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本项目由日本林崎松江海岸边的一座木造建筑改造而成，包括建筑师本人的住所与工作室，以及一家咖喱餐厅。在开始项目的设计时，建筑师就意识到这所住宅将要开启一段关于“混合”的故事，设计旨在将住宅以及周边环境中的各种“混合”元素有机融合在一起，例如：住宅与餐厅两种不同功能、文化与民族、时间与空间、城镇与私人住宅，以及工作与生活。

A wooden house near the beach was renovated into the designer’s residence and workplace, as well as a curry restaurant. What I was conscious of while designing this house was about “mixed”. I proceeded with the design while paying attention to the various mixes surrounding this house, such as usage, culture and nationality, time and space, town and house, work and life.

▼住宅外观，exterior view of the house © Yosuke Ohtake

▼庭院，front yard © Yosuke Ohtake

▼外摆区，terrace © Yosuke Ohtake

在设计时，建筑师希望通过实践重新认识自己的根源与文化背景，将国外的设计理念精华与当地的传统材料和工艺融合在一起，创造一栋颠覆传统印象的“跨国住宅”。例如，住宅底层就采用了当地曾经盛产的土地砖。这些地砖都是由淡路岛的工匠一块一块手工制作的，地砖的纹理和边缘形状参考了中南美洲城市中的熔岩石路面。屏风上挂着像蚊帐一样的网纱与竹帘，营造出热带地区般的氛围并带有一丝复古怀旧的韵味。障子屏风、隔扇（推拉门）等不完整的隔断，营造出优雅而流畅的平面空间，同时也彰显出日本传统建筑的典型特征。

In designing, I thought that it would be possible to renew the mundane “multinational house” by understanding the roots and cultural background of my own once again and mixing the essence of foreign countries with traditional materials and techniques of this area. For example, the floor of the dirt floor is tiled because this area used to be a major producer of tiles. These tiles were handcrafted one by one by tile craftsmen in Awaji, with the image of lava stone pavements seen in cities in Central and South America superimposed on the texture and edge shape. Conscious of the tropics and nostalgia, we put nets that look like mosquito nets and Sudare blinds on the Shoji screens. The graceful plans created by imperfect partitions such as Shoji and Fusuma are typical of ancient Japanese architecture.

▼底层咖喱餐厅，ground floor curry restaurant © Yosuke Ohtake

▼由座位区看备餐区，viewing the kitchen from the seating area © Yosuke Ohtake

▼障子屏风分隔了前部餐厅与后部住宅，
Shoji screens separate the restaurant from the residence © Yosuke Ohtake

▼餐厅厨房，kitchen of the restaurant © Yosuke Ohtake

▼细部，details © Yosuke Ohtake

建筑师认为时间的“混合”能够创造空间的深度。设计不强调新旧对比或整体空间与原有木造建筑的匹配，而是将旧的材料和设计视为具有一定时间轴的元素之一，并将其与新添加的元素有机融合在一起，进而创造出一个能够让人切身感受到时间跨度的空间，在这里，新与旧完美融合于一体，营造出和谐舒适的氛围。

I thought that the mixture of time axes would create depth in the space. Instead of emphasizing the contrast between old and new or matching the whole to the old, I considered old materials and designs as one of the elements with a certain time axis, and aimed to create a space where we can feel the long span of time as a whole, including the newly added parts. It is a space that is both old and new.

▼由住宅区域看楼梯，
viewing the staircase from the residence area © Yosuke Ohtake

▼办公区，office area © Yosuke Ohtake

▼通往卧室的走廊，hallway leading to the bedroom © Yosuke Ohtake

▼楼梯与屏风细部，details of the staircase and the screens © Yosuke Ohtake

在这所住宅中，空间在竖向上也有着紧密的联系，垂坠的热带原生植物适度地分隔了空间。二楼面向大海的墙壁采用了混合有红色氧化铁的刮削墙，这些墙面也是由淡路岛的泥瓦匠手工制成的，堪称是一次将不同国家的彩色墙壁融入到日式建筑中的大胆尝试。

In this house, the space is also connected in the cross-sectional direction, and the drooping plants native to the tropics moderately separate the spaces. The wall opposite the sea on the second floor is a scraped wall mixed with red iron oxide and finished by a plasterer from Awaji. This is an attempt to incorporate the colorful walls of each country into architecture in a Japanese context.

▼二层餐厅，dining area on the upper floor © Yosuke Ohtake

▼混合有红色氧化铁的刮削墙，the scraped wall mixed with red iron oxide © Yosuke Ohtake

新旧梁柱结构在上层与下层间交错，全新的障子屏风为空间进行了分隔，透过它们便可看到现有的压花玻璃窗。门上有一个不知年代的把手，是建筑师在旅行时购买的。柏木制成的柱子伫立在天然石材的地面上，带给人一种永恒的感觉。来自不同时间轴的材料在空间中彼此混合，并随着时间的流失沉淀出愈加的美感和韵味，让人感受到永恒之美。

Old and new pillars and beams are jumbled up and down, and new Shoji screens are layered so that the existing figured glass can be seen through. For the door handle, I installed something I bought on a trip and I don’t know when it was made. The cypress pillar stands on top of natural stones that give a feeling of timelessness. Materials with various time axes are mixed and coexist. The newly added materials are selected to enhance the taste with age and to always make you feel beautiful with time.

▼二层空间概览，overall of the upper floor © Yosuke Ohtake

▼楼梯细部，details of the staircase © Yosuke Ohtake

▼二层客厅与厨房，living area and overhanging kitchen on the upper floor © Yosuke Ohtake

▼面向大海的大面积L型开窗，windows that can be fully opened in an L shape © Yosuke Ohtake

在这里，住宅与周边的各种事物以一种生动、朴素的方式混合在一起，创造如大海一般包容的慷慨气息，将人的意识带到地平线之外。而在住宅的二楼，大面积的开窗则进一步将人们的视线引向广阔的天空与大海。

Here, the various things that surround the house are mixed together while maintaining their vitality and essence. In this house, there is an air of generosity like the sea that accepts all things and leads the consciousness of those here beyond the horizon. On the second floor of this house, there is a large window that cuts out only the sky and the sea.

▼底层餐厅室内灯光效果，lighting effect of the curry restaurant © Yosuke Ohtake

▼夜景，view of the garden from the street in the evening © Yosuke Ohtake

▼餐厅家具，furniture of the curry restaurant © Yosuke Ohtake

▼细部，details © Yosuke Ohtake

▼平面图，plans © Akio Isshiki Architects

▼立面图，elevations © Akio Isshiki Architects

▼剖面图，sections © Akio Isshiki Architects

Project Name: House in Hayashisaki Matsue Beach
Office Name: Akio Isshiki Architects
Office Website: https://akioisshiki.com/
Contact email: info@akioisshiki.com
Instagram: @akioisshiki_architects
Firm Location: Japan, Akashi
Completion Year: 2023
Gross Built Area: 73m2
Project Location: Japan, Akashi
Program / Use: House, Restaurant
Construction: Sasahara Construction
Landscape: abcde studio
Kawara tile: NOMIZU Co., Ltd.
Neon sign: maverick
Hardware: Inamine Metal Works
Photo Credits: Yosuke Ohtake
Photographer’s Website: http://yosukeohtake.com/
Photographer’s e-mail: archiphoto@yosukeohtake.com
Instagram: @yosukeohtake_archiphoto

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