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Appreciation towards ATENO Tiannuo International for providing the following description:

空间的剧场属性
The theatrical nature of the space

地铁站是城市重要的一个空间节点，人们通过地下、地面的空间转换，从家出发到达工作地点，到达社交场所，到达消费空间，都市人一天的开始和结束都会跟这里发生关系，是起点与终点之间最佳的链接，这个链接点就像一个剧场，在不断地发生故事。

Subway station is an important spatial node of the city. People transition through underground and surface spaces, traveling from home to work, social places, and consumer spaces. The beginning and end of urbanites’ days are connected to this place, serving as the optimal link between starting point and destination. This link is like a theater, where stories are constantly unfolding.

▼场地鸟瞰，Bird view of the site ©隋思聪

空间的叙事定义
Narrative definition of space

我们定义这个空间，它不只是一个经过性的交通节点，应该赋予它叙事性和更加丰富的表情，除了承载在地性表达之外，还有人与人、人与场景不同的链接和碰撞，产生新的故事、新的文化。

We define this space not only as a transitional transportation node but also imbue it with narrative and richer expressions. Apart from carrying local expressions, there are also different connections and collisions between people and scenes, resulting in new stories and new cultures.

▼更加丰富的叙事性, richer narratives ©隋思聪

灵感
Inspiration

设计灵感来自闽南红砖建筑印象，以当代性和戏剧性手法，把在地元素转换成海湾的特征，因此有了连绵不断的波浪、红色激流的形态。

The design inspiration comes from the impression of Minnan red brick architecture, using contemporary and dramatic techniques to transform local elements into characteristics of the bay. Thus, there are continuous waves and the form of a red gulf stream.

▼灵感来源于闽南红砖的波浪形态, the wave form inspired by Minnan red brick ©隋思聪

材料
Materials

使用的材料既非天然的石材也不是传统的古厝红砖，而是一种新型的红色清水板。色彩经过特别调制，通过清水板的演绎，兼具当代感和在地性，形式和造型语言以最简洁的方式呈现。

The materials used are neither natural stone nor traditional red bricks of ancient houses but a new type of red raw concrete panel. The color is specially formulated, and through the interpretation of the raw concrete panel, it embodies both contemporary and local characteristics. The form and stylistic language are presented in the simplest way possible.

▼红色清水板, red raw concrete panel ©隋思聪

▼兼具当代感和在地性的红色清水板，contemporary and localized red washboards ©隋思聪

技术
Technology

如果使用石材，在工程角度是有难度和挑战的，设计考虑了造价和工艺实施的可能性，运用3D模型技术手段，把清水板波浪造型的平面和立面都做了模数化处理，造型自由的同时形成曲线规律，计算出三种规格、曲度不同的板材，使得单元安装成为可能，硬性的材料拼装完成后形成一气呵成的曲面和曲线，呈现艺术造型。

If natural stone is used, there are difficulties and challenges from an engineering perspective. The design considers the possibility of cost and process implementation, using 3D modeling technology to modularize both the planar and vertical aspects of the water-clear panel wave form. While allowing for artistic freedom, this also forms a curve pattern. Calculate three types of panels with different specifications and curvatures, making unit installation possible. After the rigid material assembly is completed, it forms a seamless curved surface and curve, presenting an artistic shape.

▼形成曲线规律，forms a curve pattern ©隋思聪

曲线
Curves

曲线处理建筑空间、处理一个城市公共的地铁口，也可以融入到我们对很多产品设计中的一些产品思维和产品哲学。

“直线属于人类，曲线属于上帝。”

—安东尼奥·高迪

“The straight line belongs to man, the curved one to God.”

– Antoni Gaudí

▼形成曲线规律，forms a curve pattern ©隋思聪

艺术品
Art

设计师选择了艺术家苏武的面具系列雕塑。都市人每天都在路途中相遇、经过，每个人在地铁公交空间，每个人的面孔是单一、真实、个体又是群体的、模糊的印象。面具反映出人的群体和个体之间一种微妙的影响，既是一个固定的形象，又可以被天光云影和周边的各种变化和经过的行人，当所处环境产生二次映射之后，会形成新的印象和图像，这种感觉跟设计理念是吻合的。黑白小丑向左转向右转，也是地铁中每个人关系的常态，周围的环境与人看似不变其实每时每刻都在发生改变。

The designer chose the sculpture series of masks by the artist Su Wu. Urban dwellers encounter each other every day on their journeys, passing by one another. In the subway and bus spaces, each person’s face is a singular, authentic individual yet also a blurred impression of the collective. The masks reflect a subtle influence between the collective and individual, presenting a fixed image that can also be altered by the changing light, clouds, surrounding environment, and passing pedestrians. After undergoing secondary reflections from the environment, new impressions and images are formed, aligning with the design concept. The black-and-white clown turns left and turns right, which is also the norm for every person’s relationships in the subway. The surrounding environment and people may seem unchanged, but in reality, they are constantly changing with each passing moment.

▼艺术品布展，artwork exhibition©隋思聪

▼地铁站内的艺术品布展，artwork exhibition inside the subway station ©隋思聪

设计的在地性
The localization of design

挖掘在地的当代价值，是设计师孙建华贯穿于每个项目必有的思考。在这个项目中，打破固有城市地铁口的形象，同时为地段创造家居生活的场景展示，与五缘湾站的特征建立关系，是关于在地价值更深的思考与挖掘。

Digging into local contemporary values is a consideration that designer Sun Jianhua consistently incorporates into every project. In this particular project, breaking away from the conventional image of urban subway entrances while simultaneously creating a showcase of residential living scenes for the area, and establishing a connection with the characteristics of Wuyuan Bay Station, represents a deeper reflection and exploration of local values.

▼地铁站内部， inside the subway station ©隋思聪

▼地铁站内局部， inside the subway station ©隋思聪

▼平面图，plan © ATENO天诺

▼北立面，north elevation © ATENO天诺

▼西立面，west elevation © ATENO天诺

▼剖面图1，section 1 © ATENO天诺

▼剖面图 2，section 2 © ATENO天诺

▼剖面图 3，section 3 © ATENO天诺

▼剖面图 4，section 4 © ATENO天诺

项目名称:红色湾流—厦门地铁五缘湾站3号口改造
项目完成年份:2023年
建筑面积:471㎡
建筑设计/室内设计/景观设计/公司/机构/单位:ATENO天诺国际设计
事务所/公司/机构/单位简称:ATENO天诺
事务所/公司/机构/单位网站:http://www.ateno.com
联络人姓名：张翔宇
联络邮箱: 406411450@qq.com
公司所在地:厦门、上海、深圳
主创建筑师: 孙建华
主创建筑师邮箱: sun188168@126.com
小红书账号（如有）：ATENO_
项目地址: 福建省厦门市湖里区地铁2号线五缘湾站
项目参与者
委托方（公司名称）:厦门东华海天投资有限公司
主创设计师（人名）：孙建华
设计团队（人名）: 曹可钦、朱琛妮、马志攀
项目类别：Public Architecture 市政建筑交通建筑
材料：红色清水板
品牌：豪野材料科技有限公司
摄影师: 隋思聪
摄影师网站: http://www.suisicong.com

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