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Appreciation towards Wilkinson Eyre Architects for providing the following description:

在2013年的国际设计竞赛中，WilkinsonEyre赢得了One Barangaroo皇冠酒店&公寓的设计。这座275米高塔及裙房位于悉尼港前滩的复兴滨水区，屹立在城市中央商务区的西北角，内含一家拥有349间客房和套房、滨海餐厅、咖啡馆、酒吧和高端商店的豪华度假酒店，以及上层的76套豪华公寓。

Designed by WilkinsonEyre following an international design competition in 2013, Crown Sydney at One Barangaroo is located on the waterfront in a newly regenerated site on the foreshore of Sydney Harbour. The 275-metre tower and podium which marks the northwest corner of the city’s main Central Business District comprises a luxury resort hotel with 349 hotel rooms and suites, waterfront restaurants, cafés, bars and high-end shops, together with 76 luxury residential apartments above.

▼项目远观，distant view ©Tom Roe

作为人居雕塑，塔的形式从大自然中汲取灵感，三片花瓣从地面和裙房向上扭转，其中一瓣上升至中层，形成酒店的住宿主体，另两瓣继续上升，形成塔楼的公寓主体。

Conceived as an inhabited sculpture, the tower form draws inspiration from nature, with three petals that twist as they rise up from the ground and podium. One peels off at mid-level to create the main hotel accommodation while the other two continue up to form the residential accommodation in the tower.

▼扭转上升的体量，distanced external view of the building ©Tom Roe

▼酒店的住宿主体，main hotel accommodation ©Tom Roe

四层裙房外围设有露台，其外部覆盖自然拱起并且使人想到哥特石材窗饰的大理石遮罩，不仅为露台遮阴，而且使裙房看起来更加轻盈。

A four-storey podium with perimeter terraces is overlaid with a veil of marble sections that arch informally and are reminiscent of Gothic stone tracery, providing some shade to the terraces beneath and a touch of visual lightness to the podium.

▼外围设有露台的裙房，podium with perimeter terraces ©Tom Roe

▼玻璃表面与大理石遮罩，glass surface and marble veil ©Tom Roe

在裙房底层，四个促进连接与渗透的入口回应了绝佳的滨水位置和邻近的复兴公共空间。宾客到达醒目的三层高门廊，门廊围有玻璃板和装饰酒店及公寓主入口的绿植。大片起伏的拱腹与大堂天花无缝衔接，将视线引至接待处。植物照明、雕塑和水面反射在拱腹上的光影营造出不断变化的环境。进入大堂后，引人注目的楼梯旋转上升至四层，形成圆形通高空间。楼梯延续了人居理念，其几何形状经过调整，允许光线从顶部向下渗透，在物理和视觉上将四层楼联系起来。

At the lower levels, the podium responds to its spectacular waterfront location and adjacent newly regenerated public spaces, with four entrances making strong connections and encouraging permeability. Guests arrive through a dramatic, triple height porte-cochère enclosed by glass blades and verdant planting that frames the main entrances to the hotel and residences. The monolithic, undulating soffit guides the eye in towards the reception as it transitions seamlessly to the lobby ceiling. Feature lighting on the planting, sculptures and water bounce shadows and shimmering caustics onto the soffit creating a changing environment throughout the day. Upon entering the lobby, a dramatic staircase curves up to the fourth floor creating a spherical void. Continuing the idea of an inhabited artwork, the geometry of the stair is tuned to allow light to filter down from the top, physically and visually connecting all four levels.

▼底层门廊，porte-cochère ©Tom Roe

▼门廊围有玻璃板和绿植，the porte-cochère is enclosed by glass blades and verdant planting ©Tom Roe

▼大堂一角，corner of the lobby ©Tom Roe

▼圆形通高空间，spherical void ©Tom Roe

裙房顶部是两个空中露台，每个露台都设有可以俯瞰海港的无边泳池、网球场、健身房、室外婚礼亭、舞厅、咖啡馆、酒吧和餐厅，其中包括国际知名厨师松久信幸（Nobuyuki Matsuhisa）的Nobu餐厅和米其林星级餐厅老板克莱尔·史密斯（Clare Smyth）的第一家澳洲餐厅。具有异域风情的景观由盛林景设计国际有限公司（St Legere Design International）设计，以悉尼港为灵感的皇冠spa由室内设计工作室Blainey North设计。

On top of the podium are two sky terraces each with infinity pools overlooking the harbour together with tennis courts, gyms, an outdoor wedding pavilion, ballroom, cafés, bars and restaurants which include Nobu by internationally renowned chef Nobuyuki Matsuhisa and Michelin Star restauranteur Clare Smyth’s first Australian restaurant. Exotic landscaping is by St Legere Design International and the Crown Spa inspired by the Sydney Harbour is designed by interior design studio Blainey North.

▼空中露台，sky terraces ©Tom Roe

滨海咖啡馆、酒吧和餐厅坐落在玻璃多边结构顶篷下的异域景观中，面向海港美景。所有公共空间、酒店客房及套房、公寓和大多休闲空间均由国际设计工作室Meyer Davis设计，一系列高端材料和定制照明设备、家具、木制品和地毯也出自该工作室，室内风格独一无二，但同时又与建筑和悉尼港的自然环境相融合。建筑的同心性意味着没有两间房是相同的，这就要求每个房间都有定制的方案。室内设计强调细节，采用稀有石材和大理石等天然材料，精致而具有吸引力，为每位客人提供高品质的奢华体验。

The waterfront cafés, bars and restaurants sit in exotic landscaping under glazed Voronoi canopies, taking advantage of the harbour views. The interiors for all public spaces, hotel rooms and suites, residences and majority of amenity spaces are designed by international design studio Meyer Davis. Featuring an array of high- end materials and custom lighting fixtures, furniture, millwork, and carpets all designed by Meyer Davis, the interiors are wholly unique yet symbiotic with the architecture and natural surroundings of Sydney Harbour. The concentric nature of the building means that no two rooms are the same, which required a bespoke approach to each interior space. With an emphasis on impeccable attention to detail and natural materials, such as rare stones and marble, the interiors are inviting, refined, and provide each guest with a heightened luxury experience.

▼滨海咖啡馆、酒吧和餐厅，waterfront cafés, bars and restaurants ©Tom Roe

▼多边结构顶篷，Voronoi canopies ©Tom Roe

▼酒店室内：采用石材和大理石等天然材料，interior space: natural materials such as stone and marble are used ©Tom Roe

▼客房充分利用景观，the room takes full advantage of the view ©Tom Roe

▼浴室，bathroom ©Tom Roe

连接地面和裙房的塔楼由垂直核心筒支撑，其外伸支架与跟随建筑外形变化的混凝土螺旋边柱相连。连续弯曲的隔热立面由三个系统组成，其中包括用来处理更紧密的曲线的三角系统，此外，主塔的玻璃表面由采用最新技术冷压成型的不同宽度的落地矩形板组成，包围酒店的第三个玻璃系统则采用窗框凸起的传统幕墙系统。虽然玻璃系统需要大量的定制玻璃板来处理曲率问题，但同时它们是高度隔热的，可以减少太阳辐射并提供连续的玻璃形式来捕捉和反射变化的光线。酒店客房和公寓的设计充分利用了悉尼歌剧院、悉尼海港大桥和城市构成的全景，每个房间都具有独特的配置，以应对每层楼板轮廓的变化。

The tower which connects to the ground and podium is supported by a vertical core with outriggers that connect to concrete helical perimeter columns which follow the changing form of the building. The continuous curving highly insulated façade is made up of three different systems. This includes a triangulated system to deal with the tighter curves, while the main tower glazing consists of floor-to-floor rectangular panels of differing widths that were cold pressed into shape using the latest technology. The third glazing system enclosing the hotel room accommodation, takes on a more traditional curtain walling system with projecting mullions.

▼玻璃系统，glazing system ©Tom Roe

WilkinsonEyre事务所的联合创始人Chris Wilkinson评论道：“我们的想法是创造一个雕塑体，它如同人居艺术品一样从天际线上升起，并且各部分显示出不同的透明度。该建筑采用优雅的结构形式，充分利用了悉尼歌剧院、海港大桥的全景及其与达令港的独特位置关系。对我来说，塔与天空的接触方式很重要——过去，我们常常在顶层设置植物，而在该塔中，花瓣随着建筑升到天空而扭转。与之同等重要的是建筑与地面的接触方式——一片花瓣延伸至地面，沿着建筑西立面形成一条连续的线，造型十分独特。”

WilkinsonEyre’s co-founder, Chris Wilkinson’s comments: “The idea was to create a sculptural form that rises up on the skyline like an inhabited artwork with different levels of transparency. An elegant structural form, the building takes full advantage of the panoramic views of Sydney Opera House, the Harbour Bridge and the relationship with its special Darling Harbour site. The way a tower reaches the sky is important to me – in the past you would find the plant on the upper levels but, with this building, the petals twist and turn as the building rises up to the sky. Equally important is how the building meets the ground – one petal extends to the ground providing a continuous line down the west elevation of the building, which is pretty unique.”

▼塔身与天空，tower and sky ©Tom Roe

Meyer Davis工作室的联合创始人Will Meyer说道：“悉尼皇冠大楼的室内设计直接受到悉尼港雄伟品质、悉尼港所代表的沿海生活方式以及Wilkinson Eyre复杂且扭动的方案设计的影响。我们的设计理念来自高品质的奢华感以及内部与周围环境的完美融合。我们希望设计最终映射出这座独特的城市，并为悉尼当地以及世界各地的游客打造一流的体验。”

Will Meyer, co-founder of Meyer Davis said: “The interiors of Crown Sydney were directly influenced by the majestic qualities of Sydney Harbour and the coastal lifestyle it represents, as well as Wilkinson Eyre’s intricate, twisting design for the scheme. Our design philosophy for this building is rooted in an inspired sense of luxury and refined integration of interiors with the surrounding environment. We hope the end result is an incredible reflection of this distinct city, and a world class experience for Sydney locals as well as travelers from across the globe.”

▼局部夜景，partial view by night ©Tom Roe

该建筑在将Barangaroo转变成首个碳中和区域及世界一流目的地的过程中发挥了重要作用。为了支持Barangaroo零废弃战略以及对积极气候发展计划的承诺，设计高于当前能源性能标准，并接入当地区域供暖和废物处理系统。在建造期间，皇冠企业为Barangaroo区域清理和修复做出了重大贡献，并在基地内种植了300多棵树。此外，该项目还为新南威尔士创造了2000多个就业机会，并展出数百件澳大利亚艺术家的作品，以赞美当地的手工业。

The building plays an important role in the transformation of Barangaroo into the first carbon neutral precinct and a world class destination. In support of the Barangaroo zero waste strategy and a wider commitment to the Climate Positive Development Program, the design exceeds current standards for energy performance and plugs into the Barangaroo development local district heating and waste systems. During the build of One Barangaroo, Crown have significantly contributed to the clean-up and remediation of the Barangaroo precinct and over 300 trees have been planted within the grounds. One Barangaroo has created over 2,000 jobs for New South Wales and celebrates local craftmanship with hundreds of artworks by Australian artists on display.

▼夜景鸟瞰，aerial view by night ©Tom Roe

▼总平面图，site and ground floor plan ©Wilkinson Eyre Architects

▼酒店：标准层平面图，hotel: typical floor plan ©Wilkinson Eyre Architects

▼公寓：标准层平面图，apartment: typical floor plan ©Wilkinson Eyre Architects

▼顶层别墅平面图，sky villa floor plan ©Wilkinson Eyre Architects

▼屋顶平面图，roof plan ©Wilkinson Eyre Architects

▼立面图，elevation ©Wilkinson Eyre Architects

▼剖面图，section ©Wilkinson Eyre Architects

Client: Crown Resorts Limited
Architect: WilkinsonEyre
Architect Partner: Bates Smart
Interiors: Meyer Davis, Bates Smart and Blainey North

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