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The alteration of light is a key factor for photo-shooting; thus, we consider the photography studio supposes to coexist with natural daylighting as much as possible. This building was built in 1982, located in the hill area at Hsinchu city. Inspired from membrane semi-transparency, the façade was rebuilt with glass bricks, which undermining the sloping groundline and visual heftiness, and becoming semi-clear carrier.
Entering indoors, the cement hollow-brick wall creates a contrast with glass brick wall, both materials implying a synthesis of old days and new era, which allow light transmitting freely spread out.
▼入门即见玻璃砖与水泥花砖，the cement hollow-brick wall creates a contrast with glass brick wall
▼形成昔日与今朝的对照，both materials implying a synthesis of old days and new era
▼家具细部，details of the furniture
▼光在其中穿透而反映出的即是光阴的影像，allow light transmitting freely spread out
To reminisce about historical colonial styles, the mixed-color marble flooring was kept intact, and the wood-framed foldup windows were preserved. Moreover, upstairs fences and front doors were restored in woods. The ceiling comprises curve and linear details, creating inviting layers. In dawn, while interior lightings were lit up, the neighbor and passers-by can sit on the bench and share illumination via glass brick wall, which create a connection between community and people.
▼保留原有的混色大理石地坪，the mixed-color marble flooring was kept intact
▼空间没有过分的装修仍保有丰富层次，creating inviting layers
▼旧式上悬窗的木框有著早期台湾受日本风格影响的印记，the wood-framed foldup windows were preserved
▼镂空花砖的光影，light and shadow created by the hallow bricks
面积： 165 平方米
Project Name: Bon Appetit Photography Studio
Category: Commercial, Photography Studio
Photography: YHLAA (Yi-Hsien Lee Photography)
Location: Hsinchu city, Taiwan
Space: 165 sqm