六泉湖水探索乐园，宜昌 / HID翰地景观

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Appreciation towards HID for providing the following description:

 

项目背景
Background

2024年，我们在宜昌猇亭区六泉湖畔完成了“虎猇山林”儿童乐园。项目依托山麓起伏的自然地形，以“虎猇”为精神意象，让儿童在山麓探险环与山丘构成的攀爬游乐体系之间穿越与奔跑。一年后，我们再次回到六泉湖，这一次设计的对象从山地转向水岸。场地位于湖岸一处临水缓丘，与“虎猇山林”隔湖相望，是构成六泉湖环湖游憩体系重要节点。两座儿童乐园形成天然的空间关系，一侧是山林，一侧是水岸；一侧因为位于山麓，强调攀爬探险，一侧因为临于水岸，突出戏水体验。

▼视频，Video ©HID翰地景观

In 2024, we completed the “Tiger Flyer Mountain Forest” children’s playground by Liuquan Lake in Yichang’s Xiaoting District. Nestled into the rolling foothills, the project takes “Tiger Flyer” as its spiritual motif, creating a climbing and adventure system where children traverse and dash between hillside exploration loops and mound-based play structures. A year later, we return to Liuquan Lake—this time with a design focus shifting from hillside to waterfront. The new site occupies a gentle slope along the lake shore, directly across the water from “Tiger Flyer Mountain Forest,” forming a key node in the lake’s ring-based recreation system. The two playgrounds establish a natural spatial dialogue: one nestled in the hillside woodlands, the other along the waterfront; one rooted in the hillside with an emphasis on climbing and exploration, the other opening onto the lake with a focus on water-play experiences.

▼六泉湖水探索乐园设计范围，Design scope of Liuquan Lake Water Discovery Park ©HID翰地景观

▼项目概览，Project overview ©IAM岸木摄影

 

场地现状
Site Analysis

场地位于宜昌市猇亭区六泉湖公园西岸，基地是一处缓缓伸向湖面的临水缓丘。从历史地形演变可以发现，这里原本属于山体自然延伸至湖岸的一部分。随着环湖道路建设及场地整理，山丘逐渐与主体山体分离，形成一座独立的临湖缓丘，占地12000平方米。现状地形整体较为单一，15% 的均质缓坡直接延伸至湖岸，草坪覆盖完整，仅有少量原生乔木，虽然拥有开阔湖景，却缺乏自然地貌应有的层次变化与空间体验。然而，正因为这种留白，赋予了场地重新生长的可能。

The site is located on the west bank of Liuquan Lake Park in Xiaoting District, Yichang City. The base is a gentle slope that gradually extends toward the lake. As revealed by the historical evolution of the terrain, this area was originally part of the hillside that naturally descended to the lakeshore. However, with the construction of the ring‑lake road and subsequent site preparation, the hillock gradually became separated from the main hill mass, forming an independent lakeside knoll covering an area of approximately 12,000 square meters. The existing topography is relatively monotonous: a uniform 15% grade slope descends directly to the water’s edge, with a complete lawn cover and only a few native trees. Although the site enjoys expansive lake views, it lacks the layered variations and spatial richness expected of a natural landform. Yet it is precisely this blank slate that gives the site the potential for regeneration and new growth.

▼场地的地形演变，Topographic evolution of the site ©HID翰地景观

▼场地是一处临水缓丘，The site is a gentle hill by the water ©HID翰地景观

 

设计原则
Design Principle

设计从场地原有的地形、水文、生态与地域文化出发，以最小干预重塑空间，让江豚、水流、地形与儿童行为共同参与场地的生成。我们希望建立的是一种由自然生成游乐、游乐反过来帮助儿童认识自然的空间关系。

The design starts from the site’s original topography, hydrology, ecology, and regional culture, reshaping the space with minimum intervention, and allowing porpoises, water flow, terrain, and children’s behaviors to collectively participate in the formation of the site. What we aim to establish is a spatial relationship in which nature generates play, and play, in turn, helps children understand nature.

▼六泉湖水探索乐园与“虎猇山林”儿童乐园隔水相望，
Liuquan Lake Water Discovery Park facing the “Huxiao Mountain Forest”
children’s playground across the water ©IAM岸木摄影

 

01. 地形生成游乐｜01. Topography-Generated Play

面对原本平直、均质的临湖缓丘，我们首先思考的是如果水成为塑造场地的力量，这片山丘将如何生长？设计通过局部填挖和微地形重塑，将原本单一的15%缓坡转化为浅滩、坡地、洞穴、低洼与林下空间，并将游乐设施嵌入这些地形关系之中。我们希望游乐不再依赖设备数量形成丰富性，而是由地形、高差、水流、路径和空间尺度共同生成。这是一种从“Equipment-based Play”向“Landscape-based Play”的转变：景观不再只是游乐设备的背景，而成为真正组织儿童行为的基础设施。

Confronted with the originally straight, homogeneous lakeside slope, we first asked ourselves: if water were to become the force shaping the site, how would this hillock evolve? Through localized cut‑and‑fill operations and micro‑topography reshaping, the design transforms the previously uniform 15% gentle slope into a mosaic of shallows, slopes, caves, depressions, and understory spaces, embedding play equipment within these topographic relationships. Our intention is that play is no longer defined by the quantity of equipment, but is instead generated collectively by terrain, elevation changes, water flow, pathways, and spatial scale. This represents a shift from “Equipment‑based Play” to “Landscape‑based Play”—where landscape is no longer merely a backdrop for play equipment, but becomes the very infrastructure that organizes children’s activities.

▼通过地形生成游乐，使大地本身成为游乐界面，Generating play through terrain, making the land itself an interactive play interface ©IAM岸木摄影

 

02. 江豚逐浪的空间叙事｜02. Spatial Narrative of Porpoise Wave-Riding

如果说“虎猇山林”讲述的是山地生长的故事，那么六泉湖水探索乐园讲述的则是一段关于江豚、河流与生命流动的故事。设计选择了长江江豚作为场地的精神原型是因为江豚不仅是长江流域最具代表性的旗舰物种，也是宜昌重要的生态文化符号。它象征着长江生态系统的健康程度，也承载着近年来“长江大保护”持续推进所凝聚的公众认知。因此设计以江豚逐浪的姿态作为场地的精神原型，将其流线型身体转译为可攀爬、可滑行的巨型游乐构筑物；地形逻辑并非随意生成，而是以江豚“入水”产生的“水涟漪”作设计原型，让洞穴、浅滩、溪流、低洼等空间逐渐展开。自此滑行依附高差发生，攀爬沿地形展开，戏水顺着水流组织，探索隐藏于洞穴与坡地之间。而江豚也从一个被观看的生态符号，转变为一个动态的空间叙事，最终形成可以被身体体验的空间载体。这种转译也使“长江大保护”这一宏观生态议题进入儿童日常生活。孩子们不需要通过抽象的知识去理解江豚，而是在滑行、攀爬、涉水与追逐中，与这个来自长江的生命建立第一次感性的联系，让一只江豚成为孩子认识长江的入口。

If “Tiger Flyer Mountain Forest” tells a story of mountain growth, then Liuquan Lake Water Discovery Park tells a story of porpoises, rivers, and the flow of life. The design adopts the Yangtze finless porpoise as the spiritual archetype of the site—not only because it is the most iconic flagship species of the Yangtze basin, but also because it is a significant ecological and cultural symbol of Yichang. It embodies the health of the Yangtze River ecosystem and carries the public awareness fostered by the ongoing “Yangtze River Conservation” initiative in recent years. The design thus takes the porpoise’s waveriding posture as the spiritual archetype of the site, translating its streamlined body into largescale play structures that can be climbed and slid upon. The topographic logic is not arbitrarily generated; rather, it takes the “water ripples” created by the porpoise’s entry into the water as the design prototype, allowing spaces such as caves, shallows, streams, and depressions to unfold progressively. In this way, sliding occurs along elevation changes, climbing follows the terrain, water play is organized along the flow of streams, and exploration is hidden within caves and slopes. The finless porpoise thus transforms from a mere ecological symbol to be observed into a dynamic spatial narrative, ultimately becoming a spatial medium that can be experienced through the body. This translation also brings the macroecological theme of “Yangtze River Conservation” into children’s daily lives. Children do not need to understand the finless porpoise through abstract knowledge; rather, through sliding, climbing, wading, and chasing, they establish their first sensory connection with this creature of the Yangtze—allowing a single porpoise to become a child’s gateway to knowing the river.

▼让一只江豚成为孩子认识长江的入口，Letting a finless porpoise become the entrance for children to discover the Yangtze River ©IAM岸木摄影

 

03. 可感知的水文体验｜03. Perceptible Hydrological Experience

六泉湖本身具有湿地与海绵生态系统的特征，因此项目没有将水仅仅作为娱乐媒介，而是尝试让水同时承担生态、空间和教育三重角色。雨水通过植草沟、雨水花园及透水铺装进行渗透与净化；戏水用水经过循环过滤后持续使用；溪流、浅滩、雾森与喷泉则进一步将水的流动、蒸发、汇聚和循环转化为空间体验。更重要的是，我们希望这些生态过程能够被儿童直接感知。水从高处流向低处，汇聚成溪；溪流穿过浅滩，形成不同尺度的戏水空间；水雾改变局部微气候，也改变儿童对温度、湿度和空气流动的感受。因此，海绵城市不再停留于地下管网和技术系统，而被转化为一种可以被看见、被触摸、被身体感知的景观过程。水既是游乐媒介，也是生态基础设施；既承担环境功能，也成为儿童认识自然的第一课堂。

Liuquan Lake itself possesses the characteristics of a wetland and sponge ecological system. Therefore, the project does not treat water merely as a medium for recreation; rather, it attempts to give water a triple role—ecological, spatial, and educational. Rainwater is infiltrated and purified through grass swales, rain gardens, and permeable pavement; play water is continuously reused after circulation and filtration; while streams, shallows, mist forests, and fountains further translate the processes of water flow, evaporation, accumulation, and cycling into spatial experiences. More importantly, we hope these ecological processes can be directly perceived by children. Water flows from higher to lower elevations, gathering into streams; streams pass through shallows, forming water‑play spaces of varying scales; mist modifies the local microclimate and also alters children’s perception of temperature, humidity, and air movement. In this way, the sponge city is no longer confined to underground pipe networks and technical systems, but is transformed into a landscape process that can be seen, touched, and physically felt. Water is both a play medium and an ecological infrastructure; it serves environmental functions while also becoming a child’s first classroom for understanding nature.

▼可感知不同尺度的戏水空间，Perceivable water play spaces at different scales ©IAM岸木摄影

 

04. 寓自然教育于游乐｜04. Integrating Nature Education into Play

项目将自然教育融入游乐本身：孩子在溪流中追逐水流，在浅滩中观察水体，在水雾中感知微气候，在洞穴中寻找光影，在坡地上理解高差，在江豚构筑物中完成一次关于长江生命的空间想象。自然不再是游乐场之外的“背景”，而成为游乐发生的条件。这也使项目从传统的“儿童活动场地”进一步转向一种面向下一代的生态公共空间——让儿童在玩耍中认识水、认识地形、认识生物，也逐渐理解人与自然之间并非彼此独立，而是共同存在于一个持续变化的生态系统之中。

The project embeds nature education within play itself: children chase the flow of water in streams, observe water bodies in shallows, perceive microclimates through mist, search for light and shadow in caves, understand elevation changes on slopes, and engage in spatial imagination about the life of the Yangtze River through the porpoise structures. Nature is no longer a “background” outside the playground, but becomes the very condition for play to occur. This further shifts the project from a conventional “children’s activity ground” toward an ecological public space for the next generation—one where children, through play, come to understand water, terrain, and living beings, and gradually realize that humans and nature are not independent of each other, but coexist within a continuously evolving ecosystem.

▼夕阳下，蓝色水草像一片水上小森林，Under the sunset, the blue aquatic plants resemble a small forest on the water ©IAM岸木摄影

 

设计策略
Design Strategy

01. 如何将水故事引入场地？ ——江豚逐浪，涟漪成景｜01. How to Bring the Water Story into the Site? — Porpoise Wave-Riding, Ripples into Landscape

一场雨落在六泉湖西岸的山包上，雨落成流，水流成洼——恰在此时，江豚一跃而入，落入这片浅水。落水之处，涟漪层层荡开，轻抚过山丘地形的每一寸轮廓：凹处被冲刷成洞穴，凸处被浸润成浅滩，平直刻板的地形在水的雕琢下变得柔和而生动。我们模拟这一过程，让江豚入水的瞬间成为场地重塑的原点，让每一圈涟漪都化作一道地形的等高线，原本孤立的山包由此与湖、与岸、与对岸的虎啸山林重新连接，仿佛江豚曾在此一跃，水波至今未平。

A rain falls upon the hillock on the west bank of Liuquan Lake. Raindrops gather into streams, and streams pool into depressions—just at this moment, a finless porpoise leaps in, landing in the shallow water. Where it enters, ripples spread outward in layers, caressing every contour of the hillock’s terrain: hollows are scoured into caves, rises are wetted into shallows, and the once flat and rigid topography becomes soft and animated under the sculpting hand of water. We simulate this process, taking the instant of the porpoise’s entry as the origin of the site’s transformation, and turning each ring of ripples into a contour line of the terrain. In this way, the isolated hillock is reconnected with the lake, the shore, and the Tiger Flyer Mountain Forest on the opposite bank—as if the porpoise once leaped here, and the ripples have never subsided to this day.

▼江豚逐浪，涟漪成景，Finless porpoises chasing the waves, ripples forming a landscape ©HID翰地景观

 

02. 如何构建水游乐内容？ ——逐水而生的游乐装置群｜02. How to Construct the Water Play Content? – A Cluster of Play Installations Born of Water

涟漪退去后，逐水而生的装置逐一浮现：江豚的流线型体态凝固为巨大的蓝色滑梯构筑物，成为场地视觉的绝对焦点；薄壳洞穴从涟漪的弧线中生长，曲面屋顶如浪花翻卷，柱间光影斑驳，邀请孩子们穿梭探险；水草仿生喷水装置散布浅滩，水雾氤氲，让场地仿佛刚从水中苏醒。装置循着水流的痕迹有机分布——从动感戏水到静谧光影，从生态观察到自由跳跃，每一件器械都因水而生、随水而形。

As the ripples recede, installations born of water emerge one by one: the streamlined form of the porpoise solidifies into a giant blue slide structure, becoming the absolute visual focal point of the site; thin‑shell caves grow from the arcs of the ripples, their curved roofs curling like rolling waves, with dappled light and shadow between the columns, inviting children to weave through and explore; bionic water‑spray devices resembling aquatic plants are scattered across the shallows, enveloping the site in a misty haze that makes it seem as if it has just awakened from the water. The installations are organically distributed along the traces of water flow—from dynamic water play to tranquil light and shadow, from ecological observation to free jumping—each piece born of water and shaped by its flow.

▼游乐装置群的构建，Construction of the play installation cluster ©HID翰地景观

 

03. 如何完成最终的水乐园叙事？ ——水陆交融，叙事闭环｜03. How to Complete the Final Narrative of the Water Park? – Interweaving Water and Land, a Closed Narrative Loop

最后一场“水”的涌入，完成了从“有水”到“水乐园”的质变。浅水轻漾于池滩，是小小孩嬉戏的空间、雾森在洞穴内壁弥漫，降温增湿；水在乐园中循环、净化、渗透。水不再只是主题，而是空间真正的联结者——它流经浅滩、穿过洞穴、环绕装置、汇聚低洼，将四大区域串联成完整的游乐序列。孩子们循着水的路径，从戏水到探索、从观察到跳跃，完成一场关于江豚与水的完整旅程。

The final surge of “water” completes the qualitative transformation from “having water” to “being a water park.” Shallow water gently ripples across the pools and shallows, creating spaces for the youngest children to play; mist forests diffuse along the cave walls, cooling and humidifying the air; water circulates, purifies, and permeates throughout the park. Water is no longer merely a theme, but the true connector of the space—it flows through shallows, passes through caves, surrounds installations, and gathers in depressions, linking the four zones into a complete play sequence. Following the path of water, children journey from splashing to exploring, from observing to leaping, completing a full narrative about the finless porpoise and the water.

▼水陆交融，Integration of water and land ©HID翰地景观

 

空间构成
Space Design

整个场地由四大主题空间及二十四种游乐装置，沿着等高线分层次布局。分别是江小豚探险湾、洞穴水迷宫、水草浅滩、水母云岛。每个区域对应一段关于江豚、河流与生命流动的故事，其游乐方式既独立又连续，共同构成完整的“水探索”序列。

The entire site is composed of four themed zones and twenty‑four play installations, arranged in hierarchical layers along the contour lines. They are:Yangtze Finless Porpoise Adventure Bay, Cave Water Maze, Aquatic Weed Shoal, and Jellyfish Cloud Island. Each zone corresponds to a chapter in the story of porpoises, rivers, and the flow of life, with play experiences that are both independent and interconnected, together forming a complete “Water Discovery” sequence.

▼场地千层饼图，Site layer-cake diagram ©HID翰地景观

 

江小豚探险湾｜Yangtze Finless Porpoise Adventure Bay

包含了迎风逐浪滑道、乘风破浪滑道、踏浪飞驰滑道、浪涡转盘、豚影浅水湾、摇浪江豚、江小豚探险爬网。在江小豚探险湾，以一座跃出水面的蓝色江豚构筑物作为视觉地标，让孩子们在江豚‘体内’穿梭攀爬、滑行、戏水，在不同难度的滑道与攀爬网中发展身体协调能力，同时理解江豚作为长江生态象征的意义，在身体运动中完成一次与自然相遇的体验

▼江小豚生长动画，Growth animation of the Little Yangtze Porpoise ©HID翰地景观

The zone includes the Wind‑Facing Wave‑Riding Slide, the Riding the Wind and Waves Slide, the Wave‑Racing Slide, the Whirlpool Turntable, the Porpoise Shadow Shallows, the Rocking Porpoise, and the Little Porpoise Exploration Climbing Net. In the Yangtze Finless Porpoise Adventure Bay, a giant blue porpoise structure leaping out of the water serves as the visual landmark. Children can climb, slide, and splash through the porpoise’s “body,” developing their physical coordination across slides and climbing nets of varying difficulty levels. At the same time, they come to understand the porpoise’s significance as a symbol of the Yangtze River’s ecology, completing an encounter with nature through bodily movement.

▼顺着水流一口气冲进“豚影浅水湾”，Rushing with the water flow into “Porpoise Shadow Shallows” ©IAM岸木摄影

▼一座跃水而出的亮蓝色“江小豚”，A bright blue “Little Yangtze Porpoise” leaping out of the water ©IAM岸木摄影

▼手脚并用地钻进“江小豚”里，Climbing into the “Little Yangtze Porpoise” using both hands and feet ©IAM岸木摄影

▼蹚进“豚影浅水湾”，踩着清澈的水花跑一跑，Wading into “Porpoise Shadow Shallows,” running through the clear splashes ©IAM岸木摄影

▼山麓湖畔的六泉湖水探索乐园，Liuquan Lake Water Discovery Park at the foot of the mountain and by the lake ©IAM岸木摄影

 

洞穴水迷宫｜Cave Water Maze

包含了跃浪坡、飞瀑滑道、跃江滑道、暗河滑道、穿岩环、洞顶水炮、暗河迷径、岩顶攀登梯。洞穴水迷宫则沿着涟漪继续延展。通过清水混凝土薄壳结构营造出如天然水洞般的迷宫，连续起伏的洞穴空间，光影、流水、雾气交织其间，孩子们在跃浪坡、飞瀑滑道、岩壁攀登中体验探索与未知的乐趣。相比探险湾的开放与速度，洞穴迷宫更强调未知、探索与空间感知，让游乐成为一种主动的学习，同时也成为夏季避暑的舒适场所，在雾森降温和水循环探索的体验中，享受与水、与自然最亲密无间的野趣时光。

The zone includes the Wave‑Jumping Slope, the Falling‑Water Slide, the River‑Leaping Slide, the Underground River Slide, the Rock‑Piercing Ring, the Cave‑Top Water Cannon, the Underground River Maze Path, and the Rock‑Top Climbing Ladder. The Cave Water Maze continues to unfold along the ripples. Using a fair‑faced concrete thin‑shell structure, it creates a maze reminiscent of a natural water‑filled cave. The continuous, undulating cave spaces are interwoven with light, shadow, flowing water, and mist. Children experience the thrill of exploration and the unknown on the Wave‑Jumping Slope, the Falling‑Water Slide, and the rock‑climbing routes. Compared to the openness and speed of the Adventure Bay, the Cave Water Maze places greater emphasis on mystery, exploration, and spatial perception, turning play into active learning. It also serves as a comfortable summer retreat, where children can enjoy the most intimate and wild moments with water and nature amid the cooling mist and water‑cycle exploration.

▼这座高低起伏的白色峡谷是一座立体的“洞穴水迷宫”，This undulating white canyon is a three-dimensional “cave water maze” ©IAM岸木摄影

▼踩着白色斜坡上的岩点攀上洞顶，Climbing onto the cave top via the rock holds on the white slope ©IAM岸木摄影

▼在洞穴里的孩子们就像一群在江底乘凉的小精灵，Children in the cave are like little sprites cooling off at the riverbed ©IAM岸木摄影

▼爬上“岩顶攀登梯”，顺着“飞瀑滑道”俯冲，栽进“水草浅滩”的怀抱中，Climbing up the “Rock Top Climbing Ladder,” swooping down the “Waterfall Slide,” and landing into the embrace of “Weed Shallows” ©IAM岸木摄影

▼爬上白色的“穿岩环”探险，
Climbing up the white “Rock-Through Ring” for adventure ©IAM岸木摄影

▼在弯弯绕绕的“暗河迷径”里捉迷藏，Playing hide-and-seek in the winding “Underground River Maze” ©IAM岸木摄影

 

水草浅滩｜Aquatic Weed Shoal

包含了岩溪水道、水精灵跳泉、水草雨帘、水泡咕咚泉、水雾森林、摇曳翘翘板、江豚守望台、泉眼水炮。
水草浅滩区域以更贴近自然的方式展开：蜿蜒的灰色水洗石溪道穿过浅滩,与周围有机形态的戏水池融为一体,仿佛自然生成。场地内点缀着蓝白褪韵的仿生水草与花蕾造型喷泉装置，配合轻柔的冷雾系统，在夏日里营造出清凉的视觉与体感体验。浅溪上方架起弧形水柱,形成童趣盎然的“嬉水拱廊”。戏水池边结合浅灰色弧形休憩长椅与绿岛树池，家长可在湖畔倚坐，远眺湖山-孩子们则可在浅水中追逐水雾,感受与自然亲密无间的野趣。水草浅滩以更自然的方式实现水与人的互动，也为家长和孩子共同漫游、观察与休憩提供了舒适的环境，将生态教育与日常游乐自然融合。

▼水探索区域仿生水效装置参数，Parameters of the bionic water effect devices in the water exploration area ©HID翰地景观

The zone includes the Rock Creek Waterway, the Water Sprite Jumping Fountain, the Waterweed Rain Curtain, the Bubbling Gurgle Spring, the Mist Forest, the Swaying Seesaw, the Porpoise Lookout, and the Spring Eye Water Cannon. The Aquatic Weed Shoal unfolds in a more nature‑close manner: a winding grey washed‑stone creek channel meanders through the shoal, blending seamlessly with the surrounding organically shaped wading pools, as if naturally formed. The site is dotted with bionic waterweed and bud‑shaped fountain installations in blue‑and‑white faded tones, complemented by a gentle cooling mist system that creates a visually and physically refreshing experience during summer. Above the shallow creek, curved water arches rise to form a whimsical “splash arcade” for children. Beside the wading pools, light‑grey curved resting benches and planted island tree pits are integrated, allowing parents to sit by the lakeshore and gaze out at the lake and hills—while children chase through the mist in the shallows, enjoying an intimate and wild time with nature. The Aquatic Weed Shoal achieves water‑human interaction in a more natural way, and also provides a comfortable environment for families to wander, observe, and rest together, naturally blending ecological education with everyday play.

▼绕过着咕嘟咕嘟的“水泡咕咚泉”，和伙伴们在浅水里奔跑打水仗，Skipping around the bubbling “Gurgling Spring,” splashing and running in the shallows with friends ©IAM岸木摄影

▼孩子们在水花四溅的“水草浅滩”里踩水跑跳，Children splashing and jumping in the “Weed Shallows” ©IAM岸木摄影

▼用力往下一压，水花“嗖”地一下射向天空，Pressing down hard, the water shoots up into the sky with a “whoosh” ©IAM岸木摄影

▼冲过“泉眼水炮”的子弹雨，躲进大网后面哈哈大笑，Charging through the “Spring Water Cannon” rain, dodging behind the net with laughter ©IAM岸木摄影

▼沿着弯弯曲曲的“岩溪水道”蹦跳，
Hopping along the winding “Rock Creek Channel” ©IAM岸木摄影

▼“水精灵跳泉”像一条条透明的彩虹桥，”Water Sprite Jumping Fountains” are like transparent rainbow bridges ©IAM岸木摄影

▼“摇曳翘翘板”一上一下摇摇晃晃，The “Swaying Seesaw” rocks up and down ©IAM岸木摄影

▼走进雾蒙蒙的水汽里，Walking into the misty spray ©IAM岸木摄影

▼穿过“水草雨帘”，水珠滴滴答答落在肩膀上，Passing through the “Weed Rain Curtain,” droplets pattering onto the shoulders ©IAM岸木摄影

▼光着脚丫踩在凉丝丝的“岩溪水道”里，Barefoot stepping into the cool “Rock Creek Channel” ©IAM岸木摄影

▼孩子们在“水雾森林”里快乐舞蹈，Children dancing joyfully in the “Mist Forest” ©IAM岸木摄影

▼“水草雨帘”开出晶莹的水花，
“Weed Rain Curtain” splashing crystal-clear droplets ©IAM岸木摄影

▼在咕嘟咕嘟冒着水泡的“水泡咕咚泉”下接住晶莹的水花，
Catching crystal droplets under the bubbling “Gurgling Spring” ©IAM岸木摄影

▼孩子们在“水草浅滩”里欢快嬉戏，
Children playing happily in the “Weed Shallows” ©IAM岸木摄影

 

水母云岛｜Jellyfish Cloud Island

作为“干区”乐园，该区域以“水母”与“云端”为灵感，塑造了洁白的起伏式游乐地形。柔软的“跳跳云”装置隐匿于绿草与树影间，不受水流限制，孩子们可奔跑、攀爬与跳跃，体验云端漫步般的轻盈与弹性。这一区域实现了从“水”到“陆”的自然过渡，使乐园在非戏水季节同样充满活力与吸引力。

Jellyfish Cloud Island, as a dry‑zone play area, is inspired by jellyfish and clouds, featuring white, undulating play terrain. Soft “Bouncing Cloud” installations are tucked among the grass and trees, unrestricted by water flow, allowing children to run, climb, and jump, experiencing the lightness and bounce of walking on clouds. This zone achieves a natural transition from water to land, ensuring the park remains vibrant and attractive even during non‑water‑play seasons.

▼在山林环抱中，小孩在“水波跳跳云”上欢快奔跑，Children running joyfully on the “Water Wave Jumping Cloud” surrounded by forest ©IAM岸木摄影

▼金色夕阳下，在云端轻盈一跃，仿佛一只自在的小水母，
Leaping lightly on the cloud under the golden sunset, like a carefree little jellyfish ©IAM岸木摄影

▼穿过迷雾小路，柔软的水母云岛在草浪尽头等着你，
Passing through the misty path, the soft jellyfish cloud island
awaits at the end of the grassy waves ©IAM岸木摄影

 

设计落地
Construction

水乐园在落地过程中充分考虑了地形条件、材料选择与建造逻辑。场地微地形顺应临湖缓丘被重塑,土方实现场内自平衡，尽量保留原有植被和土壤系统。游乐核心区域采用高弹性EPDM 安全铺装，水探索区域则以水洗石铺装为主,色调以蓝色与灰蓝色为主，与江豚意象相呼应。标志性的蓝色江豚骨架采用钢结构骨架,通过参数化建模控制流线形态,内部整合了滑梯、攀爬、钻洞等多重游乐功能，并保障内部照明与通风需求。雾森系统用于降低夏季体感温度，并强化儿童对微气候与水循环的直观感知。整体建造语言力求简洁、耐久和易维护，以支持乐园长期安全和可持续运营。

The construction of the water park fully considered site topography, material selection, and building logic. The site’s micro‑topography was reshaped in accordance with the lakeside slope, with earthwork balanced on‑site and existing vegetation and soil systems preserved as much as possible. The core play areas are surfaced with high‑elasticity EPDM safety surfacing, while the water exploration zones feature washed‑stone paving in blue and grey‑blue tones, echoing the imagery of the finless porpoise. The iconic blue porpoise framework is constructed with a steel structure, its streamlined form controlled through parametric modeling, integrating multiple play functions such as slides, climbing, and crawling, with internal lighting and ventilation also ensured. A mist system is employed to reduce perceived temperatures in summer and to enhance children’s intuitive perception of microclimate and the water cycle. The overall architectural language strives for simplicity, durability, and ease of maintenance, supporting the park’s long‑term safety and sustainable operation.

▼3D打印模型推敲场地地形，3D-printed model for site topography study ©HID翰地景观

▼主要物料工艺全过程管控，Full-process control of main material craftsmanship ©HID翰地景观

 

EPDM场地配色
EPDM Site Color Scheme

场地地面采用差异化组合：蓝色EPDM地垫用于核心游乐区（江小豚探险湾），缓冲吸震保障安全；灰色水洗石用于所有“水探索”区域（水迷宫、水草浅滩），微颗粒防滑，潮湿时呈溪滩光泽。色彩上，EPDM取湖蓝、浪花蓝、浪花白，营造活泼感；水洗石用浅中深灰，形成生态底色。两者在戏水区蓝灰交织、软硬拼接，既安全防滑，又实现统一色调下的多维质感，层次丰富自然。

The ground surfacing employs a differentiated combination: blue EPDM mats are used for the core play area (Yangtze Finless Porpoise Adventure Bay), providing cushioning and shock absorption for safety; grey washed stone is used for all “water exploration” zones (Cave Water Maze, Aquatic Weed Shoal), with finegrain antislip texture that takes on a streambed sheen when wet. In terms of color, the EPDM incorporates lake blue, wave blue, and wave white to create a lively atmosphere; the washed stone uses light, medium, and dark greys to establish an ecological undertone. Where the two meet in the waterplay areas, blue and grey interweave, with soft and hard surfaces joining together—ensuring both safety and slip resistance, while achieving multidimensional texture under a unified color palette, resulting in rich and natural layering.

▼EPDM及水洗石骨料颗粒配比，EPDM and washed stone aggregate ratio ©HID翰地景观

 

写在最后
Afterword

六泉湖的山水格局,让我们有机会把自然教育融入儿童的日常游乐，也把长江生态保护这样宏大的议题转化为孩子们可触摸体验的日常片段。我们希望孩子们在这里奔跑时，不仅仅是在玩耍,更是在与一只江豚、一条河流、一场生命的循环悄悄建立联系。这种联系可能微小，却会在他们心里慢慢生长，也让这座公园超越单纯的娱乐空间，成为连接城市、自然与孩子未来的重要媒介。虎猇山林与江豚逐浪一起，构成了一条完整的儿童游乐序列：山与水、刚与柔、速度与流动，两座乐园彼此呼应，共同构建完整的六泉湖山水儿童游乐体系，也共同为城市提供了一种富有地域特色、可持续且有教育意义的公共空间范本。

The mountain‑lake landscape of Liuquan Lake gives us the opportunity to integrate nature education into children’s everyday play, and to translate grand ecological themes such as Yangtze River conservation into tangible, hands‑on moments that children can experience firsthand. We hope that as children run here, they are not merely playing, but quietly forging a connection with a porpoise, a river, and a cycle of life. This connection may be subtle, yet it will grow slowly within them, allowing the park to transcend mere entertainment space and become an important medium that links the city, nature, and the future of its children. Together, Tiger Flyer Mountain Forest and Porpoise Wave‑Riding form a complete sequence of children’s play experiences—mountain and water, strength and softness, speed and flow. The two parks echo each other, jointly building a comprehensive mountain‑lake children’s play system for Liuquan Lake, and together offering the city a model of public space that is regionally distinctive, sustainable, and educationally meaningful.

▼平面图，Plan ©HID翰地景观

▼剖面图，Section ©HID翰地景观

项目名称：六泉湖水探索乐园
项目地点：湖北宜昌
设计时间：2025年3月-2025年6月
建成时间：2025年9月
设计面积：约12000平方米
建设单位：宜昌市金猇城发集团
施工单位：湖北广盛建设集团
景观设计：HID翰地景观 
设计团队：吴昊、张璐、何玉江、尚煜坤、沈华枢、尤佳、高跃雯、徐亚罕、啜一鸣、彭艳阳、郑诗宇、陈影
游乐器械深化与制作：HASA广盛翰地装置艺术
项目摄影：IAM岸木摄影

Project name: Porpoise Wave-Riding, Lakeside Foothills Water Play –  Liuquan Lake Water Discovery Park
Design:HID Landscape Architecture
Website: https://www.hidscape.com/
Contact e-mail: info@hidscape.com
Design year:2025.03-2025.06
Completion Year:2025.09
Leader designer & Team:Wu Hao, Zhang Lu, He Yujiang, Shang Yuke, Shen Huashu, You Jia, Gao Yuewen, Xu Yahan, Chuo Yiming, Peng Yanyang, Zheng Shiyu, Chen Ying
Gross built area:12000 ㎡
Photo credit: IAM

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