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由于人类对于功能空间的理解，现代建筑在历史上长盛不衰。这个项目采用由拼图似的混凝土块组成的正交几何围护结构，与建筑的尺寸及钢结构形式相适应。另一方面，白色混凝土球体形成的有机表皮体现了参数化建筑的特征，打破传统范式和理性思维，利用技术的发展创造独特的语言，向人们传达出自身的美学价值。

▼远景，展亭与城市，distanced view, the pavilion and the city ©Alexandre d’ La Roche

Modern architecture has remained valid through history as human understanding of functional spaces, in the pavilion, this isrepresented by an orthogonal geometric enclosure composed by puzzle shaped concrete pieces, that modulates the pavilion’sdimensions and its steel structure. On the other hand, parametric architecture is represented by an organic skin formed by whiteconcrete circles, that strives to demonstrate its aesthetic value, to break the barrier of traditional paradigm, rationality of thought and tocreate its own language through technological development.

▼建筑外观，external view of the pavilion ©Alexandre d’ La Roche

▼树林掩映下的展亭，pavilion in the shades ©Alexandre d’ La Roche

Egaligo展亭体现了传统建筑和参数化设计之间的张力，在二者之间达到平衡，同时在空间内部保留了一套自然环境。Egalligilo在世界语里意为均衡，这是一门为了方便国际交流而创造的语言。

Egaligilo Pavilion is an installation and represents the tension between traditional and parametric architecture acting as an equalizerof forces between them, while preserving a natural environment inside. Egaligilo means Equalizer in Esperanto, a language createdto facilitate international communication.

▼近景，传统建筑与参数化设计相结合
closer view of the pavilion, combination of traditional and parametric architecture ©Alexandre d’ La Roche

设计和建筑需要能够适应变化，作为应对全球挑战的工具创造不同的解决方案，提升人类社区生活的品质。Egaligilo与其所处的环境不断交互，与公共空间融为一体，并在内部提供了一片生机勃勃的绿洲，以其独特的象征性将游客和自然环境连接在一起。展馆内部设置了一系列环境调节装置，在内部形成一片小小的雾林；建筑表皮将阳光和雨水吸入其中，为植物提供生存的养料，建立起了一套属于自己的微气候。重叠表皮之间的开口以及人工照明在一天中创造出不同的景色，吸引观众进入展亭，重新界定内与外的界限。

Design and architecture have to act as a change agent, as a tool for facing global challenges and generating solutions to improve thequality of life of our communities. Egaligilo attains a constant interaction with its surroundings, and as it blends in with the publicspace, it also holds a living oasis inside, in which symbolism is exalted and gives the visitor the capacity to connect with the naturalenvironment. The pavilion creates its own microclimate by preserving a series of atmospheric conditions required to maintain a smallcloud forest on the inside, by allowing light and rain to seep inside through both skins, keeping the plants alive. The openingsbetween the overlapping skins and the effects of artificial lighting, create different scenarios throughout the day, inviting the spectatorto enter the pavilion redefining the narrow limit between inside and outside.

▼透过开口看向室内，view to the interior through the opening ©Alexandre d’ La Roche

▼室内绿洲，oasis inside the pavilion ©Alexandre d’ La Roche

▼透过双层表皮看向室外，view to the outside through the double skins ©Alexandre d’ La Roche

建筑的表皮采用Equitone，一种防水耐候的纤维混凝土材料。其中设计师选用了“Tectiva”和“Natura”板材，通过CNC切割成为需要的形状。外表皮由400块不同图案的拼图块组成，内部则用到了超过3000块圆片。主体结构使用4×2英寸的槽钢和2×2英寸的角钢，用来支撑内表皮的次级结构则由1×1英寸的C-18钢板组成；表皮上的“泡泡”使用1英寸钢管，由铁匠焊接在4英寸的钢条上。所有混凝土板都通过螺钉固定在主体结构外，使得建筑可以回收再利用；仅在少量节点进行焊接，提供额外的支撑，以保证结构的安全性。

▼分解轴测图，exploded axonometric ©Broissin

The Pavilion’s skins were made with Equitone, a fiber-concrete material water and weather resistant; “Tectiva” and “Natura” were theselected panels we used. These panels were cut by a CNC router to fit the proposed design. 400 patterned puzzle pieces were cutfor the outer skin and more than 3,000 circles for the inside volume. The main structure was made of steel C channels 4” by 2”and 2” by 2” steel angles, the secondary structure that supports the inner skin was made of SHS 1” by 1” C-18 and the structure of the“bubbles” was made of CHS of 1” rolled with the specs provided to the blacksmith welded to a 4” steel flat bar. All the concrete panel elements were screwed into the main structure in order to make the pavilion reusable, with just few welding points for extra supportand security.

▼施工过程，construction process ©Broissin

▼施工照片，photo on the construction site ©Alexandre d’ La Roche

▼双层表皮细部，details of the double skins ©Alexandre d’ La Roche

项目试图唤起人们对于临时性结构再利用的意识，同时传达“为人类造福”这一建筑的主要目标。Egaligilo会首先在墨西哥城Tamayo博物馆外展示六个月，之后将被移作他用。

The Pavilion seeks to raise awareness about the recycling of ephemeral structures and the main purpose of architecture:benefit humanity. Egaligilo is an example of this, it was first exposed during 6 months outside the Tamayo Museum, in Mexico City, andnow it will be adapted for another use.

▼夜景，night view ©Alexandre d’ La Roche

▼光线从表皮透出，light glowing out through the skins ©Alexandre d’ La Roche

▼夜晚从开口看向明亮的室内，view to the illuminated interior through the opening in the night ©Alexandre d’ La Roche

▼总平面图，site plan ©Broissin

▼平面图，plan ©Broissin

▼立面图，elevations ©Broissin

▼剖面图，section ©Broissin

▼细部，details ©Broissin

Project name: EGALIGILO
Completion Year: 2019
Size: 50 sqm
Project location: México City, Tamayo Park
Landscape/Architecture Firm: Broissin
Website: www.broissin.com
Contact e-mail: info@broissin.com
Lead Architects: Gerardo Broissin & Luis Pimienta
Design Team: Jorge Velázquez, Javier García, Oscar Aguilar, Andrés Lara, Gala Carrillo, Ana C. Mercado.
Clients: Archdays for Design Week México by Glocal
Collaborators: Equitone (material), Tamayo Museum (site)
Photo credits: Alexandre d’ La Roche

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