列与相关功能。这是一个链接着全球时尚设计师与大中华市场的时尚商业平台。除了对新兴的时尚商业模式的观察与兴趣之外,我们的野心在于如何使空间准确的囊括都市新潮男女们的眼球。他们是这样一群人:矛盾,消费能力强,选择能力弱,感性,漠视仪式,触觉敏锐,人生需要佐证他们还乐于新鲜。

I have listed two interesting elements, precious memories and outstanding contemporary art work. But when return to the project itself, the reality shackle and commercial purpose for designer is obvious. We need to express two basic brand orientations of 1Wor (global designer brand buyer and affordable luxury) based on a rather compromised space and limited budget, wherever the space has to support a series of product display and related functions. This is a fashion business platform that links global fashion designers to China market. In addition to the observation and interest of emerging fashion business model, our ambitious is to design a space to capture sights of trendy people of the city. They are a group of people of contradiction, strong consumerist, sensible, indifferentism, keen sense, self-centrism who needs prove themselves in life, warrior seeking beauty in adventure. So, I am sure they will enjoy something fresh.

▼室内细部,detailed view

   

于是抛开传统的商业平面的二维展示逻辑,回到这个天生棱角分明的怪异空间基础上,由空间本身的轮廓作为设计基础面并由折面产生空间引线,在空间当中通过引线交织出一个新的二维序列。再由这个序列进行空间的四向延伸,并结合四色地图与通过一尊裝置进行的色彩提炼和材料分解,在一种完全由逻辑延展的创作方法下完成一个貌似基于‘灵感’的空间设计。

Thus, we abandoned transitional logic of 2-dimensional business plan display, back to this wired angled space, the outline of space is used as the base of the design and generate circulation line by folding the plan to create a new two-dimensional sequence in space, from the sequence extend four-way in the space, then integrated four color map and color extraction and material decomposition from a installation art work, created a spatial design that seemed based on inspiration but actually based on logic creation.

▼主陈列空间,main display area

   

▼中央岛货架,metal shelves in the central island

   

▼抽象的元素构成,abstract images of the interior elements

局部的墻面通过色彩关联延展至地面与天花,所构成的体块在彼此貫穿中亦存在破除,镜面代表着消失,被货架牵引的天面局部通过镜面映射对货架与空间形成顶面视野,能控制的控制,能组织的组织,无法控制和组织的部分任其自由的存在其中也许是最合理的处理。货架与主要道具是坚定的正交几何,由圆形矩形和线条构成,只是他们的组织是轻微不乖的倾斜错落,以及嘻哈莫名的更衣镜有点质疑的意思。我一度乐于沉浸在这种逻辑清晰的迷离构成中。

In this scenario, wall color extended to floor and ceiling, created blocks that penetrate and break through the space, mirror represents vanish, the top view is composed by mirror reflection of ceiling plan and shelve system, the control that can be controlled, the organization that can be organized, and the existence of uncontrolled and unstructured part lies randomly in the space may be the most reasonable way of procedure. Shelves and main prop are firmed orthogonal geometry, composed by round, rectangular and distinct lines, and they were organized in a slightly skewed shape, also with a bit teased statement mirror in the changing room, I was delighted to immerse myself to the blurred space which is composed by distinct logic.

▼逻辑清晰的迷离构成,the blurred space which is composed by distinct logic

   

它类似时下的我们:也单纯也复杂,也理性也放任,既存在边界又彼此卯合。

It is similar to us, simple with complex, ration with indulge, boundaries with combination.

▼细部视角,detailed view

▼平面图,plan

Name| 项目名称:1 WOR中國旗舰 |woman’s head与四色猜想
Location | 项目地点:Shenzhen, China | 中国深圳
Client | 项目业主: THE DRIGINAL DESIGNER’S SELECTED STORE
Date | 完成时间: 2018.03
Architectural Design | 建筑设计: Ann Yu 余霖 | DOMANI 东仓建设
Email |公司邮箱:domani_dcbiz@vip.163.com
Interior Design | 主案设计: Ann Yu 余霖 | DOMANI 东仓建设
Installation & Exhibition | 装置与陈列: A& V| 桉和韦森
Cooperative Design | 协作设计: Rex Liu 刘焕辉 等 | DOMANI 东仓建设
Construction Side | 施工单位: 上海枭峰装饰工程有限公司

More:东仓建设,更多关于他们:DOMANI on gooood

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