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Appreciations towards Marie-Anne Derville for providing the following description:

这间公寓位于Claude-Nicolas Ledoux设计的玛莱区的Hallwyll酒店（Hôtel d’Hallwyll）内， Andrée Putman在20世纪90年代末对其进行了室内设计，现今室内装潢师和设计顾问Marie-Anne Derville接管了这项工作。

In this apartment, whose interior design was created by Andrée Putman at the end of the 1990s, located in the Marais, within Claude-Nicolas Ledoux’s Hôtel d’Hallwyll, the Decorator and Design Advisor Marie-Anne Derville has taken over the premises.

▼客厅，the living room © Matthew Avignone

在这个特殊的历史背景下，Marie-Anne Derville在这里担任“顾问”，将不同时期和风格的家具组合在一起，展示了她的折衷主义风格：Jacques-Emile Ruhlmann，Jean-Michel Frank， Bob Wilson，Touplas Philolaos，Süe et Mare，Paolo Palluco……它是一种在对比中寻求和谐的装饰，在形式、材料和时间性之间的相互作用中发挥微妙的作用。装饰风艺术因此与80年代相融合并融入到这个激进的普特曼环境中，其本质立足于纯粹的18世纪古典主义中。

Buoyed by this exceptional historical setting, Marie-Anne Derville has worked here as a “ensemblière”, combining pieces of furniture from different periods and styles, illustrating her taste for eclecticism: Jacques-Emile Ruhlmann, Jean-Michel Frank, Bob Wilson, Touplas Philolaos, Süe et Mare, Paolo Palluco… A décor that seeks harmony in contrasts and plays on the subtlety of a dialogue between forms, materials and temporality. Art Deco thus blends with the 80s, and is integrated into this radical Putmanian setting, itself nestled in pure 18th century classicism.

▼透过门看客厅，view to the living room through the door opening © Matthew Avignone

▼客厅一瞥，a glance to the living room © Matthew Avignone

▼装饰风艺术家具，Art Deco chair © Matthew Avignone

这位室内装潢师师从Jacques Grange和Pierre Yovanovitch（她为他们工作了7年），并从她的导师那里承袭了折衷主义的风格。她通过这个室内装饰展现了她独特的风格和她对法国、意大利、瑞典和美国装饰艺术史的热爱。

这个赋有历史韵味的灵动室内空间以其磁场成为朋友圈的集结点，来这里的都是巴黎文化和艺术界的参与者：画廊老板、装潢师、设计师、艺术家、出版商、作家……这里就像曾经的“沙龙”，是一个让会议、聚会和艺术氛围发生的地方。

The decorator, inheriting her taste for eclecticism from her mentors, Jacques Grange, and Pierre Yovanovitch (for whom she worked for 7 years), reveals her own style and her love for the history of French, Italian, Swedish and American decorative arts through this interior.

Thanks to its magnetic energy, this living interior steeped in history has become the rallying point for a circle of friends, all players in the Parisian cultural and artistic scene: gallery owners, decorators, designers, artists, publishers, writers… A place that produces meetings, parties and artistic effervescence, in the image of what was once called a “salon”.

▼室内装饰展现了室内装潢师独特的风格和她对法国、意大利、瑞典和美国装饰艺术史的热爱，the decorator reveals her own style and her love for the history of French, Italian, Swedish and American decorative arts through this interior © Matthew Avignone

▼卧室及艺术画作，the bedroom and the artworks © Matthew Avignone

▼透过卧室的推拉门看梳妆台，view to the dresser through the sliding doors of the bedroom © Matthew Avignone

▼梳妆台近景，close-up view of the dresser © Matthew Avignone

▼座椅近景，close-up view of the chairs © Matthew Avignone

这间公寓最初是为一个花花公子设计的，作为巴黎的一间“独身主义”公寓。Andrée Putman以一种完全不同寻常和不拘一格的方式设计了这个室内空间。

Originally conceived for a dandy owner, profoundly mind-free, as a sort of Parisian « eternal bachelor » apartment, Andrée Putman designed the architecture of this interior in a totally atypical and non-conformist way.

▼餐厨及收纳空间，dining-kitchen space with storage © Matthew Avignone

▼餐厅，the dining area © Matthew Avignone

它是一处千变万化的风景，更是一次“风格尝试”，它邀请人们去留意那些既有趣又概念化的细节。这间公寓的一切都令人惊叹：流线和体量，丰富和贫乏材料间的联系，大理石壁炉两侧的建筑师桌子，为无止尽的图书馆服务的长金属走道，厨房是一个看起来像远洋客轮的通往巨大露台的船舱，神话般的Putman浴缸和夹层上的球脚……

Thought of as a phantasmagoria, even as an «exercise in style», it invites you to look at the details, both playful and conceptual. Everything is disconcerting in this apartment: the circulation and the volumes, the association of rich and poor materials, the architects’ tables on either side of the spectacular marble fireplace, the long metal walkway that serves the interminable library, the kitchen thought of as a boat cabin opening onto the immense terrace that looks like a paquebot, the mythical Putman bathtub with its ball feet on the mezzanine…

▼大理石壁炉，the marble fireplace © Matthew Avignone

▼金属楼梯，metal staircases © Matthew Avignone

▼Putman浴缸，the Putman bathtub © Matthew Avignone

Hallwyll酒店是法国首都现存的唯一一栋由建筑师Claude-Nicolas Ledoux（Arc-et-Senans皇家盐厂和巴黎壁垒的建筑师）设计的住宅建筑。

这座建筑位于巴黎第三区，是18世纪末玛莱区公认的最现代的建筑之一。今天，它仍然作为一个18世纪新古典主义建筑的案例而受到推崇，并成为巴黎公认的最优雅的建筑之一。

The Hallwyll Hotel is the only residential building by the architect Claude-Nicolas Ledoux (architect of the Royal Saltworks of Arc-et-Senans and the barriers of Paris) preserved in the capital.

Located in the 3rd arrondissement of Paris, it was considered by contemporaries as one of the most modern buildings in the Marais at the end of the 18th century. Today, it is still admired as a pure example of 18th century neoclassical architecture and considered one of the most elegant in Paris.

▼Hallwyll酒店外观，exterior view of the Hallwyll Hotel © Matthew Avignone

标新立异的代表性人物Andrée Putman（1925-2013）在她的职业生涯中搭建了不同的艺术、时尚、装饰和设计间的桥梁。这位室内设计师试图通过她的作品去调和丰富和贫乏的材料，并以新的方式活用光线。为了回归空间本真，她努力地展示空间，并通过寻求改革来挑战我们生活方式。这间位于Hallwyll酒店的公寓就是一个完美的案例。

The iconic and unclassifiable Andrée Putman (1925-2013) has, throughout her career, imagined bridges between the different arts, fashion, decoration and design. Through her creations, the interior designer sought to reconcile rich and poor materials, and to use light in new ways. She worked to expose spaces in order to find their origin, and challenged lifestyles by seeking to reform the way we use spaces. This apartment in the Hallwyll Hotel is a perfect illustration.

▼阳台上的装饰座椅，decorative chairs on the terrace © Matthew Avignone

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