非常感谢 Šépka architekti 予gooood分享以下内容。更多关于他们，请至：Šépka architekti on gooood
Appreciation towards Šépka architekti for providing the following description:

“建筑不应模仿自然的形态，但它应当以自然的精神运作，表达并区分承载与被承载。”
“在建筑之美的范畴内，唯有重力与刚性的较量才构成其独特的审美素材。”

—— 阿图尔·叔本华

“Architecture ought not to imitate the forms of nature, and yet it should work in the spirit of nature, how it expresses and distinguishes between the borne and the bearing.”
“For the battle between gravity and rigidity is fine architecture’s sole aesthetic material.”

—— Arthur Schopenhauer

▼项目概览，overall of the project © Aleš Jungmann

▼修道院中的图书馆，library in the monastery Želiv © Aleš Jungmann

Želiv普雷蒙特雷修会修道院自12世纪建立以来，经历了多次变革与动荡。在经历火灾后，该建筑多次重建，其中最重要的一次改造由J.B. Santini于18世纪主持。20世纪50年代，修道院曾被共产政权用作所谓的“羁押集中营”，用于关押神职人员和修道士。修道院教堂旁是一座单层方形修道院建筑，其一楼设有一间带有壁画的大型房间——即旧图书馆。然而，原始的木质书架已不复存在。因此，我们的任务便是设计一座新的图书馆，以容纳这批珍贵的藏书。

The Premonstratensian monastery in Želiv has gone through a series of transformations and upheavals since its foundation in the 12th century. After fires, it has been restored several times, most significantly in the 18th century by J.B. Santini. In the 1950s, it served as a so-called internment concentration camp, where the communist regime detained priests and monastic clergy. Adjacent to the monastery church is a one-story convent with a square floor plan, where there is a large room with frescoes on the first floor – the former library. Unfortunately, the original wooden shelves have not survived to this day. Our task was to design a new library to house a great deal of valuable books.

▼设计概念围绕书籍展开，concept works with the load of books © Aleš Jungmann

我们的设计概念围绕书籍之间的关系展开，并象征性地将图书馆的形式划分为“支撑”与“负荷”两部分。结构采用混凝土支柱与金属板书架的组合系统，其整体秩序来源于结构需求及重力作用。

Our concept works with the load of books and symbolically divides the form of the library into a support and a burden. It is a composite system of concrete supports and sheet metal shelves, which gives the assembly an overall order resulting from structural necessity and gravity.

▼书架结构采用混凝土支柱与金属板书架的组合系统，the book shelves system made of concrete supports and sheet metal shelves © Aleš Jungmann

▼细部近景，closer view of the shelves © Aleš Jungmann

现存藏书并不完整，但项目要求尽可能全面展示馆藏。因此，我们决定按照书籍尺寸进行排序，以最大化利用整个空间。书架的高度对应书籍的大小，从底部最大的一排依次递减至顶部最小的一排。混凝土支柱的高度同样依据书籍尺寸变化，其构成比例遵循黄金分割原则。

The collection of preserved books is not complete, but there was a request for a maximum presentation of the entire book fund. For this reason, it was chosen to sort them according to size in order to make maximum use of the entire space. The heights of the shelves correspond to the size of the individual books, and the shelves are ordered from the largest in the bottom row to the smallest in the top row. The concrete supports also respond with their height to the size of the books, and the views are composed in the proportions of the golden sectional view.

▼书架的高度对应书籍的大小，从底部最大的一排依次递减至顶部最小的一排，the heights of the shelves correspond to the size of the individual books © Aleš Jungmann

▼混凝土支柱的高度依据书籍尺寸变化，the height of the concrete pillar varies according to the size of the book © Aleš Jungmann

▼书架构成比例遵循黄金分割原则，the proportion of bookshelves follows the golden section principle © Aleš Jungmann

混凝土支柱在现场直接浇筑，使用Želivka河的砾石和鹅卵石，我们希望在建筑中烙印出这一场所的痕迹。我们将建造视为一个由多个步骤构成的过程，最终形成完整的建筑作品。

The supports were cast directly on site, using gravel and pebbles from the River Želivka. Our goal was to imprint the place into the architecture itself. Our goal was to imprint the place into the architecture itself. We understand the act of building as a process that creates a final work through a series of steps.

▼书架构成展台，bookshelves form a stand © Aleš Jungmann

▼书籍展台，book display stand © Aleš Jungmann

▼书架与书籍细部，details of the books and shelves © Aleš Jungmann

▼细部，details © Aleš Jungian

整个系统如同一个组件套件，在数天内便可完成组装，无需与现存历史结构锚固连接。在思考如何在修道院的历史空间中打造一座全新的图书馆时，我们主要关注重量、秩序，以及施工过程中的实现方式。

The entire system was assembled as a kit within a few days, without the need for anchoring to existing historical structures. When thinking about a new form of library in the historical space of the monastery, we were primarily interested in working with weight, order, and the process during implementation.

▼未放置书籍时的场景，scene without books © Aleš Jungmann

▼细部，details © Aleš Jungian

图书馆中心设有一张桌子——一块八米长的金属板，其上陈列着十三本精选的开放书籍。我们希望以此象征性地营造出一种“宴席”氛围，与位于图书馆正下方的修道院餐厅形成呼应。

A table is situated in the centre of the room – an eight-meter sheet metal plate on which selected open books are presented under thirteen covers. Our intention was to symbolically create the impression of a kind of feast at the table, as the monastery refectory is located directly under the library.

▼图书馆中心的金属长桌，the long metal table in the center of the library © Aleš Jungmann

▼细部，details © Aleš Jungmann

▼项目施工过程，construction process stories © Šépka architekti

▼改造前，before renovation © Šépka architekti

▼位置图，location of the library © Šépka architekti

▼草图，sketches © Šépka architekti

▼平面与书架立面，plan and elevations of the shelves © Šépka architekti

▼轴测图，axonometric drawings © Šépka architekti

Library in the monastery Želiv
author: Šépka architekti / Jan Bárta, Marek Fischer, Jan Šépka
collaboration: Matěj Šépka
investor: Kanonie premonstrátů v Želivě
supplier: Art Consultancy s. r. o.
project: 2020‒2022
implementation: 2023
photographer: Aleš Jungmann
usable area: 116 m2

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