感谢 Rawan Muqaddas 予gooood分享以下内容。更多关于他们，请至 Rawan Muqaddas on gooood
Appreciation towards Rawan Muqaddas for providing the following description:

From Mud的创始人 Aisha Al Saif 是一位年轻的陶艺家，她的使命是通过教授来自整个世界各地各个历史阶段的不同陶艺技术，让每个人都可以使用粘土进行设计。Aisha Al Saif 认为科威特市中心需要粘土雕刻艺术的治愈性和其独特魅力，于是便委托设计师设计了本项目。

Aisha Al Saif, a Kuwait based ceramicist whose mission is to make design through clay accessible to all through teaching different techniques from throughout history and around the globe. She felt a need for the therapeutic and magical art of clay sculpting in the heart of Kuwait City; this was how From Mud came to be.

▼室内空间概览，overview of the interior space ©Mohammed Taqi Ashkanani

项目坐落在科威特市著名的纺织市场“blokat”内，位于一栋建立于1967年的现代主义建筑物的一楼。“Blockat”市场正在掀起一股复兴浪潮，与From Mud类似的一系列创意项目正在市场中悄然兴起并逐步占据该空间。From Mud 是一个以粘土为媒介的设计工作室。设计目的是提供一个发现、研究和创造的空间，在这个空间中，不同水平的人们都可以创造一件陶艺品并将其带回家。业主的要求包括满足陶艺家日常工作需求的储藏室和置物架、窑室、半私人办公室和休息区。

The project sits comfortably on the first floor of a 1967 Modernist building in Kuwait City’s textile market, widely known as ‘blokat’. The market is seeing a wave of regeneration where creative initiatives such as From Mud are inhabiting such spaces. From Mud is a design studio with clay as its medium. The brief was to give structure to a space of discovery, research, and creation where all levels of skill can come in to create a finished piece to take home. The requirements included storage and shelving that corresponds to the daily routine of the ceramicist, a kiln room, a semi-private office, and lounge area.

▼储物间及陶艺制作间，the storage room and the pottery-making room ©Mohammed Taqi Ashkanani

▼陶艺制作及展示空间，pottery-making and exhibition room ©Mohammed Taqi Ashkanani

这个充满禅意的工作室设计灵感源于粘土工艺的美丽及其简朴的质感。设计师通过简洁的线条和柔和的色调将工作室自身向往和谐的精神投射于室内环境中。From Mud 的诞生始于观察粘土创作时的动态：从陶艺家动作到粘土本身形成的流动线条。该设计最吸引人的特点之一是通过室内光线来模仿建筑物混凝土立面的质感，在室内投下简单的阴影，并通过槽纹玻璃营造空间的隐私性。

▼通过槽纹玻璃营造空间私密性，creating the privacy through fluted glass ©Mohammed Taqi Ashkanani

The zen workspace draws inspiration and texture from the beautiful craft of clay and its simplicity. The studio’s holistic approach is conveyed through clean lines and a soothing palette that reflects the binding theory behind the studio’s own ethos. The inception of From Mud started with the observation of the movements taking place while creating with clay; from the ceramist’s own motion to the fluid lines formed by the clay itself. One of the most inviting features is the light distribution that mimics the building’s concrete façade and casts uncomplicated shadows on the space, allowing privacy through fluted glass.

▼以钢材和枫木为主材料的工作台，workbench made of steel and maple ©Mohammed Taqi Ashkanani

设计师优化空间以创造最大的存储和效率。使用的主要材料包括：实心和贴面枫木、不锈钢、粉末涂层金属制成的可调节置物架、槽纹玻璃。

The designer optimized the space to create maximum storage and efficiency. Key products used: solid and veneered maple wood, stainless steel, powder coated metal adjustable shelving system and brackets, fluted glass.

▼兼具置物和展示功能的枫木架，
maple shelf for storage and display ©Mohammed Taqi Ashkanani

为了延续室内立面的质感，置物架使用钢和枫木作为材料，营造了一个平静而实用的环境，并强调了这个年轻陶艺家创建工作室的初衷：让每个人都能接触到粘土艺术。

As a continuation of the façade itself, the perimeter shelving’s combination of steel and maple wood creates a calm and functioning environment that reinforces the young potter’s mission of making clay art accessible to everyone.

▼以枫木和槽面玻璃为材料的置物架，
shelf made of maple and fluted glass ©Mohammed Taqi Ashkanani

▼嵌入墙面的枫木置物架，
maple shelf inlayed in the wall ©Mohammed Taqi Ashkanani

▼接待区，reception area ©Mohammed Taqi Ashkanani

Project size: 98 m2
Completion date: 2021
Project team: Rawan Muqaddas

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