感谢 Studio Cadena 予gooood分享以下内容。更多关于他们： Studio Cadena on gooood
Appreciation towards Studio Cadena for providing the following description:

建筑师本杰明·卡德纳（Benjamin Cadena）利用使人联想到70年代极简主义艺术的色彩和抽象形式，为波哥大这家冰淇淋和甜甜圈商店打造了大胆而有趣的空间。

Using color and abstract forms reminiscent of 70’s minimalist art, architect Benjamin Cadena shaped a bold yet playful space for this ice cream and donut shop in Bogotá.

▼空间概览，overall view of space ©Ambiente Familiar

该设计以最少的手法创造出令人难忘的环境，空间中固定着五颜六色的三角柱群和直径八米的环形木椅，随着人的移动而变化。这家小店被设想成聚会和用餐场所，大部分区域都位于临街公共空间，可以用来会见朋友或休息片刻。简单的元素经过精心布置，营造出独特的氛围，它没有回到最初的设计框架，而是为这个新兴品牌提供了新的空间形象。

▼轴测图，axon ©Studio Cadena

A field of colorful triangular columns and a large 8 meter (21ft) circular wood bench anchor the raw space. Seeming to change as you move through, the design creates a more memorable environment with minimal means. Conceived as a place to gather as much as one for eating, the small shop dedicates most of its area to this communal room off the street to meet up with friends or take a break. The use of simple elements that are carefully arranged offers a distinct character without reverting to expected design tropes and delivers a new spatial identity for the fledgling brand.

▼空间中固定着五颜六色的三角柱群和直径八米的环形木椅，a field of colorful triangular columns and a large 8 meter (21ft) circular wood bench anchor the raw space ©Ambiente Familiar

“零售空间采用的设计方式通常都相当保守，它们往往基于业主的某些具体需求。该项目让我们有机会通过简单手法塑造具有特定视觉及空间品质的环境，这种环境如同食物或服务一样，以自己的方式促进着整体体验。随着人们与零售关系的发展，我认为这种简洁的方式将成为趋势，帮助人们更好地理解设计和建筑价值。”——本杰明·卡德纳

“Retail spaces are often quite conservative in the way they use design. There are certain expectations based on a product of what things should look like. This was an opportunity to simply shape an environment with particular visual and spatial qualities that could itself contribute to the overall experience, directly and in its own way, much like the food or the service does. As our relationship with retail continues to evolve in culture, I think this approach will gain relevance to better understand the value of design and architecture.” – Benjamin Cadena

▼由简单手法塑造的具有特定视觉及空间品质的环境，the environment with particular visual and spatial qualities by simple means ©Ambiente Familiar

▼空间细节，detail ©Ambiente Familiar

设计亮点
• 在120平方米的空间中，直径八米的环形木椅环绕着五颜六色的三角柱群。
• 与简洁的白色外观相映成趣，所有元素都散布在空间中，营造出随着移动而变化的彩色环境。
• 玻璃立面上的大字在室内投下深深的阴影，使空间充满活力。
• 空间后部的大理石吧台用作主要服务台和展示柜。
• 该空间是为哥伦比亚品牌Fernadez Fernadez设计的。

Design Highlights
• 120-square meter space is anchored by a 8 meter circular wood bench set in a field of colorful triangular columns.
• Playing against a clean white shell, all elements are loosely arranged within to create an enveloping environment of color that changes as you move.
• Large lettering across the glass storefront’s facade cast deep shadows that animate the space within.
• A marble bar set in the rear provides the main serving counter and display case.
• The space has been design for the Colombian brand Fernadez Fernadez.

▼阴影使空间充满活力，the shadows animate the space ©Ambiente Familiar

▼环形座椅、彩色柱群和大理石吧台，circular bench, colorful columns and marble bar ©Ambiente Familiar

▼使用场景，usage scenario ©Ambiente Familiar

这家120平方米的商店具有大片玻璃窗，可以安全刻字并且完好无损。在内部，原有墙壁被漆成白色，混凝土地面没有遮盖，天花也暴露在外。玻璃立面上的大字在空间深处投下阴影，在一天之中不断变化。这是一种关注内部空间和光线的干预方式。

The 1200-square-foot (120-square-meter) store features large glass windows that, safe for the lettering, are kept intact. Inside, existing walls are painted white, concrete floors are left bare, and the ceiling is left exposed. Large lettering over the storefront’s glass cast shadows deep into the space that change throughout the day. It’s an intervention that focuses inward onto the space and light within.

▼外立面，facade ©Ambiente Familiar

▼平面图，plan ©Studio Cadena

▼立面图，elevation ©Studio Cadena

Team:
Design: Studio Cadena
Team: Benjamin Cadena, Matthew Brubaker
Branding: S&Co
Learn more at www.studiocadena.com
Instagram: @benjamincadena
Fernadez Fernadez is a new brand in Bogota, Colombia @fernandez_frndz

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