非常感谢设计方 林润谷，张媚，靳远，袁小雨 将项目介绍和项目图片授权gooood发行。更多请至：Architectural Design & Research Institute of SCUT on gooood
Appreciation towards Rungu Lin, Mei Zhang, Yuan Jin, Xiaoyu Yuan for providing the following description:

（left）The window in the coner of Scarpa斯卡帕的转角窗（right）Crystal 水晶

In the era far Away from today, which is over-ambitious and over-unconventional, Scarpa brought the “god” into Canova Museum with just a corner window. Light, corner and projection. If building is of light container and then what Scarpa shaped must be far purer than today’s hyperbole.

When staring on a crystal, which is blurred in its ever-changing convexs and concaves, bringing light and shadow, brightness and darkness, we are absolutely obsessed. Light, corner and projection. If there is a reason, then the crystal that is seemingly constituted by random and chaos, must implicate some kind of geometric logic for the generating of structure and framework. In this sense, we determine to reconstruct Scarpa’s corner window from the formal system of crystal so as to restore the formal nature of architecture, to return to poetics….

在那个远离我们现今好大喜功，标新立异的曾经的年代，斯卡帕用一扇转角窗就将上帝带进了他的石膏博物馆。光，转角，投影。如果说建筑是光的容器，那么斯卡帕对这个容器的塑造必定要纯粹于我们现今的夸饰。

当我们凝视水晶石，迷离于它千变万化的转折与突起中，任何一个转折与突起带来的都是光与影，明与暗的变化。光，转角，投影…… 如果说存在即是合理，那么水晶石的这种看似随机而混乱的构成必定在冥冥之中暗含着自然构成法的逻辑。

我们决定用水晶石表面生成的形式逻辑去重构斯卡帕的光之转角。对水晶石的重构是几何学上的溯源 , 对斯卡帕的重构是建筑诗学上的溯源。

KEY words: crystal、Carlo Scarpa、light、corner
关键词：水晶、卡洛•斯卡帕、灯、角落
Designer: Rungu Lin, Mei Zhang, Yuan Jin, Xiaoyu Yuan
设计：林润谷，张媚，靳远，袁小雨

更多请至：Architectural Design & Research Institute of SCUT on gooood

.