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Appreciation towards SAY ARCHITECTS for providing the following description:
这可能是最小的同时也是最大的音乐厅。
在项目之初，客户希望能够为他设计一个小型音乐教室。但与客户一起探讨后，我们决定通过设计展现一个更具有野心的想法而不仅仅是一个内向的教室。我们想要让这个空间成为一个辐射向城市的音乐厅。自此，城市音乐厅诞生了。
It is probably the smallest and biggest concert hall of all.
The request from the client is to design a small piano classroom for him. Instead of creating this introvert classroom, we decided to develop a more ambitious gesture; we want to make it a radiant space towards the whole city. Thus the smallest and the biggest concert hall appears.
▼音乐厅外观，concert hall exterior view ©Eiichi Kano
最小的，因为它可以是一个人为自己演奏的空间；最大的，因为这个城市就是它的观众席。
我们想象这个空间就是一个插入场地的音乐厅。空间的形态抽象自三角钢琴的构造，钢琴的弦变成了舞台，金属板变成了天花，琴盖变成了观众席，而框架变成了后勤空间。这整个空间，就是一个面向城市的发声器。
Be the smallest, as it is a space for one to play for oneself; be the biggest, as the city is the space’s audience.
We imagine the space like a concert hall insert into the site. The morphology of the space is an abstract of a triangle piano. The strings become the stage, the metal plate and soundboard become the ceiling; the lid becomes the audience; the frame becomes the back of the house. The whole space then becomes a generator facing the entire city.
▼设计示意图，diagram ©Say Architects
音乐厅面向城市成为一个安静的舞台。
门头是一尘不染的白色立面，没有logo标明这空间的名字或属性。只有简单的一行文字贴在玻璃上说明这是一个城市音乐厅。项目落成后，这里成了区域内有名的“景点”，每周这里都会举办一个小型的音乐会，观众可以是任何人，没有门票也不收取任何费用，大家聚集在门前自由的落座或者站着欣赏音乐。但演奏的曲目可不由观众决定，只有空间主人才能决定演出的曲目和时长。
The concert hall is a quite stage facing the city.
The storefront is a spotless white façade with no logo or text indicating the name of the space. It is merely a stage to watch. It becomes a famous spot in the whole area, every week, there will be a small concert host here, the audience, everyone, no ticket or fee required to enjoy the music. Only one cannot choose what they want to hear, what will be performed will be solely decided by the space owner.
▼立面，facade ©Eiichi Kano
▼音乐厅面向城市成为一个安静的舞台
The concert hall is a quite stage facing the city ©Eiichi Kano
▼入口，entrance ©Eiichi Kano
音乐厅内部空间是一个三部曲的序列空间。我们通过声学模拟和BIM模型分析确定了三部分的空间形状以及材质。
The inner space is a trilogy space series. We comfirmed ths space shape and material by doing acoustic analysis and BIM model.
▼声学分析和BIM模型
Acoustic analysis and BIM model ©Say Architects
第一个部分是这个音乐厅的舞台。一个喇叭状的木盒子嵌入在空间内。墙上的音响与空间完美融为一体，成为不可缺少的一个空间元素。
The first part is the “string” of this concert hall. The place is a speaker shape wood box insert into space. The speaker attached to the wall becomes a critical element of the space.
▼舞台空间，stage area ©Eiichi Kano
▼室内细节，details ©Xiaonian Bai
第二个部分是观众席，看向舞台。
The 2nd part is the audience seats looking towards the stage.
▼观众席，audience seats ©Eiichi Kano
▼室内细节，details ©Eiichi Kano
最后一部分是后勤空间，包括了一个储藏间和一个卫生间。这两个空间像是两根巨大的柱子坐落在空间中。
The final part is the back of the house, one storage and one toilet. These two space are like two massive pillars seats in the room.
▼从观众席望向后勤空间
view to the logistics area from the seats ©Eiichi Kano
音乐厅的灯光设计包含了多种不同的模式供不同方式的使用。
The light design for the concert hall includes several modes for a different purpose.
▼夜间外观，exterior view by night ©Eiichi Kano
处于表演模式时，背后两根柱子之间的光仿佛天光一样洗刷下来，同时钢琴和演奏者也分别被一个射灯打亮。光效在这一模式下变得异常戏剧化。这一刻舞台真的变成了舞台，发生的每个动作包括钢琴本身都是舞台的一部分。
In performance mode, the light between the two pillars, flush down like a skylight, while two spotlights light up the piano and player. The light effect is theatrical in this mode. The stage is a stage at this moment.
▼空间光效，the light effect ©Eiichi Kano
当关掉灯光时，这空间变成了一个私人的音乐厅，自然光线落在材料上强调了不同部分的形状和质感。
Without light, space becomes a private concert hall; lights hits material emphasizes different parts and shapes inside the room.
▼自然光影，natural light ©Xiaonian Bai
定制的家具可以相互叠放在一起节省储藏空间，但叠在一起后居然有了意外的雕塑感。
The furniture could be stacked together for storage, but also quite like a sculpture when stacked.
▼堆叠的家具
the stacked furniture pieces ©Xiaonian Bai
在地图上，如果你知道城市音乐厅的位置，他对你来说，也只是一个小标记，但他却辐射向整个城市。
音乐在很多方面与空间相似，都具有深度和长度。当声音从钢琴中传出，充满了整个房间，演奏者就在三维中体验着这音乐，身处音乐之中。
This concert hall is a tiny point mark on the map if you know the location, but space radiates toward the whole city.
Music are in many ways, similar to space; it has depth and length. When the sound comes out from the piano, it fills up the whole room, then you experience the music in 3-dimension, you see it, you feel it, and you are in it.
▼城市中的音乐厅，concert hall in the city ©Eiichi Kano
泠谱音乐厅
状况：完成
年份：2020
面积：30㎡
地址：中国杭州
项目类型：音乐厅
设计公司：Say Architects
主持设计：张岩、单嘉男
团队：谢冰妍、杭升(BIM)、黄子盈
网站：www.sayarchitects.cn
联系：info@sayarchitects.cn
空间影像：加纳永一、白小年
家具设计：Say Architects
施工团队：杭州优办装饰有限公司
家具制作：浙江诺隐家居有限公司
LPiano
Status: Completed
Year: 2020
Area: 30sqm
Address: Hangzhou, China
Program: Concert Hall
Design firm: Say Architects
Partner-in-charge: Yan Zhang, Jianan Shan
Project Team: Bingyan Xie, Sheng Hang(BIM), Ziying Huang
Website: www.sayarchitects.cn
Contact: info@sayarchitects.cn
Photograph: Eiichi Kano, Xiaonian Bai
Furniture design: Say Architects
Construction team: Hangzhou Youban Construction Co.,Ltd.
Furniture: Zhejiang Nuoyin Co.,Ltd.
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