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Appreciation towards Daniel Gillen for providing the following description:

来自美国建筑师Daniel Gillen的作品：PERFORMANCE RE-IMAGINED。
目前正在2012年北京设计周上展出。

这是一个重新想象以及反思表现空间的项目。谁是表演者，他们表演者什么？我们通过他们的角色感悟到什么？一个空间可以适用表演的场景吗？而在建筑范畴，将如何实现这样的多场景表演空间。

通过参数化的程序使得建筑空间模块拥有快意快速转变的性能和形状。尽量减少设计变量，达到三个不同的形式搭配不同的色彩唤起不同的感官的效果。

Daniel Gillen – dgd DGILLENdesign

PERFORMANCE RE-IMAGINED:
Exhibited at Beijing Design Week 2012

PERFORMANCE RE-IMAGINED: Is a series of investigations questioning what constitutes performance of the modern age. Who is the performer, and what is performed? Who is voyeur what is their role in performance? Can a singular volume adapt to alternate performances? These inquiries challenge the architectural paradigm of performance space.

Parametric utilities allow for the rapid modification of architectural language, thus allowing Designers to test geometrically diverse situations and cyclically design both ‘per-form’ and ‘per-formance’. Differentiated geometries can evoke a multitude of sensations, paired with distinct color variants while minimizing design variables, created exponential varieties of environments tested. Here are three.

LOVE SLUT: Look, but don’t touch.
PANTHEON: No photos please.
52 KEYS: Play it, or weigh it.

Designed by Daniel Gillen with special effects by Phillip Ohnesorge

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