感谢 k.o.t architects 予gooood分享以下内容。更多请至：k.o.t architects on gooood。
Appreciations towards k.o.t architects for providing the following description：

近年来，海法市正处于加速发展的城市更新进程中。两种相互冲突的思想形态多年来一直在这片被人忽视的荒凉地带上活动，企图向当地的居民灌输看似矛盾的价值观，例如：东西方文化的差异、本地与外来风俗的影响、犹太人与阿拉伯人各自不同的信仰、传统与创新主义的冲突，以及日常生活与夜生活的对立。

In recent years the city of Haifa is undergoing a process of accelerated urban renewal. Opposite forces operate in an area that has been neglected and desolate for years, and seeking to instill in it seemingly contradictory values: Western influences vis-à-vis Oriental ones, local vis-à-vis foreign, Jewish vis-à-vis Arab, residential vis-à-vis commercial, innovation vis-à-vis traditionalism, and daily life vis-à-vis nightlife.

▼项目概览，overall of the project ©moshi gitelis

在这个快速发展的核心地区，出现了一间特立独行的艺术空间，这就是Fattoush酒吧&画廊。项目坐落在一个面积为650平方米的巨大空间中，专门用于展示当地的烹饪、艺术，以及手工工艺。酒吧已于近日开业，设计师别具匠心地在空间中添置了一系列从世界各地的跳蚤市场收集的艺术作品、复古家具以及装饰艺术品。因此，Fattoush酒吧可谓是走在了回收利用、可持续发展的前沿，同时这种理念也为本项目构建了国际化的基础。

In the heart of this developing region, the Fattoush Bar & Gallery – a huge 650 square meter space dedicated entirely to culinary arts, arts and crafts – has recently been opened and is wisely using recycled design, furniture and décor that have been carefully collected from flea markets around the world. Thus the project puts itself at the forefront of the re-use trend, which now sets the tone for international architecture.

▼项目由货物武器仓库改造而成，具有鲜明的工业建筑特征，The project is transformed from a cargo and weapons warehouse ©moshi gitelis

▼暴露的原始砖墙、艺术品与铁艺的结合，A combination of exposed original brick walls, artwork and iron work ©moshi gitelis

▼充满折衷主义风格的酒吧，Eclectic bar ©moshi gitelis

“当我们开始做这个项目时，我们很快意识到，‘斗争’才是本项目设计叙事中的本质，设计的重点在于如何通过新旧元素之间不断发展的紧张关系，去重新定义海法市的全新面貌。”特拉维夫K.O.T Architects事务所创始人、艺术家、建筑师，以及多学科设计师Kfir Galatia-Azulay说道，本项目则是在他与Fattoush酒吧业主Wadie Shahbarat的合作下完成的。

“When we started working on the project, we quickly realized that the real story here is the struggle itself, and the constant tension between the new and old elements that seek to determine the face of Haifa,” says Kfir Galatia-Azulay, an artist, architect and multidisciplinary designer and owner of the Tel Aviv office K.O.T Architects, who led the process along with entrepreneur ‏‎Wadie Shahbarat.

▼入口空间，entrance area ©moshi gitelis

▼从世界各地收集的二手物品在酒吧中获得了新生，Second-hand items collected from around the world are getting a new lease of life at the bar ©moshi gitelis

“从这种理念出发，我们做出了一个大胆的选择，即，不选择。我们将Fattoush酒吧定义为一个昼夜营业的场所，并能够根据时间和不断变化的客流来改变自身的特点，根据不同的时段为人们提供各种各样的美食与美酒选择。同时这里也是一处为来自不同背景和不同艺术领域的创作者提供的开放舞台，希望能够让他们的声音被更多的人所听到。”他补充道。

“From here,” he said, “Our bold choice was made – not to choose. We decided to open a venue that will operate both day and night, and change its character in accordance with the hours of the day and the changing population, offering a varied menu of food and alcohol that will change around the clock. A place offering an open stage to creators from different backgrounds and different fields of art to make their voices heard.

▼二层空间，upper floor space ©moshi gitelis

▼墙上挂满了电影海报，营造出浓厚的艺术氛围，The walls are covered with movie posters, creating a strong artistic atmosphere ©moshi gitelis

▼回收再利用的铁艺装饰，Recycled iron art decoration ©moshi gitelis

“最重要的是，为了充分彰显出Fattoush酒吧的多重用途与多变身份，我们选择了一种基于现有珍宝的设计方法，即，从世界各地的跳蚤市场收集独特的物品、艺术品，并把它们带到海法，赋予它们新的生命。”Shahbarat是海法的一位知名人物，也是当地德国殖民区fatoush餐厅的老板，他的整个商业和艺术愿景都构筑在这种观念上。

“And above all, to ensure this variety of uses and identities, we chose a design approach based on existing treasures – unique items that were collected in flea markets all over the world and brought to Haifa to be given a new life.” This perception characterizes the entire business and artistic vision of Shahbarat, a well-known figure in Haifa and the owner of Fattoush restaurant in the German Colony of the city.

▼折衷主义与装饰艺术，Eclecticism and art-deco ©moshi gitelis

▼壁画与空间细部，Murals and space details ©moshi gitelis

“为了这个项目，我们一起开启了一段世界之旅，去寻找各种从商店门头拆卸下来的铁艺装饰、老式木门，以及古董木箱等。尽管它们大多数都处于良好的状态，且均为成品，但是我们依然将这些物品视为原材料，并在上面进行二次创作游戏，通过绘画、粉刷、填充、切割等手法将它们重新组装，使它们更加迎合空间的性质与项目的需求。通过这种方式，我们实现了两个额外的目标：第一个是与全球环境和生态趋势保持一致，在尊重传统并减少对现有环境影响的同时，回收再利用现有的物品，甚至将这一过程神圣化。第二个目标是为快速发展的港口城市，海法，赋予一种全新的、具有创意的诠释，在巧妙同化外来文化的同时，保持自己的文化自豪感与独特的文化品质。”

“Together we embarked on a world-wide journey, to discover art deco iron railings, ancient wooden chests and doors that were dismantled from commercial facades. We treated the items as raw materials, although most of them were in good state and already finished, and we allowed ourselves to play with them at different levels: painting, clothing, filing, sawing, cutting and re-assembling, while keeping in mind the needs of the space and the project. In this way, we achieved two additional goals: the first is to align with global environmental and ecological trends, which sanctify the renewed use of the existing, while respecting tradition and reducing the impact on the world we live in. The second is to provide an innovative interpretation of Haifa’s being a port city that absorbs foreign influences, and assimilates them without apologizing and without giving up its own unique qualities”.

▼半室外入口门廊，semi-outdoor entrance porch ©moshi gitelis

▼卫生间前空间，space in front of the toilets ©moshi gitelis

为了强调出折衷主义效果，并将每件物品所代表的风格串联成连贯的设计语言，主设计师Galatia-Azulay决定通过将不同材料、不同形状，以及受不同时期影响而产生的流行色组合在一起，从而创造出一种既折衷又富有质感的搭配方案，创造出极具感官冲击力的空间效果。他的野心是利用这些材料与色彩向大众呈现出一种“正面交锋”的冲击感，同时通过丰富的组合创造出统一的律动。因此，在各种材料和元素之间的原始、粗糙的碰撞中，一个具有独特身份、充满动态变化的空间诞生了。

In order to deepen the eclectic effect and to connect the “words” represented by the various items into a coherent design language, Galatia-Azulay decided to use different finishing materials, different shapes and many colors that are influenced by different, relevant periods, thus creating an eclectic and colorful textural wealth that assaults the senses. His ambition was to create a spectacular display of head-on collisions, which only together create a single rhythm. Thus, from raw, unrefined encounters between various materials and elements, a dynamic and changing space with a unique identity is born.

▼卫生间走廊与洗手池，hallway of the toilets and wash basin ©moshi gitelis

动态的内部空间与静态的建筑之间的关系，是建立在建筑独特的历史与区位上的。该建筑建造于英国殖民时期，在过去曾作为货物与武器仓库使用，离场地几步之遥的地方有一条活跃的铁路，而这也为本项目增添了另一种意义上的动态与多功能元素。酒吧里熙熙攘攘的人群与火车乘客之间的视线交汇、建筑的灯光与城市夜景的相融，这一切都为人们提供了一种在以色列大部分城市中不太寻常的体验，为人与城市创造出独特的联系。与其将铁路轨道视为项目场地周围的独立元素，并将其与环境分离，设计师将它纳入了项目生命力和能量的来源，创造出酒吧客人与行人的视线偶遇，为火车上的乘客提供了酒吧里热闹景象的匆匆一瞥，同时也为项目提供了一个生动的背景。在统一的整体氛围下，酒吧内逐渐形成了几个并行的活动角落，这些引人注目的角落为制造偶遇与会心交谈提供了契机与场所。

The relationship between the static building, which was established during the British Mandate and served in the past as a warehouse for goods and weapons, and the dynamic and versatile uses, is also joined by the unique location of the project – only a few meters from an active railway line. The hustle and bustle, the lights and the visual encounter between the guests of Fattoush and the train passengers create a rare and unusual connection in the Israeli urban experience. Instead of treating the railway track only as an element that surrounds the project and disconnects it from its environment, it also serves as a source of life and energy, creating brief encounters with uninvited guests who enjoy a glimpse of the celebration inside, as well as serving as a living backdrop. Although the project has been referred to as a whole, it is possible to discern several focal points of activity that encourage a glimpse and a meeting.

▼外观，exterior view ©moshi gitelis

▼户外酒吧区，exterior terrace ©moshi gitelis

▼总平面图，master plan ©k.o.t architects

▼平面图，plans ©k.o.t architects

▼细部详图，detail drawings ©k.o.t architects

Location：Haifa, Israel
Project size：650 m2
Site size：500 m2
Project Budget：$1700000
Building levels：2
Leading architect：k.o.t architects
Photo credit：moshi gitelis

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