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2024布拉格信号灯光节了造就了艺术、技术、建筑和公共空间的非凡融合，在标志性的城市环境中开启了一段当代数字和光艺术装置的旅程。灯光节主题为“生态系统II：探索”，通过22个艺术装置作品展现出自然、技术和社会之间的微妙平衡，其中7个是画廊区的专属作品。

The Signal Festival 2024 delivered an extraordinary fusion of art, technology, architecture, and public spaces, offering a journey through contemporary digital and light art installations in iconic urban settings. Titled Ecosystems II: Quest, the festival addressed the delicate balance between nature, technology, and society through a series of 22 installations, with 7 exclusive to the Gallery Zone.

▼《永恒重现》，作者：Filip Hodas，位置：Archbishops宫，Eternal Recurrence by Filip Hodas, Archbishops Palace © Tomas Slavik

▼《永恒重现》，作者：Filip Hodas，位置：Archbishops宫，Eternal Recurrence by Filip Hodas, Archbishops Palace © Tomas Slavik

生态系统II：探索
Ecosystems II: The Quest

2024年信号灯光节的主题延续了前三年的生态系统系列，聚焦于“探索”的主题。策展人Pavel Mrkus将本次灯光节定位为对当代社会、环境和技术困境的探索。22个艺术装置作品被分为四个主题章节：机械传教士、深度旅行者、进入宇宙和游戏。

The 2024 edition continued the three-year Ecosystems series, focusing on the theme of “Quest.” Curator Pavel Mrkus positioned the festival as an exploration of contemporary societal, environmental, and technological dilemmas. The installations were organized into four thematic chapters: Machinery Missionaries, Deep Travellers, Into the Universe, and Play.

▼《我看到液晶无处不在》，作者：Jana Bernatova，I see liquid crystals everywhere by Jana Bernatova © Vojtech Veskrna

▼《Karbola》，作者：Jiri Prihoda，Karbola by Jiri Prihoda © Vojtech Veskrna / Tomas Slavik

建筑作为艺术的画布
Architecture as Art Canvas

艺术节的装置创新地利用了布拉格的历史和现代建筑地标，将公共空间转变为沉浸式环境和充满活力的艺术区。关键的装置包括：Filip Hodas的视频投影作品《永恒重现》，该作品将生命进化的分层叙事投射在大主教宫殿的立面上；以及Jiří Příhoda的作品《随想》，该作品研究了文艺复兴时期对透视和几何平衡的探索，将游客带入一个虚幻的空间，在这里光、影和形式发挥了戏剧性的相互作用。

The festival’s installations made innovative use of Prague’s historic and modern architectural landmarks, transforming public spaces into immersive environments, and vibrant art zones. Key installations included Filip Hodas’s video mapping Eternal Recurrence, which adorned the Archbishop’s Palace with a layered narrative of life’s evolution, and Jiří Příhoda’s Capriccio, which examined the Renaissance’s use of perspective and geometric balance, transporting visitors into an illusionary space where light, shadow, and form play out a dramatic interaction.

▼《永恒重现》，作者：Filip Hodas，位置：Archbishops宫，
Eternal Recurrence by Filip Hodas, Archbishops Palace © Tomas Slavik

▼《永恒重现》，作者：Filip Hodas，位置：Archbishops宫，Eternal Recurrence by Filip Hodas, Archbishops Palace © Vojtech Veskrna

▼《随想》，作者：Jiří Příhoda，位置：Sternberg宫，Capriccio by Jiri Prihoda, Sternberg Palace © Vojtech Veskrna / Tomáš Slavík

韩国艺术家Seohyo的《编码挂毯：布拉格》（Coded Tapestry: Prague）是灯光节中的另一个亮点，该作品将布拉格的建筑主题重新诠释，以数字艺术挂毯的形式展示在布拉格城堡骑士大厅（Prague Castle Riding Hall）中。

Korean artist Seohyo’s Coded Tapestry: Prague was another highlight, reinterpreting Prague’s architectural motifs as a digital tapestry at the Prague Castle Riding Hall.

▼《编码挂毯：布拉格》，作者：Seohyo，位置：布拉格城堡骑士学校，Coded Tapestry by Seohyo，Prague Castle Riding School © Tomas Slavik

西班牙艺术家SpY创作的《ORB》，坐落于布拉格城堡南花园，这是一个受古埃及建筑启发的镜像反射球体，将周围建筑、天空和观众以碎片化的形式反射在镜中。

The Spanish artist SpY’s ORB in the South Gardens, a mirrored, reflective sphere inspired by ancient Egyptian architecture, created fragmented reflections of the surrounding architecture, sky, and audience.

▼《ORB》，作者：SpY，位置：布拉格城堡南花园，ORB by SpY, Prague Castle South Gardens © Tomas Slavik / Dušan Vondra

由Michael Bielický & Kamila B. Richter创作的《Columbus 2.0》坐落于Schwarzenberg宫，该作品邀请观众畅游于实时数字信息的海洋，使用交互式控制系统来驾驭当今压倒性的数据流。

Michael Bielický & Kamila B. Richter’s Columbus 2.0 at Schwarzenberg Palace, invited audiences to steer through a sea of digital information in real-time, using an interactive control system to navigate today’s overwhelming data streams.

▼《Columbus 2.0》，作者：Michael Bielický & Kamila B. Richter，位置：Schwarzenberg宫，Columbus 2.0 by Michael Bielický & Kamila B. Richter, Schwarzenberg Palace © Tomas Slavik / Vojtech Veskrna

在市中心的市立图书馆，Desilence的作品《海洋的节奏》（The Rhythm of the Ocean）等装置将游客带入了深海世界中。伴随着格莱美提名音乐家Suzanne Ciani作曲的音景，这段视频作品深刻地提醒着人们地球上生命的脆弱平衡。

In the city center, installations like Desilence’s The Rhythm of the Ocean at the Municipal Library transported visitors into deep oceanic environments. Accompanied by a soundscape from Grammy-nominated musician Suzanne Ciani, the video mapping was a stark reminder of the fragile equilibrium that sustains life on Earth.

▼《海洋的节奏》，作者：Desilence，市立图书馆，The Rhythm of the Ocean by Desilence, Municipal Library © Tomas Slavik / Vojtech Veskrna

由Laterna magika创作的《铁马：断裂》（Iron Horse: Fractured），是一场结合戏剧、舞蹈和视听艺术的多学科表演作品。该作品坐落于Clam-Gallas宫，邀请观众透过过往火车的窗户见证支离破碎的故事。

Laterna magika’s Iron Horse: Fractured offered a multidisciplinary performance piece, combining theater, dance, and audiovisual art. The installation at Clam-Gallas Palace invited viewers to witness fragmented stories through the windows of passing trains.

▼《铁马：断裂》，作者：Laterna magika，位置：Clam-Gallas宫，Iron Horse Fractured by Laterna magika, Clam-Gallas Palace © Tomas Slavik

Cao Yuxi的作品《多维采样》坐落于老城广场，该作品探索了二维码在当代文化中的作用，创造了一个连接物理世界和虚拟世界的数字图腾。

Cao Yuxi’s Dimensional Sampling in Old Town Square explored the role of QR codes in contemporary culture, creating a digital totem that connected the physical and virtual worlds.

▼《多维采样》，作者：Cao Yuxi，位置：老城广场，Dimesional Sampling by Cao Yuxi, Old Town Square © Tomas Slavik / Vojtech Veskrna

沉浸式体验
Immersive Experience

信号灯光节的高互动性和多感官互动提升了游客的体验，鼓励人们直接参与到艺术作品中。由UVA创作的《奇特景点》位于Kunstahalle Praha，该作品研究了混沌理论，通过动态装置 —— 钟摆，来驱动实时投影，模糊了有序和随机之间的界限。

Signal Festival’s interactive and multisensory nature elevated the visitor experience, encouraging direct engagement with the artworks. UVA’s Strange Attractions at Kunsthalle Praha examined chaos theory using a kinetic installation–a pendulum–to drive real-time projections, blurring the lines between order and randomness.

▼《听众的波动》，作者：Krystof Bruha，Audire fluctus by Krystof Bruha © Tomas Slavik

▼《奇特景点》，作者：UVA，位置：Kunstahalle Praha，Strange Attractions by UVA, Kunstahalle Praha © Vojtech Veskrna

Bill Fontana于多米尼加女修道院的作品《寂静的回声》（Silent Echoes）将巴黎圣母院的钟声与达赫斯坦山脉（Dachstein）冰川的回声联系在一起。Petr Vacek与Adam Cigler作品《反射》（Reflection）则是一个动态装置，以移动的机器人镜子为特色，与周围的光线和声音同步，创造出动态的视觉模式，邀请观众沉浸到艺术品和周围的环境中。

Bill Fontana’s Silent Echoes, hosted in the Dominican Convent, linked the sounds of Notre Dame Cathedral bells with glacial echoes from the Dachstein massif. Petr Vacek and Adam Cigler’s Reflection, a kinetic installation featuring moving robotic mirrors, synchronized with surrounding light and sound, created dynamic visual patterns, inviting viewers to engage with the artwork and the surrounding environment.

▼《寂静的回声》，作者：Bill Fontana，位置：多米尼加女修道院，Silent Echoes by Bill Fontana, Dominican Convent © Tomáš Slavík

▼《反射》，作者：Petr Vacek与Adam Cigler，位置：多米尼加女修道院，Reflection by Petr Vacek and Adam Cigler, Dominican Convent © Tomáš Slavík

意大利艺术家Quayola在建筑与城市规划中心（CAMP）展出的一系列视频装置作品《光影效应》（Effets de Soir），受到莫奈和梵高作品的启发，通过先进的技术探索了自然的光影效果。

Effets de Soir, a series of video installations by Italian artist Quayola at the Center for Architecture and Urban Planning (CAMP), explored natural light and shadow effects through advanced technology, inspired by the works of Monet and Van Gogh.

▼《夜晚效应》，作者Quayola，位置：CAMP，Effets de Soir by Quayola, CAMP © Vojtech Veskrna / Tomas Slavik

Event Signal Festival
Website: http://www.signalfestival.com/
Social media: http://www.instagram.com/signalfestival/
http://www.facebook.com/SignalFestival
Artists:
Seohyo (KR), Filip Hodas (CZ), Jiří Přihoda (CZ), Michael Bielický & Kamila B. Richter (CZ), SpY (ES), United Visual Artists (GB), Cao Yuxi (CN), Desilence (ES), Laterna magika (CZ), Bill Fontana (US), Jana Bernartová (CZ), Kryštof Brůha (CZ), Quayola (IT), Petr Vacek & Adam Cigler (CZ), Monument Office & Signal Creative (CZ), Jan Hladil & Jakub Strach (CZ), Karel Karlos Šimek, Ester Valtrová, Kateřina Letáková & Matěj Lindner (CZ)
Conference speakers:
Foxdog Studios (GB), Michaela Musilová (SK), Alexander Scholz (DE), Michela Magas (HR), Quayola (IT), Irini Mirena Papadimitriou (GR), Superbien: Carlos Bremond (FR), Mark H. Geary (US/GB), Cecilie Waagner Falkenstrøm (DK), Saša Spačal (SI), Seetal Solanki (GB), Georgina Voss (GB), Oficina: Marek Cimbálník & Jan Netušil (CZ), Xin Liu (CN/US), Ariane Koek (GB)
Signal Festival curator: Pavel Mrkus
Signal Forum curators: Lucia Dubačová (SK) and Irini Mirena Papadimitriou (GR) Visual identity: Jan Brož and Jan Novák
Photo credits:
Tomáš Slavík, http://www.tomasslavik.cz/
Vojtech Veskrna, http://www.veskrna.cz/
Dušan Vondra, http://www.dusanvondra.cz/
Lea Schwing, http://www.mojefotografka.cz/

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