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“这是形而上学么” （名字取自于Martin Heidegger1929年的哲学作品）讲述了建筑细节的故事。所有图片通过3D手段制作而成，没有任何真实的参考，图片中环境与人的关系也脱离了我们生活中的认知。

“Was is it Metaphysik?” (title borrowed from a philosophical work of Martin Heidegger, 1929) is storytelling through the architectural detail. All pictures are made in 3D without specific real references, and they follow a path in which the link between environment e humans become totally rooted out from what we used to live.

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Aeneădum genetrīx

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Felix Oasem

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Perennial Quest

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Converso Transitum

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Lorem Ipsum

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Incircumscriptum

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Spleen et Ideal

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每一张图片的视觉意义不仅表达了其中的内容，还表达了作者取景的视角，平衡了人类在图片中的角色。整个构图的想法是任何物体都是多余的，当细节就可以一致图形与所要叙述故事的意义。

Every visual signification not only into what is meant to represent itself but also from the perspective which frames and contains. And by human presence with the role the balancing. The compositional idea is which of any object can be superfluous to represent its totality when a detail can radiate consistency, both geometry and narration. The totality left out to benefit of the observer who is required to rebuild over the edges, like to compensate for an area of partial blindness.

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Caesuras

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Plenum/Vacuum

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Hic terminus haeret

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Interrupta semitam

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Centuplum

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Segmentum effundensque

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Lacuna

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人与图形的关系决定了其尺度的巨大，与此同时还涉及了“存在”的意义：这是生存哲学的基石，涉及到了本体论讨论的存在与语言的意义。

The relationship with the human presence determines the scale, vastness and at the same time the heideggerian “dasein”, or being-there: the keystone of existentialist philosophy, for which any ontological significance is related to the subject that expresses, both as presence as language.

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Minimum prioritate

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Absconditus divinitas

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Anomalia

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Genius Loci

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Areæ conseres

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Maximum detectio

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Bellum prope est

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