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Appreciation towards VAVESTUDIO for providing the following description:

在科技馆，我们见识人类的科学、理性与文明。在美术馆，我们触碰人类无限的想象力。但从来没有一个博物馆，是为我们自己而建的。

▼项目视频，project video © 影川文化

In science museums, we witness civilization achivements by human beings. In art museums, we touch the boundless imagination. But there has never been a museum built for ourselves.

▼大厅，hall © 王鹏飞

2026年5月，VAVE携手科兴集团、北京大学医学人文学院甄橙教授医学史团队，共同打造中国首个由民间发起、企业出资，融合生命科学、哲学与艺术的沉浸式科普馆——我的博物馆。作为项目的核心设计团队，VAVE将这座博物馆从一个抽象的学术命题落成为一处每一个“我”都可以真正与自己相遇、对话，并引发思考的场所。

In May 2026, VAVE, together with Sinovac Group and a medical history team led by Professor Cheng Zhen from Peking University’s School of Health Humanities, launched MY Museum -China’s first private-sector-initiated and corporate-funded immersive science museum that integrates life sciences, philosophy, and art. As the core design team, VAVE has transformed this museum from an abstract academic concept into a space where every “I” can truly encounter, converse with, and reflect upon themselves.

▼每一个“我”都可以真正与自己相遇、对话，并引发思考的场所，
a space where every “I” can truly encounter, converse with, and reflect upon themselves © 王鹏飞

为什么要建这座博物馆？
Why This Museum is Built

古希腊阿波罗神庙入口处刻着一句铭文：“认识你自己”。这道基础的哲学命题横亘千年，至今仍时常困扰着我们——我是谁？我从哪里来？我要去哪里？

At the entrance of the Temple of Apollo in ancient Greece, an inscription reads: “Know thyself”. This fundamental philosophical proposition has spanned millennia and continues to trouble us today – Who am I? Where do I come from? Where am I going?

▼古希腊阿波罗神庙入口处刻着一句铭文：“认识你自己”，
At the entrance of the Temple of Apollo in ancient Greece, an inscription reads: “Know thyself © 王鹏飞

生命科学给出了一部分回答。它们是关于进化、基因、疾病与衰老的事实。当科学与医疗技术越发先进，我们知道了越来越多关于“我”作为物质客体的事实，却始终放不下那个心中的问题：那个正在呼吸、活着、还会发问的“我”究竟是谁？我如何认识自己？我要过怎样的人生？我如何与自己相处？“我的博物馆”正是为这些问题而存在。它不提供答案，它用空间打开对话，让每一个参观者在此与生命的对话。

Life science offers part of the answer. It holds facts about evolution, genetics, disease, and aging. As science and medical technology grow ever more advanced, we learn more and more facts about the “I” as a material object, yet we can never quite put down that question inside: Who is this “I” who is breathing, living, and still asking questions? How do I know myself? What kind of life do I intent to live? How do I live with myself? “My Museum” exists for these questions. It does not provide answers.The space opens a dialogue, allowing every visitor to engage in a conversation with life here.

▼项目概览，overview of the project © 王鹏飞

双螺旋叙事：知识与哲学，如同生命本身的结构
Double Helix Narrative: Science & Philosophy, the Very Structure of Our Life

整个空间的叙事以双螺旋结构展开——一条是关于生命科学的科普知识：人类进化史、人体基因结构、人体的身体特征、医学史的重要事件；另一条线索内嵌其中、追寻哲学的命题：关于存在、关于意义、关于时间与死亡、关于“我”究竟是什么。

The narrative of the entire space unfolds in a double helix structure – one strand is the popular science knowledge of life sciences: the history of human evolution, the structure of the human genome, physical characteristics of the human body, and pivotal events in medical history; the other strand is embedded within it, pursuing philosophical propositions: about existence, about meaning, about time and death, about what “I” truly is.

▼整个空间的叙事以双螺旋结构展开，
The narrative of the entire space unfolds in a double helix structure © 王鹏飞

两条叙事线彼此缠绕，如同DNA双链：科学是可见的骨架，哲学是流动其中的信息。你可以读到知识，也可以在每一个展区的深处，感受到那个更古老、更私密的问题在你耳边回响。

The two narrative strands intertwine with each other, like the two strands of DNA: science is the visible skeleton, philosophy is the information flowing within it. You can read knowledge, and , in the depths of each exhibition zone, you can also feel more intimate question echoing in your ear.

▼两条叙事线彼此缠绕，The two narrative strands intertwine with each other © 王鹏飞

“我的博物馆”共设4个板块、7大展区、23项多媒体交互体验装置、74个内容互动点位，以“人”为叙事主体，生命科学为叙事内容，通过对生命的探索，开启对自我的认识、对价值意义的反思。

▼轴测图，axonometric diagram © VAVESTUDIO

“My Museum” comprises 4 sections, 7 major exhibition zones, 23 multimedia interactive experience installations, and 74 interactive content points, with “the person” as the narrative subject and life science as the narrative content, opening up self-knowledge and reflection on value and meaning through the exploration of life.

▼多媒体交互体验装置，multimedia interactive experience installations © 王鹏飞

七大展区：探索生命的线索
Seven Exhibition Zones: Tracing the Threads of Life

0. 遇见「我」黑暗空间中，语言化作符号无序飘动，组成一串串关于”我”的发问。每一个访客将要与一个缠绕心头已久的生命疑问在此相遇。带着问题，开启探索之旅。

0. Encountering “Me”
In a darkened space, language transforms into symbols drifting in disorder, forming string after string of questions about “I.” Each visitor will encounter here a question about life that has long lingered in their mind. With that question, the journey of exploration begins.

▼遇见「我」，Encountering “Me” © 王鹏飞

1. 我之所以为「我」 46亿年演化史被压缩进365天，人类在12月31日登场。站在终点回望：我，原来来自那条绵延数十亿年的链条中的一环。第一件工具、第一簇火苗、文字的诞生、文明的积累——生命演化年历与人类历史里程碑，将”我从哪里来”的历史画面一一铺展。

1. The Reason Why I Become “I”
4.6 billion years of evolutionary history are compressed into 365 days, with humanity making its entrance on December 31st. Standing at the end and looking back: I turn out to be one link in a chain stretching back billions of years. The first tool, the first flame, the birth of writing, the accumulation of civilization – the evolutionary calendar of life and the milestones of human history unfold one by one the historical picture of “where I come from.”

▼我之所以为「我」，The Reason Why I Become “I” © 王鹏飞

2. 看不见的「我」忽明忽暗的镜面迷宫将你包裹，模拟那个”窥见”的瞬间——当显微镜第一次对准细胞，当超声波第一次穿透皮肤。科学家说，”我”是一具可以被观察、测量、分析的人体。然而我们居住其中，却未必熟悉。

2. The Invisible “Me”
A mirror maze of shifting light and shadow envelops you, simulating that moment of “glimpsing” – when a microscope was first trained on a cell, when ultrasound first penetrated skin. Scientists say that “I” is a body that can be observed, measured, and analyzed. Yet we inhabit it without necessarily knowing it well.

▼看不见的「我」，The Invisible “Me” © 王鹏飞

3. 不完美的「我」没有标本，没有图表，只有被”剧场化”的生命片段：游戏房里的童年、洗手间镜子里映出陌生变化的脸庞、孤独时把自己”锁起来”的时刻，以及年老时回望一生的感慨。整个人生，我们经历疾病、成长、衰老。生命从不完美，而我们始终在学习与之共存。

3. The Imperfect “Me”
No specimens, no charts – only “theatricalized” fragments of life: a childhood in a playroom, a face reflected in a bathroom mirror that has strangely changed, moments of locking oneself away in solitude, and the reflections of looking back on a whole life in old age. Throughout life, we experience illness, growth, and aging. Life is never perfect, and we are always learning to coexist with it.

▼不完美的「我」，The Imperfect “Me” © 王鹏飞

4. 做更好的「我」如果掌握火是文明的起源，那么医学的发展则是文明走向成熟的标志。拿起听筒，一张刻录着人类与疾病抗争史的唱片将向你诉说英雄的勇气、失败的落寞与突破时的激动。节气的循环与天花延展的半圆轮轴，演绎着人类与自然同频共振的生命智慧。追求更好，是刻在每一个”我”身上最古老的本能。

4. Become Better “Me”
If mastering fire was the origin of civilization, then the development of medicine is the mark of civilization reaching maturity. Pick up the receiver – a record engraved with humanity’s history of fighting disease will tell you of a hero’s courage, the desolation of failure, and the elation of breakthrough. The cycling of solar terms and the semicircular axis of the spread of smallpox’s eradication dramatize the life wisdom of humanity resonating in harmony with nature. The pursuit of betterment is the most ancient instinct inscribed on every “I

▼做更好的「我」，Become Better “Me” © 王鹏飞

▼做更好的「我」，Become Better “Me” © 王鹏飞

5. 「我」的意义一座”生命档案馆”里，来自不同年龄、不同地区的人们讲述他们对生命、对爱的记忆与理解。生命如一场旅行，每一只行李箱存放着过往的记忆与对生命价值的思考。我们逐渐超越人体本身的生物学范畴，开始与”意识”里的那个”我”对话。

5. The Meaning of “Ego”
Inside a “life archive,” people of different ages and from different regions share their memories and understanding of life and love. Life is like a journey, and each suitcase holds memories of the past and reflections on the value of life. We gradually transcend the purely biological realm of the human body and begin to converse with the “I” within consciousness.

▼「我」的意义，The Meaning of “Ego” © 王鹏飞

▼细部，details © 王鹏飞

6. 「我」的回响灰色、静谧、空旷，只有一条长条形窗洞。隔着玻璃，你似乎什么都看不清。走近，雾气缓缓散去，玻璃后仿佛出现一个巨大的人像。再靠近，它又模糊了；后退半步，它又清晰起来。要往何处去？这是每个人的人生命题。这里没有答案，只有聆听自己内心的声音。

6. The Echo of “Ego”
Gray, still, and vast, with only a long narrow window opening. Through the glass, you can barely make anything out. Step closer – the mist slowly dissipates, and what appears beyond the glass seems to be a towering human figure. Draw nearer, and it blurs again; step back half a pace, and it comes into focus once more. Where to go from here? This is the life question that belongs to each person. There are no answers here – only the voice of one’s own inner self to listen to.

▼「我」的回响，The Echo of “Ego” © 王鹏飞

专属手环：串联生命的旅程
Personalized Wristband: Connecting the Journey of Life

步入“我的博物馆”，每位参观者首先在入口处领取一枚专属手环：输入你的名字，它便成为这段旅程独属于你的通行证。此后，在每个展区入口扫描手环，解锁参观路径；在互动点位激活体验。

Stepping into “My Museum,” each visitor first receives a personalized wristband at the entrance: enter your name, and it becomes your one-of-a-kind pass to this journey. Thereafter, scan your wristband at the entrance of each exhibition area to unlock the exploration path, and activate experiences at interactive points.

▼每位参观者首先在入口处领取一枚专属手环，
each visitor first receives a personalized wristband at the entrance: enter your name © 王鹏飞

参观者的每一次驻足与选择都将被悄悄记录。当旅程走到终点，一份独一无二的“我的报告”正等待着你。它不是答案，而是这场对话在你身上留下的印记。

Every pause and every choice you make is quietly recorded along the way. When the journey comes to an end, a unique “My Report” awaits you. It is not an answer, but rather the imprint this conversation has left upon you.

▼在每个展区入口扫描手环，
scan your wristband at the entrance of each exhibition area to unlock the exploration path © 王鹏飞

▼在互动点位激活体验，activate experiences at interactive points © 王鹏飞

空间：想象力是科学与艺术的共有媒介
Space: Imagination as the Shared Medium of Science and Art

“我的博物馆”位于科兴来福城T6栋二楼，一楼为美术馆所在。两个空间并非偶然相邻，它们共享同一个媒介：想象力。

“My Museum” is located on the second floor of Tower T6 at Sinovac Life City, with an art gallery occupying the first floor. The two spaces are not neighbors by coincidence – they share a common medium: imagination.

▼巨大镜面人像雕塑《预言》，
The monumental mirrored figurative sculpture Prophecy © 王鹏飞（上）影川文化（下）

艺术家景晓雷创作的巨大镜面人像雕塑《预言》贯通两层，是这一关系的具体显现。它矗立在理性的科学与充满创造力的艺术之间，既不属于任何一方，又同时映照两者。我的博物馆中不同展区皆开有朝向它的窗洞。观看由此成为双向的对话：你凝视《预言》，《预言》也映照你。你观看生命，生命也照进你的意识。

The monumental mirrored figurative sculpture Prophecy, created by artist Jing Xiaolei, runs through both floors and is the concrete manifestation of this relationship. It stands between rational science and art full of creative force, belonging fully to neither, yet simultaneously reflecting both. Different exhibition zones within My Museum each have window openings facing toward it. Looking thus becomes a two-way dialogue: you gaze at Prophecy, and Prophecy reflects you back. You observe life, and life shines into your consciousness.

▼艺术家景晓雷创作的巨大镜面人像雕塑《预言》贯通两层，The monumental mirrored figurative sculpture Prophecy runs through both floors © 王鹏飞

正如英国雕塑家安东尼·葛姆雷所说：“艺术的意义在于交流生存的感受。”空间本身不给出答案，它只是提供了一个场域，让每一位访客与生命的问题真实相遇。在这里，你既是观看者，也是被观看者；既是来寻找答案的人，也是展品本身。

As British sculptor Antony Gormley said: “The purpose of art is to communicate the experience of existence”. The space itself offers no answers – it simply provides a field in which every visitor truly encounters the questions of life. Here, you are both the one who looks and the one who is looked at; both the one who comes seeking answers and the exhibit itself.

▼我的博物馆平面，My Museum Floorplan © VAVESTUDIO

▼我的博物馆互动点位，My Museum Key Interaction Points © VAVESTUDIO

▼空间剖透视，Three-dimensional cross-sectional view © VAVESTUDIO

项目名称：我的博物馆
项目类型：博物馆
设计方：VAVESTUDIO
公司网站：https://www.vave.studio/
联系邮箱：press@vave.studio
项目设计：2025年
完成年份：2026年
设计团队：空间体验设计: VAVESTUDIO
创意总监：胡海杰、Tobias Geisler
战略顾问：欧智文、殷帅博
艺术总监Whan Lee, Matthias Sütterlin
项目管理：王姝婷，Christian Rösner
内容策划：熊力、邵敏梓、赵鲲、葛彦汝
概念设计：李子瑶、邵敏梓
空间设计：周俊磊、陈壮、林芷芹、郭文超、欧祥、汤金霖
视觉传达设计：王又莹、刘烁、林顺康
多媒体深化设计与执行: VAVE IMAGINATION SHENZHEN
艺术指导：王玲
项目统筹：张思捷
制片：杜佳耐
总策划：陈贤柳
内容策划：单连营
交互设计：卢亨达
软硬件技术指导：宫原轶
多媒体设计视觉指导：张凌云
三维视觉指导：罗玉玲
数字媒体设计：曾佳丽、邹昕言、黄议莹
软件开发：VAVE DIGITAL
软件开发团队：Charles Lo, Jerry Zhang, Tab Liu
设计周期：2024.10 – 2025.12
室内概念设计顾问：张烨建筑设计事务所
内容顾问团队：北京大学甄橙教授医学史团队
艺术家：景晓雷
项目地址：北京市昌平区来福城T6
建筑面积：1800㎡
摄影版权：王鹏飞
合作方：施工方：上海信鸿实业（集团）有限公司
客户：科兴集团

Project name:My Museum
Project type:Museum
Design:VAVESTUDIO
Website:https://www.vave.studio
Contact e-mail:press@vave.studio
Design year: 2025
Completion Year:2026
Leader designer & Team:Space Experience Design: VAVESTUDIO
Creative Director: Haijie Hu & Tobias Geisler
Strategy consultant: Bill Shuaibo Yin, Zhiwen Ou
Art Director: Whan Lee, Matthias Sütterlin
Project Manager: Shuting Wang , Christian Rösner
Content Planner: Li Xiong, Minzi Shao, Kun Zhao, Alsa Ge
Concept Design: Lydia Li, Minzi Shao
Space Design: Junlei Zhou, Zhuang Chen, Zhiqin Lin, Wenchao Guo, Xiang Ou, Jinlin Tang,
Communication Design: Oly Wang, Shuo Liu, Lin Shunkang
Multimedia Detailed Design & Execution: VAVE IMAGINATION SHENZHEN
Art & Creative Director :Lynn Wong
Project Manager :Ilona Zhang
Producer: Jennifer Du
Chief Planner :Niko Chen
Content Planner : Lorin Shan
Interaction Designer: Luda Lu
Hardware & Software Technical Supervisor: Ethan Gong
Multimedia Design Visual Supervisor:Laura Zhang
3D Visual Supervisor: Tica Luo
Digital Media Designer : Zenjore Zeng , Alicia Zou ,Kuyess Huang
Software development：VAVE DIGITAL
Software Development: Charles Lo, Jerry Zhang, Tab Liu
Interior Concept Design Consultant: London Zhangye Atelier (LZA)
Curatorial Academic Advisor: Professor Zhen Cheng’s medical history research group, Peking University
Artist: Xiaolei Jing
Project location: Beijing Changping District, Life City T6
Gross built area: 1800㎡
Photo credit: Wang Pengfei
Partner: Construction by Shanghai Symbol Industrial Group Co., Ltd.
Clients: Sinovac Group

More: VAVESTUDIO 。更多关于他们，请至：VAVE Studio on gooood

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