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Appreciation towards Pía Mendaro for providing the following description:

该项目是设计师为其好友克拉拉·塞布里安（Clara Cebrian）设计的住宅兼工作室。克拉拉是一位艺术家，不喜欢过度设计，而是钟情于像“罗恩·韦斯莱住宅”那样可以随着时间改变的空间。因而设计完全从生活最基本的需求出发，旨在营造出一种“几乎什么都没有”的空间氛围。

This is the house-studio of my friend Clara Cebrian. Clara is an artist and does not like overly designed things. She wanted something ‘like Ron Weasley’s house’; something that could adapt to the needs that appear over time.The project, therefore, had to provide a basis for life to happen and be ‘almost nothing’.

▼空间概览，overview © Manuel Ocaña

住宅改造自一个10x10m的仓库。仓库的屋顶由两个钢制椽条支撑，立面上开有两扇窗及一扇门。为了使“几乎什么都没有”的空间也能像“几乎什么都有”一样，房屋内的陈设避免被紧凑的放置在一起。

We work on a 10x10m warehouse with a gable roof held by two steel rafters, a facade with two windows and a door. For ‘almost nothing’ to work as ‘almost anything’ it seemed that nothing should be very tied.

▼仓库外观，outlook of warehouse © Manuel Ocaña

设计中有三个关键点：一是维持空间原本的方形结构，二是业主克拉拉购买的厨房用具需合理安置，三是下水管道的位置无法更改。设计师因此在空间内设立了一堵“挡墙”，其后是开放式厨房。厨房将成为空间里的功能性主角。挡墙遮挡住了另一侧的浴室及其他设施。挡墙位于仓库的桁架下方，保留了仓库原有的结构。与此同时，挡墙也避免空间直接朝门开敞，保护了尤其是浴室空间的私密性。

▼挡墙一侧设有开放式厨房，open kitchen behind covert wall © Manuel Ocaña

▼自平台下向外看，look out under the platform © Manuel Ocaña

▼挡墙另一侧设有浴室及盥洗设备，bathroom and toilet eqiupment behind wall © Manuel Ocaña

We were sure about three things: that the space must be understood as what it is – a square -, that we had to use a kitchen that Clara had bought for sale, and that the downspouts were where they were and were immovable. We decided to make a ‘covert wall’; a front where we could place the kitchen (everyone always wants to be in the kitchen). The kitchen would become the useful protagonist of the space, and behind it, the bathroom and facilities would hide. The wall passes under the belt of the trusses, allowing the warehouse to be understood as it is, and prevents doors from opening directly over the space (especially the bathroom).

▼从门向内看，view from the door © Manuel Ocaña

在讨论克拉拉卧室地点时，设计师设想过多种方案，带轮子的床铺，舱室，有窗户的盒子空间等等，最终方案决定将床铺与地面分开。因此设计师在仓库内设立水平结构，并通向仓库外。设计师相信，与外界相连有助于心理健康。床铺最终成为该项目的亮点所在：卧床铺安排在一个非常轻便的半悬挂式平台上，该平台亦反向支撑起屋顶的一小部分。建筑师与Manuel Ocaña合作设计了这种结构，采用20mm的钢结构承受压力与悬挂的重力，8mm波浪形的钢条提供张力。平台最多可承受5个人的重量。同时，设计师制作了可以藏起来的带轮梯，方便上下。

▼卧室与地面分开，detach sleeping place from the ground © Manuel Ocaña

▼卧室通过楼梯与室外相连，bedroom connected to the outside by steps © Manuel Ocaña

▼可移动楼梯方便上下，a ladder with wheels connecting the platfom © Manuel Ocaña

In the process of locating Clara’s sleeping place, we thought of making a wheeled bed, a cabin, a box with windows … until we decided to detach ourselves from the ground. We thereby provide a horizon in the warehouse; a connection with the outside that we believe necessary for mental health. It ended up being the project’s highlight: a very light, semi-hanging platform, which in turn supports a small elevation of the roof. We designed this structure with Manuel Ocaña; 20mm steel rounds working on compression and suspension, and 8mm corrugated rods in tension. The platform accepts a maximum of 5 people on it, so we made a ladder with wheels that could hide.

▼轻便的半悬挂式平台结构，light and semi-hanging platform © Manuel Ocaña

▼平台结构细节，detail of the platform © Manuel Ocaña

▼平面图，plan © Pia Mendaro

▼剖面图，section © Pia Mendaro

CREDITS:
Architect: Pia Mendaro
Promoter: Clara Cebrian
Photography: Manuel Ocarina ña
Production: Fast&Furious Office
BASIC DATA:
Built area: 100m2
Date: 2020
Location: Madrid

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