非常感谢 如恩设计研究室 予 gooood 分享以下内容。更多关于：Neri&Hu Design and Research Office on gooood
Appreciations towards Neri&Hu Design and Research Office for providing the following description:

如恩应中国家具品牌CAMERICH锐驰之邀，为其在2021年第48届中国（上海）国际家具展览会设计展陈空间《结构的维度》，以展示锐驰对于家居空间的无尽探索。空间设计理念始于如恩对二元论的思考。自然与人工、混沌与圣所、物件与观者，传统与创新……这些元素看似对立，实则相互依存。通过梳理、交合看似相悖的元素，如恩从潜在的冲突中汲取张力，并试图寻找到和谐的共存方式。

The concept for the Camerich pavilion stems from working through a number of dualities: nature/artifice, chaos/sanctuary, objects/the viewer, and tradition/innovation. Responding to the brand’s invitation to rethink exhibition design within the context of international furniture fairs, 5 explores the possibilities of creating a Structural Field, as a way not necessarily to arrive at a harmonious synthesis, but perhaps to hold these seeming contradictions in suspension for the duration of this temporary installation.

▼项目概览，General view of the project ©朱润资

竹子作为一种储量丰富、生长迅速的可再生材料，自古以来在世界许多地区都被视为绝佳的建筑材料之一。天然的竹子表皮散布斑点与纹路，截面呈椭圆状，竹节有大有小，透露着自然生长的痕迹。而现代技术又拓宽了竹子在建筑领域的应用范围。如恩从竹子中汲取灵感，将展陈空间打造成一座竹林。一千多个竹结构规律地排列成矩阵，抽象而理性，犹如缜密的数学演算，区隔了内外空间。观者进入竹林，步道所及之处，层层叠叠，密实交错。

▼概念图，Concept of the project ©如恩设计研究室

The choice of bamboo intersects these sets of dualities. As an abundant, fast growing, renewable natural material, bamboo in Asia and many parts of the world is also one of the oldest building materials. Although modern technology has expanded the construction application of bamboo, the lignified fibrous stalks, with its joints and organic profile, often retain marks of natural growth. In the pavilion design, Neri&Hu sets over 1,000 vertical bamboo members on a regular grid to allude to a sense of the exterior. Through a small entry, visitors are invited to begin a journey through a series of framed views, and intermittent layering of bamboo and spaces beyond.

▼展厅入口及楼梯，The entrance and stairs ©朱润资

▼展厅竹林结构，Bamboo structure of the project ©朱润资

竹林的密度不断变化，观者与家具之间的关系亦不断转换。如恩将休息室、客厅、起居室等日常生活场景融入行进步道中，而非将家具安置在传统的展台上或者展示空间中。时而，步道狭窄蜿蜒，观者可远观前方的家具。时而，步道开放宽阔，观者融入了日常的家庭场景。观者从旁观者转变到场景主人公，沉浸于竹林的维度之中，亦沉浸在自己想象的生活舞台中。

Within the varying density in the field, the relationship between objects and spectator is constantly shifting. As the exhibition did not provide pedestals or special display mechanisms for the furniture pieces, scenes of everyday life – small sitting areas, the living room, the bedroom, contemplation niches, etc. – are fully integrated within the path of the viewer. At times, the narrow and winding walkway gives the viewer a glimpse of the vignettes ahead, maintaining a distance between the spectator and the objects. In the public areas where the field opens up, the visiting spectator becomes embedded as part of the domestic scene, fully occupying the setting where the presence of furniture encourages user interaction. In other words, “at home” with the objects, the spectator takes on the role of a participant, on display as part of the exhibition. The transformation from the role of a “spectator” to a “character” on view and back, allows the visitor to be immersed not only in the phenomenon of the field, but also in one’s projected spaces, a stage for life.

▼通向室内空间的蜿蜒步道，Meandering walkway to the display area ©朱润资

▼家具展示空间， The display area ©朱润资

作为临时空间，竹林组装灵活，可因地制宜延展出不同的可能性。特别设计的竹结构及连接部件可满足于短时内组装、拆卸的需求。嵌入式钢板、竹构件的燕尾榫，以及挠度和细长比的整体结构设计，打破了临时空间的传统设计理念。而竹子的温和气质与家具的自然沉静相得益彰，阐释了锐驰对于家与自然和谐共生的美好向往。竹在中国传统文化中拥有深厚的历史底蕴。展厅内简练的空间语言与构造细节则为其增添现代注脚，引发观者对于传统与创新这组二元关系的探讨。

▼竹构件轴测图，Connection axon ©如恩设计研究室

As a temporary structure, the Structural Field is also portable and scalable. In order to bring the pavilion to other international fair sites, special connection details and modular unit types were designed. In addition to meeting the requirements of assembling and disassembling in a matter of days, the particular setting of exhibiting world-class furniture and design also inspired us to push the envelope of building craftsmanship and technology. Embedded steel plates, single direction dovetailing of bamboo members, and the overall structural design for deflection and slender ratio are some of the ways we hope to exceed the conventional formal expectations of a temporary bamboo structure.

▼悬停于竹林结构中的二层空间，The upper level floating over the bamboo structure ©朱润资

▼从二层空间望向一层展厅，Overlook the display area from the upper level ©朱润资

▼从高处俯瞰竹结构中的蜿蜒步道，
Overlook the meandering walkways inside the bamboo structure field ©朱润资

▼结构近景，Detailed view of the bamboo structure ©朱润资

锐驰2022上海国际家具博览会
地点：上海
展览地址：上海虹桥·国家会展中心 – 4.1馆，A16
设计阶段：2021年6月至9月
建成时间：2022年
展览时间：2022年9月5日至8日
项目类型: 展厅设计
展厅面积：907.5平米
主持建筑师：郭锡恩、胡如珊
主持资深协理：陈建全
设计团队：唐晓棠、杨秉鑫、叶凡、朱琦、黄惠子、洪明月
展厅设计：如恩设计研究室
结构顾问：清华大学建筑设计研究院
照明顾问：清华大学建筑学院张昕工作室
摄影版权：朱润资
特别鸣谢：寄予竹材

The Structural Field Camerich Exhibition Shanghai CIFF
Location: Shanghai
Address: Hongqiao National Exhibition and Convention Center, 4.1, A16, Shanghai
Design Period: June-Sept 2021
Completion Year: 2022
Duration: September 5th – 8th, 2022
Project Type: Installation & Exhibition Design
Gross area for renovation: 907.5sqm
Partners-in-charge: Lyndon Neri, Rossana Hu
Senior Associate-in-charge: Chris Chen
Design team: Xiaotang Tang, Bingxin Yang, Peter Ye, Carol Zhu, July Huang, Luna Hong
Installation & Exhibition Design: Neri&Hu Design and Research Office
Structure Consultants: Architectural Design and Research Institute of Tsinghua University Co., Ltd.
Lighting Consultants: Atelier Zhang Xin
Photo: Runzi Zhu
Special Thanks:Seamboo

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