火翼：2024阿那亚戏剧节海边篝火装置 / 合木建筑工作室

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Appreciations towards Heimat Atelier for providing the following description:

 

背景
Background

火翼作为海边的篝火装置是今年阿那亚戏剧节热度最高、参与人数最多的活动之一，其位置设定在戏剧节海边巡游线路的终点，它的燃烧是当晚活动的高潮和尾声。火翼装置具体选址在秦皇岛阿那亚内部步行路与大海之间的沙滩上，拥有开阔、唯美的环境背景，但同时也提示着苛刻的实施条件——不确定的风雨天气和松软的沙滩地面。

Fire Wings, as bonfire installation by the seaside, is one of the most popular and highly attended events at this year’s Aranya Theater Festival. Positioned at the terminus of the festival’s coastal parade, the bonfire serves as both the peak and the finale of the evening’s celebrations. Located on a stretch of beach between the festival’s walkways and the open sea, this installation benefits from a vast and enchanting natural setting but also faces challenging conditions—shifting sands, unpredictable winds, and rain.

▼装置概览，installation overview © Lv Xiaobin

 

解题
Concept

海边篝火已是阿那亚戏剧节持续三年的公共艺术项目，前两年均由艺术家设计。本次则由建筑师作为主导，以建筑而非造型雕塑的方式来解答这一命题。

For the past three years, the seaside bonfire has been an enduring public art project at the Aranya Theater Festival, with artists leading its design in prior years. This year, however, the vision was designed by architects, introducing an architectural rather than purely sculptural approach.

▼鸟瞰，aerial view © Lv Xiaobin

燃烧大型篝火的形式作为民间习俗和文娱活动，在国内外均属常见之事。如何为本年度戏剧节做出与众不同的呈现，是设计团队为之努力的目标。此次设计借鉴了中国南方潮汕地区乡村的传统民俗“烧蚁窑”[1]，这一原型在燃烧的呈现、火与构筑物之间的关系给予了启发——火与构筑物之间的接触、相融、分离。

The tradition of igniting grand fires resonates across diverse cultures, symbolizing both celebration and ritual. The design team aimed to present a bonfire unlike any before, drawing inspiration from the ancient “ant kiln burning” customs in the Chaozhou-Shantou region of southern China. This tradition informed the intimate dance between fire and structure, where contact, fusion, and separation converge.

▼装置与活动场地，installation and celebrations site © Lv Xiaobin

 

火与物
The Dance of Fire and Form

设计核心关注由火带来的物质状态的蜕变，以及篝火燃烧在时间线上的不同形态；从而给观者呈现多层次的视觉场景，并触发多重的体验与情绪。由于火的介入，装置有机会被定义为燃烧前、燃烧中、燃烧后三种状态。

▼燃烧前后对比图，diagram before and after burning © Atelier Heimat 

The core of the design focuses on the transformation of material states brought by fire and the different forms of the bonfire over time, presenting layered visual scenes to evoke multiple experiences and emotions in the viewer. With fire involved, the installation is defined by its stages: before burning, during burning, and after burning.

▼静态的、简练的几何实体，a static, simple geometric entity © Lv Xiaobin

燃烧之前，白天的篝火装置为静态的、简练的几何实体；外部黑色镂空表皮，隐约透露内部炽焰色。

Before Burning: During the day, the bonfire installation appears as a static, simple geometric entity, with an outer black perforated shell subtly revealing a glowing orange interior.

▼外部黑色镂空表皮，outer black perforated shell © Lv Xiaobin

▼内部炽焰色，glowing orange interior © Lv Xiaobin

燃烧过程，夜晚的篝火分为三个燃烧阶段：1) 内置点火筒的燃烧；火在内部，表皮的镂空形成剪影，像灯笼一般呈现出轻盈感；2）表皮的燃烧；火蔓延到装置的外围，进而覆盖整个表面，燃烧下的装置热烈又壮观；3）表皮木片的塌落；火势逐渐减弱，光线暗淡起来，表皮坍落、木片倏倏地掉下，火焰由此衰颓。

As night falls and the flames are kindled, the bonfire passes through three dynamic stages:
• Internal Ignition: Flames from the internal ignition tube cast silhouettes through the outer shell, creating a lantern-like effect.
• Full Blaze: Fire spreads outward to engulf the exterior, transforming the structure into a roaring, all-encompassing blaze—a sight both intense and mesmerizing.
• Descent of Ashes: As the fire wanes, embers fall softly from the collapsing wooden panels, the light fading, the structure settling into silence.

▼篝火仪式，bonfire party © Lv Xiaobin

▼燃烧下的装置热烈又壮观，intense and mesmerizing bonfire © Zyfoto

▼燃烧过程，blazing fire © Zyfoto

燃烧之后，经历15分钟左右的燃烧，剩下纤细的钢筋骨架，虚空、静寂。暗色的天空，闪电不期而至，雨滴零星滴下，雷声轰隆而来，与火共舞，与音乐共鸣，给作品添加了难以名状地力量，给现场观者，送上无以复加地慌乱、惊喜，以及更多一重的动态自然之美。大海，沙滩，夜空，雷电，雨水，篝火！

After Burning: After about 15 minutes of burning, only a delicate steel skeleton remains, giving a sense of void and silence. The dark sky, occasional lightning, sporadic raindrops, and thunder amplify the atmosphere, adding a raw, dynamic beauty of nature. The sea, beach, night sky, lightning, rain, and bonfire combine to offer the audience an unforgettable, layered sensory experience.

▼燃烧殆尽，settling into silence © Lv Xiaobin

▼不期而至的闪电，occasional lightning © Zyfoto

▼纤细的钢筋骨架，a delicate steel skeleton remains © Lv Xiaobin

 

设计实现
Design and Realization

火翼装置占地8mX6m，高度7m；由基础、钢筋骨架、木质外表皮、内置点火筒四部分构成。整体形态的设计，同时考虑了下部点火操作、顶部拔风、外围通风等燃烧因素。装置下部的基础，钢板和下部钢脚均埋入沙中，钢板几何体内装沙作为配重。装置骨架分为四个单元，由螺纹钢与钢筋形成人字形网片；装置镂空的表皮由小块木板层叠阵列，同时选取橙色布料作为底色；内部方形筒作为内胆，这便是点火的位置、燃烧的起点。

▼钢筋骨架生成图，steel framework generation © Atelier Heimat 

▼表皮木板示意图，wooden panels © Atelier Heimat 

▼火翼生成过程动图，generation process © Atelier Heimat 

The design incorporates practical elements for controlled burning, such as lower ignition access, upper venting, and external ventilation. The base is anchored in the sand, with a geometric steel plate filled with sand for stability. The frame is constructed in four units using threaded steel and rebar in a truss pattern. The perforated shell consists of layered wood panels, with orange fabric as the backdrop. The central square tube serves as the ignition point, initiating the burn.
The Fire Wings installation covers an area of 8m x 6m with a height of 7m, and it consists of four main parts: a foundation, a steel framework, a wooden outer shell, and an internal ignition cylinder. The overall design thoughtfully considers combustion factors, including ignition at the base, exhaust at the top, and ventilation around the perimeter. The foundation is anchored in the sand, with both the steel plate and lower steel legs embedded and filled with sand for ballast. The steel framework is divided into four units, with A-frame grids made from rebars. The perforated outer shell is created by layering small wooden panels, backed by orange fabric. The inner square cylinder serves as the core, providing the ignition point and the origin of the flames.

▼装置骨架， steel framework © Lv Xiaobin

▼钢筋细部， steel bar detail © Lv Xiaobin

 

结尾
Conclusion

火是能量的一种表现形式，可燃物是火存在的媒介或载体。千百年来，人类对火的使用和依赖，逐渐形成了它的多重属性——功能性、娱乐性、艺术性、精神性等。而当它超越功能性被使用时，必将由不同区域、不同文化的人群赋予它独特的文化基因。
火翼装置的燃烧是短暂的、瞬时的，在这一极具仪式感和群体性的活动中，娱乐之余，希望它也是在传播着一种文化的载体。

Fire, as a form of energy, relies on combustible material as its medium or carrier. Across centuries, fire has been endowed with multiple meanings—function, entertainment, artistry, and spirituality. When elevated beyond its functional use, fire becomes a symbol, infused with cultural meaning that resonates across regions and peoples.
The Fire Wings installation, though ephemeral, embodies a ritualistic and communal spirit. Beyond providing mere entertainment, it aspires to serve as a vessel of cultural memory, igniting the shared essence of a fleeting moment that lingers long after the flames have died.

▼燃烧后鸟瞰，aerial view after burning © Lv Xiaobin

▼场地平面图，site plan © Atelier Heimat 

▼燃烧前立面，Elevation before burning © Atelier Heimat 

▼燃烧后立面，Elevation after burning © Atelier Heimat 

参考文献：[1] 夏珩，陈佳镔，彭嫱. 粤东潮州乡村“蚁窑”群体的田野调查与建构研究[J]. 新建筑 2018(6)：8-13.

项目名称：火翼——2024阿那亚戏剧节海边篝火
项目类型：装置
设计方：合木建筑工作室(Atelier Heimat)
公司网站：http://www.a-heimat.cn/
联系邮箱：media@a-heimat.cn
项目设计：2024.5
完成年份：2024.6
设计团队：张东光、刘文娟、周颖、邢冬、马田阳(绘图)
项目地址：中国，秦皇岛
施工管理:张⻓海、李杨、白焕义
策展人:刘畅、朱砂
建筑面积：24㎡
摄影版权：吕晓斌、在野照物所、星唯视觉
合作方：张准（结构）、任爽（艺术家）
客户：阿那亚戏剧节，候鸟300
材料：钢筋、木

Project name: Fire Wings – Seaside Bonfire at the 2024 Aranya Theater Festival
Project type: Installation
Design: Atelier Heimat
Website: http://www.a-heimat.cn/
Contact e-mail: media@a-heimat.cn
Design year: 2024.5
Completion Year: 2024.6
Leader designer & Team: Zhang Dong Guang, Liu Wenjuan, Zhou Ying, Xing Dong, Ma Tianyang (drawings)
Project location: Qinhuangdao, China
Gross built area: 24㎡
Photo credit: Lv Xiaobin, Zyfoto, staronly entertainment
Partner: Zhang Zhun (Structural Consultant), Ren Shuang (Collaborating Artist)
Clients: Aranya Theater Festival, Migratory Bird 300
Materials: Steel，Wood

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