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新南威尔士州艺术馆坐落在悉尼Domain公园的缓坡上，这是一处毗邻皇家植物园、俯瞰悉尼港的壮观场地。在过去的一个世纪里，艺术馆逐渐发展壮大并经历了大量扩建以容纳日益多样化的艺术收藏。由SANAA设计的新馆建造在原艺术馆建筑的北面，位于几条重要路径的交界处。行人穿过这里来往于城市，汽车则沿着下方的快速路通行。

▼视频，Video © SANAA

▼SANAA访谈视频，Video – interview © SANAA

The Art Gallery of New South Wales sits on the gentle slope of Sydney’s Domain parkland, a spectacular site adjacent to the Royal Botanic Garden overlooking Sydney Harbour. The Art Gallery has grown gradually over the past century, with a number of extensions built to accommodate an increasingly diverse art collection. The new standalone building is to the north of the original Art Gallery building, at the junction between several critical pathways. Pedestrians cross the site to go to and from the city, while cars run along an expressway below.

▼项目鸟瞰，Aerial view of the Art Gallery of New South Wales’ new SANAA-designed building © Iwan Baan

▼场地鸟瞰，Site aerial view

场地地貌复杂，从沿海港口到美术馆大道有着20米的高差，美术馆的正门就坐落于这里。毗邻场地的位置，一座大陆桥将美术馆和植物园联系在一起。在基地的最底层，建筑师保留了两个二战时期使用的退役油罐。正是这些油罐、道路与大陆桥定义了场地的空间氛围，将悉尼的现代化发展史悉数展示在人们眼前。

The terrain of the site is diverse. There is a 20-metre rise from the harbour to Art Gallery Road, where the Art Gallery’s front door is located. Adjacent is a land bridge that connects the Art Gallery to the Botanic Garden. At the lowest level of the site are two decommissioned oil tanks that were used during the Second World War. These tanks, roads, and the land-bridge shape the site and we can see Sydney’s history of modernisation.

▼项目和城市鸟瞰，Aerial view to the project and its surroundings © Iwan Baan

▼新馆与历史建筑，The Art Gallery of New South Wales’ new SANAA-designed building and the historic building © Iwan Baan

新建筑由一系列不同规模的展馆和画廊组成，它们轻盈地坐落在这些独特的场地元素之间。低矮的屋顶沿着地形缓慢地延伸，以巧妙的手法保护了现有的树木，保持了视觉的通透性，同时回应了场地的轮廓。

The new building is composed of a series of pavilions of various sizes and gallery volumes, which sit lightly across these elements. The low roofs step and shift gently along this topography to preserve existing significant trees, sight lines, and the contour of the site.

▼新馆屋顶视角，Rooftop view © Iwan Baan

▼施工过程，Construction timelapse © SANAA

迎宾广场成为现有建筑与新建画廊之间过渡，作为社区的共享空间，广场以带有荫蔽的舒适室外区域热情地接待着前来的参观者们，并将人们引向新建筑的入口展馆。这座大型开放式广场，为各种类型的活动提供了充足的户外空间，并允许多项活动同时进行。

Connecting the existing and new gallery buildings is a civic plaza – the Welcome Plaza – a shaded outdoor area connected to the Entrance Pavilion of the new building that acts as a shared space for the community. It is a large open plaza into which many activities can spill simultaneously.

▼美术馆迎宾广场，近处是草间弥生的作品“宇宙间盛开的花” Exterior view of the Welcome Plaza of the Art Gallery of New South Wales’ new building, featuring Yayoi Kusama Flowers that Bloom in the Cosmos 2022 © Iwan Baan

▼美术馆迎宾广场，照片左方是的Francis Upritchard的雕塑作品“Here Comes Everybody”，Exterior view of the Welcome Plaza of the Art Gallery of New South Wales’ new building, featuring Francis Upritchard Here Comes Everybody 2022 © Iwan Baan

▼夜晚，沿道路望向建筑，Exterior view of the Art Gallery of New South Wales’ new SANAA-designed building, 2022 © Iwan Baan

入口展馆被设想为一处灵活的社交空间，游客和学校团体可以于此汇合，人们在这里结识新朋友，并为参观美术馆做准备。从入口馆内部能够俯瞰到中庭，瞥见到丰富的艺术活动，甚至场馆之外的自然景观。

We envision a space where visitors and school groups can gather casually, meet new people and prepare for their visit to the Art Gallery. From inside the Entrance Pavilion, visitors can then see down into an atrium, glimpsing art, activities, and landscape beyond.

▼入口展馆，The entrance pavilion © Iwan Baan

▼俯瞰中庭，Overlook to the atrium © Iwan Baan

展览空间分布在建筑的各个楼层。原住民和托雷斯海峡岛民画廊位于入口层，面向现有建筑的玻璃幕墙以及面向海港的开窗将充足光线与广阔的景观视野引入室内空间中。

Exhibition spaces are spread across the various levels of the building. The Aboriginal and Torres Strait Islander gallery is on the entrance level with a glazed wall facing the existing building and a window with a view of the harbour.

▼新馆室内空间，Interior view of the Art Gallery of New South Wales’ new SANAA-designed building

▼新馆室内空间，Interior view of the Art Gallery of New South Wales’ new SANAA-designed building © Iwan Baan

▼中庭空间，Atrium © Iwan Baan

▼GROUNDLOOP展览，Installation view of Lisa Reihana GROUNDLOOP 2022 © Art Gallery of New South Wales, Jenni Carter

▼GROUNDLOOP展览，Installation view of Lisa Reihana GROUNDLOOP 2022 © Art Gallery of New South Wales, Zan Wimberley

▼新馆室内展厅，Installation view of one of the interstitial spaces in the new building © Art Gallery of New South Wales, Zan Wimberley

▼Making Worlds展览，Installation view of the Making Worlds exhibition featuring Kimsooja Archive of mind 2017–ongoing © Brett Hemmings

▼Making Worlds展览，Installation view of the Making Worlds exhibition © Art Gallery of New South Wales, Zan Wimberley

▼Yiribana展厅，Installation view of the Yiribana Gallery © Art Gallery of New South Wales, Zan Wimberley

▼展览现场：Dreamhome: Stories of Art and Shelter © Art Gallery of New South Wales, Zan Wimberley

▼Outlaw展览，Installation view of the Outlaw exhibition © Art Gallery of New South Wales, Zan Wimberley

在最底层，场地南部的油罐被保留下来，并被用来容纳主要的委托创作艺术品与艺术装置。在这里，参观者将被引导着慢慢向下穿过场地，人们的视线也将延伸至港口。

At the lowest level, the southern oil tank has been preserved and adapted to house major art commissions and installations. Visitors are led slowly downward through the site, bringing them closer to the harbour.

▼展览现场，Samara Golden装置作品，Installation view of the Dreamhome: Stories of Art and Shelter exhibition, featuring Samara Golden Guts 2022 © Iwan Baan

▼Tank空间，The Tank space in the Art Gallery of New South Wales’ new SANAA-designed building © Art Gallery of New South Wales, Jenni Carter

▼旋转楼梯，Spiral staircase © Art Gallery of New South Wales, Jenni Carter

▼Tank空间展出的艺术作品“The End Of Imagination”，艺术家：Adrián Villar Rojas
Adrián Villar Rojas, The End Of Imagination in the Tank space © Adrián Villar Rojas; Jörg Baumann

此外，参观者也可以通过三个中央屋顶进入美术馆，这些屋顶创造出相互连接的露台，它们宛如内部游览路线和植物园小径的延伸，为人们提供了额外的景观视野。室内外的交通流线联系紧密，形成有机的循环，进而与现有的地形和环境产生共鸣。艺术、场地地形和周围景观的完美融合，为悉尼美术馆营造出独一无二的参观体验。

Three central roofs are accessible, creating linking terraces that feel like an extension of the paths from the Domain and the Botanic Garden, offering additional views across the precinct. Circulation both inside and out follows organic paths that resonate with the existing terrain and surroundings. By integrating art, the topography of the site, and the surrounding landscape, we hope to create an art museum experience that is distinctive to Sydney.

▼户外平台，Outdoor terrace © Iwan Baan

▼草间弥生“宇宙中盛开的花”雕塑，Yayoi Kusama Flowers that Bloom in the Cosmos 2022 © Art Gallery of New South Wales, Zan Wimberley

▼Here Comes Everybody雕塑作品，Installation view of Francis Upritchard Here Comes Everybody 2022 © Art Gallery of New South Wales, Christopher Snee

▼美术馆鸟瞰，Aerial view to the project © Iwan Baan

▼场地环境鸟瞰，Context aerial view © Iwan Baan

展览现场照片预览
Exhibitions, displays and commissions

▼视频：Yiribana画廊，Vide0: Yiribana gallery

▼视频：Tank空间，Vide0: The Tank

▼To see or not to see艺术装置，Installation view of Karla Dickens To see or not to see 2022 © Art Gallery New South Wales, Diana Panuccio

▼Making Worlds展览，Installation view of the Making Worlds exhibition © Art Gallery of New South Wales, Zan Wimberley

▼Yiribana画廊空间，Installation view of the Yiribana Gallery © Art Gallery of New South Wales, Zan Wimberley

▼展览现场：Dreamhome: Stories of Art and Shelter © Art Gallery of New South Wales, Felicity Jenkins

▼From Here, for Now展览，exhibition From Here, for Now © Art Gallery of New South Wales, Mim Stirling

▼Grand Courts展厅，Installation view of the Grand Courts © Art Gallery of New South Wales, Jenni Carter

▼Spirit House展览，Installation view of Lee Mingwei Spirit House 2022 © Art Gallery of New South Wales, Diana Panuccio

▼展览现场，Jeffrey Gibson的装置作品，Installation view of the Dreamhome: Stories of Art and Shelter exhibition featuring works by Jeffrey Gibson © Art Gallery of New South Wales, Zan Wimberley

▼Jitish Kallat Public Notice 2展览，Jitish Kallat Public Notice 2 © Art Gallery New South Wales, Jenni Carter

▼20世纪画廊，Installation view of the 20th-century galleries © Art Gallery of New South Wales, Christopher Snee

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