证大大拇指广场，南京 / MAD

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马岩松携 “南京证大大拇指广场”亮相2013年深港双城双年展

Ma Yansong Featuring ‘Nanjing Zendai Thumb Plaza’  in BI-City Biennale of Urbanism\Architecture 2013 in Shenzhen

马岩松的作品“山水﹒实验﹒综合体”在2013年深港城市\建筑双城双年展文献仓库展出。这件介于建筑模型和景观装置之间的作品，是基于MAD的最新项目——“南京证大大拇指广场”所创作的。这座建筑面积近60万平方米的城市综合体预计在2017年建成。

Ma Yansong presented its work, ‘ Shanshui Experiment Complex’ in the Border Warehouse of BI-City Biennale of Urbanism\Architecture2013 in Shenzhen. This is an artwork in-between architecture model and landscape installation, created based on MAD’s latest project,‘Nanjing Zendai Thumb Plaza’. The total area of this urban design project is about 600,000 sqm and it is expected to be completed in 2017.

作为历史名城的南京，群山环绕，江河交错，同时又具有现代都市的繁华和潜力。在这座人文与自然兼收并蓄的古城中，面对空白的地块，有必要重新思考城市与自然的边界是什么。有没有可能把高密度城市和自然的意境结合起来，形成一种融合而富有生机的未来城市空间，实现人与自然在精神上的契合。

The historic city Nanjing is famous for the mountain and water landscape around the city, as well as its modern prosperities. With the culture, nature and history considered, we need to rethink how to define the boundary between the nature and the urban on this piece of empty plot in the new city development area. Is it possible to combine the high-density city with the atmosphere of the nature to create an energetic urban public space for the future, so people will re-connected their emotion with the nature?

整件装置作品是一片漫延在城市地面的绿色开放空间，自然与人工的景致穿梭掩映在室内外空间的各个维度，使得原本清晰的基地边界变得模糊，人们来到此处，似乎是在寻找他们的城市目的地，又似乎是在自然中漫步。一系列建筑以流动的线从云雾中升起，整体而生动地变化着，垂直的力量和高度的竞争被消解了，由技术和权力所操纵的城市天际线，回归到自古以来人们在自然之中所感悟到的高远意境。

The installation approaches those issues by creating a green open space spreading on the ground level of the city, where the natural and man-made landscape cross over with each other, existing in different dimensions both indoors and outdoors. The clear boundary of the site thus becomes blurred. While walking to their urban destination, people will feel as if they are sometimes walking in the nature.

Above that, a series of buildings rise in the fog with flowing lines, changing smoothly as integrity, resolving the vertical power and the height competition, and the city skyline that used to be controlled by technology and power is now back to the artistic mood of faraway-so-close that our ancients have perceived in the nature.

 

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