感谢 介介工作室 （联系邮箱：jiejiestudio@qq.com）予gooood分享以下内容。更多关于他们请至：JIEJIE STUDIO on gooood
Appreciations towards JIEJIE STUDIO (contact: jiejiestudio@qq.com) for providing the following description.

｜缘起｜
The Origin

二三年春末之际，我们受景德镇御窑博物院委托，为其设计在北京的展厅以及配套空间。场地在全国农业展览馆的红房子艺术空间内，滋生·御窑茶坊作为展厅的配套茶室，面积不大，五十平米左右，承载着茶饮，文创展卖等功能。

At the end of spring in 2023, we were entrusted by the Jingdezhen Imperial Kiln Museum to design its exhibition hall and supporting spaces in Beijing. The venue is located within the Red Brick Art Space of the National Agricultural Exhibition Center, with the Zishi Imperial Kiln Tea House as the complementary tea room to the exhibition hall, covering an area of about fifty square meters, hosting functions such as tea drinking and creative cultural product sales.

▼茶坊图卷，Overview of Tea House Space ©朱雨蒙

▼茶坊空间概览，Overview of Tea House Space ©朱雨蒙

场地位于农展馆后湖北边，之前作为后勤用房而使用。因其红砖外墙特征被亲切地称为“红房子”。我们受托对这栋一层平房进行室内改造设计，同时遵循不改变其原有建筑风貌和结构完整性的原则进行设计。

The site is located on the north side of the rear lake of the Agricultural Exhibition Center and was previously used as a logistics building. Due to its distinctive red brick exterior, it is affectionately referred to as the “Red House”. We were entrusted with the interior renovation design of this single-story bungalow, while adhering to the principle of not altering its original architectural style and structural integrity during the design process.

▼茶坊空间概览，Overview of Tea House Space ©朱雨蒙

｜搭建一个废墟之上的茶棚｜
Building a Tea Pavilion on the Ruins

作为景德镇御窑博物院在北京的展览空间，我们抽象出了“被挖掘的遗址现场”为的概念作为展厅的空间设计概念，创造出一种时空对话。而展厅的配套空间，滋生·御窑茶坊在遗址旁的院宅废墟上应运而生，旨在转译百年的喝茶文化。

As the exhibition space of the Imperial Kiln Museum in Jingdezhen, we have abstracted the concept of “excavated archaeological site” as the spatial design concept for the exhibition hall, creating a dialogue across time and space. The supporting space of the exhibition hall, the Zishi Imperial Kiln Tea House, has emerged from the ruins of the courtyard next to the archaeological site, aiming to interpret the century-old tea culture.

▼御窑遗址现场，The site of the Imperial Kiln Ruins ©介介工作室

那位于遗址边上的废墟上的茶坊应该是什么样的呢？

坍塌后的几片残墙，被时间侵蚀后独剩的台基，或者还有糟朽到一半圆柱····——是这片废墟的状态。

▼轴测图，Axonometric drawing ©介介工作室

What would the tea house on the ruins next to the site look like? The collapsed walls, the weathered pedestal standing alone, or perhaps the half-rotted pillars that is the condition of these ruins.

▼在残墙上搭建茶坊灶台（操作台），
Building a tea house stove on the remains of a wall (workbench) ©朱雨蒙

我们通过四层置入完成了院宅废墟上茶棚的情境意向的转化，意在搭建一个在断壁颓垣间临时搭建起的茶棚场景。首先，置入台基，象征着时间的流逝与建筑的遗存。第二层为残墙的置入，复刻原有院宅的残墙，保留坍塌后的结构状态。第三，搭建茶坊操作台和棚顶，形成茶室的必备框架。最后，置入家具，形成完整的品茶空间。

▼轴测动图，Axonometric drawing ©介介工作室

Through the four-layer installation, we have achieved the transformation of the tea pavilion on the ruins of the courtyard, aiming to create a temporary tea pavilion scene amidst the broken walls and ruins. Firstly, the installation of the platform symbolizes the passage of time and the remains of the architecture. The second layer involves the installation of the remaining walls, replicating the original state of the courtyard, and preserving the collapsed structural status. Thirdly, the construction of the tea kiosk operation platform and the pavilion roof forms the essential framework for the tea room. Finally, the placement of furniture completes the entire tea-tasting space.

▼废墟上残留的柱础与老柱子，
The remnants of the pillars and old columns on the ruins ©朱雨蒙

▼被重新整理过后的残墙成为展厅的售票台，
The reorganized remnants of the old wall have been transformed into
the ticket booth of the exhibition hall ©朱雨蒙

▼售票台看展厅，Ticket counter to see the exhibition hall ©Chill Shine丘文三映©朱雨蒙

在原有废墟结构的基础上，我们融入轻质新材料，如纸面、桦木板和透光亚克力，创造出茶坊的顶面和窗户。这些材料的组合不仅赋予空间的临时性，也唤起了在自然环境中因地制宜、构筑简单居所的记忆。

▼材料说明，Material description ©介介工作室

▼茶桌设计，tea table design ©介介工作室

▼家具设计，furniture design ©介介工作室

Upon the existing ruins, we integrate lightweight new materials such as paper panels, birch wood, and translucent acrylic to create the roof and windows of the tea house. This combination of materials not only bestows a sense of transience to the space but also evokes memories of adapting to the natural environment and constructing simple dwellings.

▼水洗石的基座与桦木板茶棚，
The pedestal of washed stones and the birch wood plank tea pergola ©Chill Shine丘文三映

▼红夯土墙垣与纸面吊顶，Red rammed earth wall and paper ceiling ©Chill Shine丘文三映

▼桦木板搭接的临时性桌子，The temporarily assembled table made of birch wood panels ©朱雨蒙

｜废墟结构的保留与临时性｜
Retention and Temporality of Ruin Structures

在平面布局上，我们根据原有空间特征，规划出一套融合院宅废墟元素的平面布局。从入户庭院到大厅，到厨房，从小庭院到雅室，皆由这套院宅废墟原有的平面生发而成。

▼平面图，plan ©介介工作室

▼平面结构图，Planar structural analysis diagram ©介介工作室

In the layout, we have devised a plan that integrates the elements of a residential ruin based on the original spatial features. From the entrance courtyard to the hall, and from the kitchen to the small courtyard and the elegant chambers, all have evolved from the original plan of this residential ruin.

▼从展厅透过茶坊前的院子回望茶坊，
Gazing back at the teahouse through the courtyard in front of the tea shop ©朱雨蒙

▼从院子（和展厅的公共空间）进入到房子（茶坊）的门洞，
The portal from the courtyard (and the public space of the exhibition hall)
into the house (tea house) ©朱雨蒙

▼茶坊内部空间，The interior space of a tea house ©Chill Shine丘文三映

▼房子内部的残墙隔断位置与再利用，
The repositioning and repurposing of interior remnants of walls within the house©朱雨蒙

｜光和影的时间性｜
The Temporality of light and shadow

为了捕捉光与影的时间性，我们在茶坊内设计了一个发光顶，模拟临时茶棚的自然光线。可开合的亚克力窗户不仅调节光线，还让微风进入，成为室内的一部分，增强了时间流动的感觉。

In order to capture the temporality of light and shadow, we have designed a luminous ceiling within the teahouse, simulating the natural light of a temporary tea pavilion. The adjustable acrylic windows not only regulate the light, but also allow the gentle breeze to enter, becoming an integral part of the interior, enhancing the sensation of time flowing.

▼透过亚克力支摘窗洒进来的阳光，
The sunlight streaming through the acrylic-framed window ©朱雨蒙

▼透过亚克力支摘窗洒进来的阳光，
The sunlight streaming through the acrylic-framed window ©Chill Shine丘文三映

｜结语｜
Conclusion

滋生·御窑茶坊的设计实践，始于“废墟上的茶棚”这一情境意向，贯彻了从平面结构到空间结构、从形式到做法的始终如一。这次对情境意向转译的探索，是一次对构建画面意向空间的新尝试。

The design practice of Zisheng·Yuyao Tea House began with the concept of “tea pavilion on a ruin”, and has consistently implemented the transition from flat structure to spatial structure, from form to approach.

▼入口空间（残墙从室内延伸到室外），
The entrance space (ruins extending from indoors to outdoors) ©朱雨蒙

项目名称：废墟上的茶棚-滋生·御窑茶坊室内设计
项目地址：北京市
项目类型：茶室
设计方：介介工作室
主创设计师：明冠宇
项目成员：曹锦灿，伊力奇
建筑面积：50平方米
竣工时间：2024年02月
业主方：景德镇御窑博物院，全国农业展览馆，滋生文化
摄影师：朱雨蒙, Chill Shine丘文三映

Project Title: Pavilion Amidst the Ruins – Zisheng·Yuyao Tea House Interior Design
Project Name: Pavilion Amidst the Ruins – Nurturance of the Imperial Kiln Tea Shop Interior Design
Project Location: Beijing
Project Type: Tea House
Design: Jie Jie Studio
Project Architect: Guanyu Ming
Project Team: Jincan Cao, Yili Qi
Project Area: 50m²Project Completion: February, 2024
The owner party: Jingdezhen Imperial Kiln Museum, National Agriculture Exhibition Hall, Zisheng Culture
Photo Credit: Yumeng Zhu

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