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是电影人Wes Anderson的独特视觉成像，带来了成都布达佩斯咖啡店的设计灵感。设计师将Anderson在《布达佩斯大饭店》中呈现的世界近乎还原在这间咖啡厅里，给人们带来了亲密舒适，异想天开的体验之旅。

Filmmaker Wes Anderson’s distinctive visual style provided the inspiration for The Budapest Café in Chengdu, China. Our design draws on Anderson’s meticulous, memorable and magical worlds to create an inviting destination with whimsical character and international appeal.

▼空间内部，interior view

与《布达佩斯大饭店》所描述的环境相似，“布达佩斯咖啡屋”将人从日常的繁忙与琐碎中剥离。咖啡屋的所有者特别将澳大利亚咖啡风格设计融入其中，并试图营造出真正国际化的空间体验，吸引那些对影像世界的狂热爱好者们前来拜访。在这里，设计事务所Biasol将当地文化融于国际化设计，并将其完美呈现。该设计源起于对Anderson影像世界的理解：电影中呈现的对称性，精确又巧妙的情节设置，鲜活又怀旧的色彩基调，以及充斥其中的饱满情感。画面从某一点开始逐渐拉伸并向下凝望，视线焦点在视觉中心和边缘之间游走，故事如同就发生在观看者的面前。

Much like Anderson’s mythical Budapest Hotel, The Budapest Café is designed to offer an experience that detaches patrons from the hustle and bustle of everyday life. The client specifically engaged an Australian design practice to create an international hospitality experience, and requested a space that would appeal to social media-savvy females who enjoy café culture. The result demonstrates Biasol’s international capabilities fused with our local design style. We began by understanding Anderson’s style: his symmetrical, precise and quirky set designs; vivid and nostalgic colour palettes; and the sentiment that infuses his films. He tends towards one-point perspectives and peering down from above; gives attention to the edges of a set as much as the middle; and frames stories with proscenium arches.

▼怀旧空间，nostalgic character

设计、选材和企业形象决定了咖啡厅现代、极简和鲜活的装饰风格。建筑立面肃穆而沉静，拱形入口引人进入咖啡屋内部。如舞台场景般的室内设计，让来访者恣意编织属于自己的咖啡故事。

Our modern, minimalist and refreshing interpretation is defined by design, materiality and brand. The building façade projects a sense of grandeur with an arch framing the entrance and welcoming patrons to The Budapest Café. Once inside, customers are invited to engage with the physical design of the café, much like a stage set for patrons to play out their own story.

▼咖啡屋外立面，the front elevation

空间立面，层次和戏剧化的设计元素鼓励来访者去探寻这个空间。从阁楼向下的俯瞰视角，嵌入坐席和置物架的对称拱形框架，穿行的楼梯和毫无指向的阶梯踏步，还有置物架，壁炉和大理石吧台，在此相互融合成为一体。

Layers, elevations and design features encourage customers to explore the space. A mezzanine level provides a view from above; symmetrical arches frame recessed seating and shelving; and stairs and steps lead upstairs, lead nowhere, and are integrated into shelving, fireplaces and the long marble bar.

▼空间内部，interior

▼大理石吧台，the marble bar

▼吧台座椅，seatings at the bar

▼霓虹标识，the nostalgic-green hues

▼咖啡屋坐席，the seatings

布达佩斯咖啡屋在裸露的结构和挑高的天花板下，营造了女性的柔美和轻松愉悦的氛围。粉红色的球池，霓虹灯指示牌和原装Eero Aarnio泡泡椅让空间氛围顿显愉悦。洗手间的粉色斑点水磨石与咖啡厅的绿色怀旧形成了鲜明的对比。

The Budapest Café is designed to feel feminine, light and fun, despite its loftiness and exposed structure. A pink ball pool, neon signage and original Eero Aarnio Bubble chair inspire playfulness, and the bathrooms surprise with speckled pink terrazzo to complement and contrast with the nostalgic-green hues of the café.

▼粉红色的球池，霓虹灯指示牌和原装Eero Aarnio泡泡椅让空间氛围顿显愉悦，a pink ball pool, neon signage and original Eero Aarnio Bubble chair inspire playfulness

▼洗手间的粉色斑点水磨石与咖啡厅的绿色怀旧形成了鲜明的对比，the bathrooms surprise with speckled pink terrazzo to complement and contrast with the nostalgic-green hues of the café

冷暖色调的对比加上精致的细节设计，以及品牌标识、餐单和印刷细节，都完美回应了Anderson在《布达佩斯大饭店》中呈现的场景。与Anderson一样，设计师在现实生活里创造了极富想象力的异想空间。带着放松愉悦的氛围，优雅迷人的设计美学，和墨尔本咖啡文化中的热情好客，布达佩斯咖啡屋在城市生活中绽放异彩。

The contrasting hard and soft colours and design details reflect the personalities of Anderson’s characters in The Grand Budapest Hotel, enhanced by branding integrated into the café through signage, menus and printed collateral. Like Anderson, we create imaginative and evocative spaces. Our design for The Budapest Café has a relaxed and indulgent atmosphere; a whimsical and elegant aesthetic; and a hospitality experience infused with Melbourne’s café culture.

▼标识设计，complement design

▼平面图，plan

▼剖面图，section

Name of the project: The Budapest Café
Location of the project (City/Country): Chengdu, China
Website:N/A
Completion (Month/Year):October 2017
Area (sqm):178sqm
Category: Hospitality – Cafe
Name of photographer: James Morgan
Name of contact person:Jean-Pierre Biasol
Name of design office: Biasol

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