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Appreciations towards Vipp + Room11 for providing the following description:

丹麦设计品牌 Vipp 远赴南半球，在塔斯马尼亚州的布鲁尼岛（Bruny Island）推出其最新的精品民宿——Vipp Tunnel。这座由霍巴特建筑工作室 Room11 设计的建筑悬挑于斜坡之上，以大胆的建筑形式和可持续设计理念展现美学与野性美的平衡。与此同时，建筑周围还陈列着著名丹麦艺术家 Lin Utzon 的一系列户外雕塑，使这座从零打造的独特居所完美融合了艺术、设计和自然。

Danish design brand Vipp travels to the Southern Hemisphere for the brand’s newest guesthouse. Cantilevered over a sloping hill onTasmania’s Bruny Island, the architecturally daring and sustainably designed Vipp Tunnel by Hobart-based studio, Room11,balances beauty and brutalism. Featuring a series of outdoor sculptures by renowned Danish artist Lin Utzon, this ground up property becomes a unique refuge that marries art, design, and nature.

▼民宿外观，exterior of the guest room ©Adam Gibson

建筑设计
Architecture

Room11 以其在澳大利亚住宅、商业及酒店项目上的卓越表现而广受认可。这一次，他们在丛林之间创造了一座雕塑般的野兽派建筑。Vipp Tunnel 伫立在坚实大地与开放天空之间，在几何混凝土立方体和有机自然环境之间建立了一种独特的对话。

Widely recognised for their residential, commercial, and hospitality work throughout Australia, Room11 has created a sculptural,brutalist structure dropped into the bushlands. Balancing on the edge between solid ground and open air, Vipp Tunnel expresses a playful dialogue between concrete cubism and its organic surroundings.

▼雕塑般的野兽派建筑，a sculptural,brutalist structure ©Adam Gibson

“在布鲁尼岛，我们打造的建筑形式并非刻意模仿周围环境，而是通过可理解的建筑语言，让人们更直观地感知这片土地的特质。这是一座现代建筑思维与原始自然环境鲜明碰撞的空间。”

——Thomas Bailey，建筑师，AIA，Room11 事务所主管

“On Bruny lsland we have created understandable forms that do not mimic context, rather they create an intelligible form from which we can comprehend the nature of place. It is a place where the cut of contemporary architectural thinking is starkly rendered against a raw natural context.”

– Thomas Bailey, Architect AIA, Director Room11

▼现代建筑思维与原始自然环境鲜明碰撞，contemporary architectural thinking is starkly rendered against a raw natural context ©Adam Gibson

这座精品民宿历经三年打造，充分展现了 Room11 对工艺、景观、细节及材质的敏感性。在 160 平方米、长 30 米的隧道式建筑内，通透的玻璃幕墙与嵌入式钢门提供了无遮挡的壮丽景观，面朝塔斯马尼亚海和山峦。落地玻璃窗和天井为室内带来自然光感，增强空间的通透感。一个中庭将主客厅与主卧及浴室分隔开，而建筑尽头的一扇玻璃门通向一个悬浮于地面的露台，营造出“站在世界尽头”的独特感受。

A project three years in the making, the finished guesthouse embodies Room11’s interest in craftsmanship and distinctive approach to architecture that is sensitive to landscape, detail, and materiality. In the 160 m2 tunnel stretching 30 meters, wall to wall glass and recessed steel doors provide unobstructed views to the soul full and scape of the Tasmanian sea and mountains. Floor to ceiling windows and light wells imbue the space with a sense of luminosity.An atrium yard separates the main living space from the master bed and bathroom, while at the end of the tunnel, a glass door leads to a framed terrace floating above the land – showcasing an architectural finesse that underscores the sensation of being at the edge of the world.

▼面朝塔斯马尼亚海和山峦，
provide unobstructed views to the soul full and scape of the Tasmanian sea and mountains ©Adam Gibson

“建筑的修长比例刻意呼应自然环境，以大面积的无框玻璃精准框定 D’Entrecasteaux 海峡。这样的设计方法让住客真正融入塔斯马尼亚布鲁尼岛这片非凡的自然景观。”Thomas Bailey说道。

“The dramatically elongated proportions of the structure respond to the landscape by purposely framing the D’Entrecasteaux Channel with a broad expanse of frameless glass. By this methodology the user is located in the extraordinary, natural landscape of Tasmania’s Bruny Island”, says Thomas Bailey.

▼建筑的修长比例刻意呼应自然环境，
The dramatically elongated proportions of the structure respond to the landscape ©Adam Gibson

此外，一座独立的 35 平方米混凝土立方体“工作室”空间，则提供了一片极简而宁静的场所，既可作为办公室，也适合冥想使用。4 米高的天花板带来宽敞的空间感，仅设有一张 Vipp 旋转椅、一体化书桌以及隐藏式夹层双人床，凸显建筑的极简主义美学。

A separate, 35 m2 concrete cube with 4-metre-high ceilings referred to as ‘the studio’ offers an escape to a space of visual andsensory calm. Ideal as office or meditation room its spare design highlights the architecture and comprises only of a Vipp Swivelchair against an integrated desk and a hidden mezzanine double bed.

▼混凝土立方体“工作室”空间，concrete cube ‘the studio’ space ©Adam Gibson

“万花筒般的光井装置通过色彩与时间的互动，随着太阳的移动与季节的更替，黄、粉、橙等丰富色彩映照在混凝土墙面上，为建筑内部营造出变化万千的光影氛围。每一次造访 Vipp Tunnel，都将是一次独一无二的体验——它让人沉浸在原始自然与原始建筑的完美融合之中。”

——Dane Taylor，企业家

“The kaleidoscopic light well installation offers a dynamic interplav of colour and time. As the sun moves and seasons shift, vivid hues of yellow, pink, and orange are cast across the concrete interior marking the changing light at 42 south. Designed to respond to seasonal transitions.the installation ensures that no two visits are ever the same. A visit to Vipp Tunnel is an immersion into raw nature and raw architecture. It’s a station of solitude at the edge of’ the world.”

– Dane Taylor, entrepreneur

▼混凝土立方体“工作室”空间，concrete cube ‘the studio’ space ©Adam Gibson

隧道尽头的光
Light at the end of the tunnel

受塔斯马尼亚独特的南极光启发，Room11 在建筑中央天窗采用了彩色渐变玻璃，使夜晚的天空在建筑内部投射出如梦似幻的色彩。抛光混凝土地面和墙壁进一步增强了这种效果，使光影在空间内舞动，宛如一件动态的艺术品。

Inspired by the area’s natural phenomenon known as Aurora Australis, or Southern Lights, when the night sky is transformed into adreamscape of colour, Room11 has added chromatic glazing to the building’s central skylights. Polished concrete floors and walls further enhance the effect, reflecting the ever-changing interplay of light that dances throughout the otherwise understated interior like an ever-changing artwork.

▼在天窗采用了彩色渐变玻璃，added chromatic glazing to the skylights ©Adam Gibson

丹麦设计
The Danish link

Vipp 的极简丹麦设计美学，与澳大利亚壮阔的自然景观在此完美交汇。

The eclectic meeting between counterparts continues in the rendezvous between Vipp’s Danish interior minimalism and the grandeur of Australia’s nature.

▼与澳大利亚壮阔的自然景观在此完美交汇，
A perfect meeting place with Australia’s magnificent natural landscapes ©Adam Gibson

“Vipp 迎来了首家位于澳大利亚的精品民宿，扩展了我们不断增长的全球住宿体验版图。塔斯马尼亚以卓越的设计及令人惊叹的自然环境而闻名，这与我们的丹麦设计根基有着许多相似之处。Room11 创造了一座真正令人屏息的建筑，一处让人沉思与逃离现实的空间，与 Vipp 的设计理念相得益彰。”Kasper Egelund说道。

“Vipp travels south of the equator for the opening of our first guesthouse in Australia, adding to our steadily growing portfolioof Vipp guesthouses around the world”, says Kasper Egelund, CEO and 3rd generation Vipp owner. “Known for its designexcellence and remarkable natural surroundings, it makes for the ideal destination that has so many affinities with our Danishroots. Room11 has created a truly breathtaking piece of architecture, a space for reflection and escape, that perfectly complements Vipp’s design ethos.”

▼庭院，courtyard ©Adam Gibson

Vipp 负责该建筑的室内设计，特别是其全新推出的 V3 全铝厨房，成为主空间的核心。配备不锈钢台面及波纹铝制柜门的厨房岛台，与建筑的材质感相呼应。此外，Vipp 旋转椅采用澳洲羊皮包裹，营造出精致而温暖的氛围，而定制的下沉式休闲区，则为这座野兽派建筑增添一丝柔和。

Whereas Tasmania provides the breathtaking exterior, Danish design brand Vipp supplies the interior. As if made for this project,Vipp’s new all-aluminium V3 kitchen is the centrepiece of the main space. With a monumental stainless steel counter and fluted aluminum doors, the kitchen island mirrors the materiality of the building’s architecture.

▼厨房岛台，the kitchen island ©Adam Gibson

▼厨房岛台局部，the kitchen island ©Adam Gibson

精心挑选的 Vipp 家具，包括用澳大利亚羊皮装饰的 Vipp 旋转椅，在隧道原始外壳的衬托下显得精致典雅，而定制的下沉式休息室则将柔软的一角融入其中。

A careful selection of Vipp furniture, including Vipp Swivel chairs upholstered in Australian sheep skin, provides a sense of sophisticated elegance against the raw shell of the tunnel while a bespoke sunken lounge integrates a corner of softness.

▼Vipp 旋转椅，Vipp Swivel chairs ©Adam Gibson

“我们的住宅产品组合旨在提升产品体验，并为我们的设计世界打开一扇大门。通过采用不同的建筑设计理念和传统，我们可以创造出与众不同的设计体验。”

——Kasper Egelund，Vipp CEO，家族第三代传人

“Our portfolio of guesthouses is about elevating the product experience and creating a doorway into our design universe. By working withdifferent architectural tvpologies and vernacular we can craft distinct design experiences”

– Kasper Egelund, CEO & 3rd generation Vipp owner

▼面向岛屿的山峦与湖泊，facing the lake and mountain ©Adam Gibson

▼夕阳照耀进室内，the sunset flood into the indoor space ©Adam Gibson

▼夕阳照耀进室内，the sunset flood into the indoor space ©Adam Gibson

为进一步展现丹麦设计与澳大利亚建筑的融合，丹麦艺术家 Lin Utzon 也为布鲁尼岛带来了她标志性的《宇宙舞者》（Cosmic Dancers）系列雕塑。这些黑白陶瓷雕塑点缀在红桉树林间，呼应岛上独特的自然景观。

To further strengthen the unique marriage of Danish design and Australian architecture, Danish artist Lin Utzon, has brought anedition of her iconic ‘Cosmic Dancers’ series to the shores of Bruny Island. Placed among the property’s red gum trees, the large-scale, black and white ceramic sculptures echo the elongated strokes on the characteristic trees.

▼黑白陶瓷雕塑点缀在红桉树林间，black and white ceramic sculptures placed among the red gum trees ©Adam Gibson

作为悉尼歌剧院设计师 Jørn Utzon 的女儿，Lin 与澳大利亚有着深厚渊源。她的艺术作品常常与父亲的理念相呼应，追求艺术与建筑的和谐。如今，这些雕塑作品与 Vipp Tunnel 的建筑设计交相辉映，形成了一种独特的连接。

As the daughter of Jørn Utzon, the world-renowned architect who designed the Sydney Opera House, Lin’s ties to Australia rundeep. Now a successful artist in her own right, Lin’s work often mirrors her father’s philosophy of harmonising art andarchitecture. The display of her ‘Cosmic Dancers’ in the Australian bushland alongside the architectural design of Vipp Tunnel creates a strong connection to these aspects of her life and work.

▼黑白陶瓷雕塑点缀在红桉树林间，black and white ceramic sculptures placed among the red gum trees ©Adam Gibson

离群隐居之所
Off-grid hideaway

建筑的整个西立面皆为太阳能板，使其实现完全的能源自给自足。

Clad with an entire façade of solar panels facing west, the structure is energy-sufficient and runs off-grid.

▼整个西立面皆为太阳能板，clad with an entire façade of solar panels facing west ©Adam Gibson

“整个西侧立面都是根据太阳能电池阵的几何形状设计的。这是在当代建筑中优先考虑绿色能源生产的明确声明。这是对可持续建筑新领域的赞美。据我们所知，这是第一座以太阳能技术创造的整体立面为特色的建筑，充分利用了当地的纬度。” Thomas Bailey说道。

“The entire western façade is derived from the geometry of the solar array. An unequivocal statement of prioritising green energy production incontemporary construction. It’s a celebration of a new frontier in sustainable construction. As far as we are aware, this is the first building to feature an entire façade created by solar technology, making the most of the location’s latitude”, says Thomas Bailey.

▼卧室区域，bedroom ©Adam Gibson

▼卧室局部，bedroom ©Adam Gibson

通过巧妙的工程设计，建筑从地面抬升，最大限度地减少了建筑的直接占地面积。在设计过程中，Room11 对现场的每一棵树都进行了调查，并在重要树木周围进行了道路施工。为了将施工对当地植被的影响降到最低，我们还设置了一条狭窄的施工走廊。混凝土板的设计具有隔热性能，可全年保持恒温，最大限度地减少冷暖源的使用。为了达到最佳的舒适度，建筑内全部铺设了加热地板，并安装了空调。

With engineering ingenuity, the building’s elevation from the ground is minimizing the constructions direct footprint. During thedesign process, Room11 conducted surveys of every tree onsite and articulated roadworks around significant trees. A narrow construction corridor was established so that the impact on endemic vegetation was kept to an absolute minimum.The concrete panel design provides a thermal insulation to keep a regular temperature throughout the year minimising the use ofheating and cooling sources. For optimal comfort the building has heated flooring throughout and air conditioning.

▼混凝土板的设计，the concrete panel design ©Adam Gibson

▼浴室设计，the bathroom design ©Adam Gibson

“材料的选择和施工方法的运用应确保建筑的使用寿命长，而使用的材料却最少。” Thomas Bailey补充说：“该项目体现了重质不重量的理念。”

“Material choices and construction methodologies utilised shall ensure a building of great longevity with the minimum of means. Theproject is a statement of quality over quantity ”, adds Thomas Bailey.

▼夜景，night view ©Adam Gibson

这个度假村完全依靠雨水和自给自足的能源。此外，游客还可以在岛上买到大量当地特产，真正实现离土不离乡。

This getaway is purely run off rainwater and self-sufficient energy. Add to that plenty of local produce to be bought on theisland and guests can truly be living off the land.

▼夜景，night view ©Adam Gibson

Project name: Vipp Tunnel, Tasmania
Location: bruny island, tasmania, aus
Architect: Room11
Builder: Merlin Construction
Interior: vipp
Size: 160 m2
Area: 3 ha land
Completed: March 2025
Photos: Adam Gibson
Styling: Jack Milenkovic

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