感谢 上海严旸建筑设计工作室 予gooood分享以下内容。更多关于他们，请至：y.ad studio on gooood
Appreciation towards y.ad studio for providing the following description:
不是看见未来，而是感知未来。在我们对未来的想象中，科技总是以一种鲜明的姿态出现：更大的屏幕、更复杂的设备、更具视觉冲击力的交互，以及不断被更新的技术。但如果有一天，科技足够成熟，能够自然地融入日常生活，不再需要通过外观、声音或复杂的操作来证明自己的存在，那么，未来的空间应该是什么样子？Mixc Orb｜未至之舱，正是从这个问题开始的。
Not seeing the future, but sensing it.When it comes to imagining the future, technology often takes on a distinctly visible form: larger screens, more sophisticated devices, immersive interfaces, and ever-evolving innovations.But what if technology becomes so mature that it no longer needs to announce its presence? What if it simply recedes into everyday life — quiet, seamless, almost invisible?What would a space feel like then? Mixc Orb began with this question.
▼Mixc Orb店面外立面全景，Mixc Orb – Storefront Panorama © 是然建筑摄影 / SCHRAN
项目位于武汉万象城中庭区域。面对集合多家科技企业、呈现前沿产品与技术的需求，我们并不希望简单地将机器人、智能设备与数字屏幕组织成一个科技展厅。因为在我们看来，产品的集中展示，并不必然意味着未来生活的发生。如果人们只能观看未来，那么它与一场科技展览又有什么区别？我们希望尝试另一种可能：将这里构想为一个未来生活的样本。人们不只是进入一个展示空间，了解技术能够做什么，而是通过空间、产品与交互，短暂地体验一种不同于当下的生活状态。未来不再只是被观看的对象，而成为一种可以被感知的日常。
Located in the central atrium of Wuhan MixC, the project brings together leading technology brands and their latest innovations. Rather than arranging robots, smart devices, and digital interfaces into a conventional technology showroom, we sought another possibility.Yet a collection of products, however impressive, does not necessarily add up to an experience of future living.If the future is only there to be looked at, how is that any different from an exhibition?Mixc Orb is conceived as a prototype for future living — a place where visitors are not merely spectators, but temporary inhabitants of an alternative lifestyle shaped by technology, space, and interaction.Here, the future is not simply something to look at, but something to experience.
▼Mixc Orb店面外立面，Mixc Orb – Storefront © 是然建筑摄影 / SCHRAN
▼Mixc Orb店面侧面入口，Mixc Orb – Side Entrance © 是然建筑摄影 / SCHRAN
▼Mixc Orb店面侧面入口，Mixc Orb – Side Entrance © 是然建筑摄影 / SCHRAN
▼Mixc Orb店面侧面入口，Mixc Orb – Side Entrance © 是然建筑摄影 / SCHRAN
01｜科技退场，生活出现
Technology Retreats, Life Reappears
我们习惯于用功能、效率与智能程度来衡量科技的进步。但技术的不断叠加，是否真的意味着生活质量的提升？更多的设备，可能意味着更多的操作；更多的信息，可能意味着更高的注意力消耗；越来越复杂的系统，也可能让原本简单的日常变得繁琐。因此，我们希望重新理解技术与生活之间的关系。
Technological progress is often measured by functionality, efficiency, and intelligence. But does the ever-increasing presence of technology necessarily lead to a better quality of life? More devices can mean more to manage. More information can demand more attention. Increasingly complex systems may turn simple daily activities into burdens. This prompts us to reconsider the relationship between technology and everyday life.
▼拱形开口与圆形展台，Arched opening and circular display counter © 是然建筑摄影 / SCHRAN
真正成熟的科技，不应该始终强调自己的存在。它可以隐藏在环境之中，感知人的需求，协助完成日常行为，让复杂的事情变得简单，让原本需要投入注意力的事情自然发生。科技的价值，不仅在于创造新的能力，也在于减少不必要的消耗。减少物质的占有，减少信息的干扰，减少决策的负担，并将更多时间还给人。这也是我们理解未来生活的一个基本出发点：技术不必成为空间的主角。相反，当技术逐渐退到背景，人的感受、行为与生活本身，才有机会重新成为空间的中心。
Truly mature technology should not have to constantly assert its presence.It should operate quietly in the background — sensing, assisting, and simplifying.The value of technology lies not only in creating new capabilities, but also in reducing unnecessary demands on everyday life: Less to own. Less information to process. Fewer decisions to make. And ultimately, freeing up more time for people.This became the starting point for the project: Technology does not need to be the protagonist of the space. Instead, as it retreats into the background, human experience, behavior, and everyday life can once again take center stage.
▼Mixc Orb内部空间，Mixc Orb – Interior © 是然建筑摄影 / SCHRAN
02｜从《Her》出发，重新理解人与技术的关系
Rethinking Human-Technology Relationships through Her
电影《Her》为我们提供了一种不同于传统科幻叙事的未来想象。在那个世界里，技术并不总是以庞大的机器或显性的装置出现。它可以存在于声音、交流与日常陪伴之中。人与人工智能的关系，也不再局限于命令与执行，而开始涉及理解、回应与情感体验。这种想象对Mixc Orb的设计产生了启发。
The film Her presents a vision of the future that departs from conventional science fiction narratives.In its world, technology does not always appear as monumental machines or conspicuous devices. Instead, it is experienced through voice, communication, and everyday companionship.The relationship between humans and AI extends beyond commands and responses, increasingly involving understanding, interaction, and emotional connection. This vision inspired the design of Mixc Orb.
▼Mixc Orb华为产品展区及宇树互动区，HUAWEI Display Area & UNITREE Interactive Zone © 是然建筑摄影 / SCHRAN
我们希望空间呈现的，不是一个不断提醒人们“科技就在这里”的环境，而是一种相对柔和、自然的体验。光线、声音、温度与材料共同构成空间的感知基础，技术则在其背后发挥作用。这并不意味着隐藏所有设备，也不是刻意弱化技术的能力。我们更关心的是：当人进入一个科技空间时，能否不再只是观察产品、阅读说明和操作设备，而是开始感受到技术如何参与自己的生活。从这个角度看，空间不再只是产品的容器。它也是人与技术建立关系的媒介。
Rather than creating a space that constantly reminds visitors of technology, we sought to construct a softer and more natural environment.Light, sound, temperature, and materiality shape the sensory experience of the space, while technology operates behind the scenes.This does not mean concealing all devices or deliberately downplaying their capabilities, but rather shifting the focus from the products themselves to the ways technology participates in everyday life.In this sense, the space becomes more than a container for products; it becomes a medium through which relationships between humans and technology can emerge.
▼内部空间与机器人展示，Interior and robot display © 是然建筑摄影 / SCHRAN
03｜不以品牌划分空间，而以生活组织体验
Beyond Brand Displays: Organizing Space Around Everyday Life
当不同科技品牌进入同一个空间，最直接的组织方式，是按照品牌划分各自的展示区域。但真实的生活并不是由一个个独立的品牌构成的。我们不会在日常生活中，先进入一个机器人品牌的世界，再进入一个智能家居品牌的世界。不同技术在同一环境中相互协作，共同影响人的行为与感受。因此，在Mixc Orb中，我们希望弱化品牌作为空间组织单位的地位，将不同产品与技术放进一个相对完整的体验框架之中。机器人、人工智能、智能家居及其他智能设备，分别呈现不同的技术能力；而空间需要做的，是让这些能力之间建立联系，并让人能够理解它们与生活的关系。品牌依然存在，但不再是体验的终点。我们希望人们记住的，不只是某一件产品，而是技术共同参与生活时所呈现的另一种可能。
The conventional way to organize a multi-brand technology space is to divide it into individual brand zones. Yet this is not how everyday life unfolds. Robotics, AI, smart home systems, and digital technologies coexist, interact, and collectively shape everyday experiences.At Mixc Orb, rather than organizing the space around individual brands, different products and technologies are integrated into a cohesive experiential framework.Each brand brings its distinct products and technological expertise, while the space establishes connections among them.Visitors are encouraged to look beyond individual products and discover the possibilities that emerge when technologies become part of everyday life.
▼Mixc Orb拓竹产品展区，BAMBU LAB Display Area © 是然建筑摄影 / SCHRAN
▼Mixc Orb华为产品展区，HUAWEI Display Area © 是然建筑摄影 / SCHRAN
▼Mixc Orb闪宝产品展区，SHINEBO Display Area © 是然建筑摄影 / SCHRAN
这也意味着，空间设计不能只关注单个展位的视觉效果，还需要考虑不同区域之间的关系、整体体验的连续性，以及人在其中的移动与停留。我们尝试以整体的空间语言组织不同功能，使各个展示区域既能够承载自身的产品体验，又不至于彼此割裂。空间由此成为连接不同技术能力的媒介，而不是简单容纳多个品牌的背景。
This requires a spatial strategy capable of balancing autonomy and continuity, with each display area maintaining its identity while remaining connected to the larger whole.Space thus acts as a mediator between different technological systems rather than merely a backdrop for products.
▼Mixc Orb宇树产品展区，UNITREE Display Area © 是然建筑摄影 / SCHRAN
04｜让体验成为一段完整的旅程
A Holistic Experiential Journey
如果说传统科技展厅更关注信息的传递，那么Mixc Orb更希望关注体验如何逐步发生。人进入空间，首先感知到的是整体环境；随着移动与停留，不同的产品和交互逐渐进入视野；当人开始与装置、设备或人工智能发生联系，空间的意义也从视觉观看转向实际体验。我们将这一过程理解为从进入、感知、互动，到形成个人反馈的一段连续旅程。
While conventional technology showrooms focus on the presentation of information, Mixc Orb prioritizes how the experience unfolds.Visitors first perceive the atmosphere of the space. As they move, pause, and interact, products and technologies gradually reveal themselves.The journey unfolds as a sequence of arrival, perception, interaction, and personal reflection.
▼Mixc Orb千问产品展区及对视装置互动区，QWEN Display Area and Interactive Installation © 是然建筑摄影 / SCHRAN
在这一过程中，人的角色不应始终停留在观众的位置。空间需要为探索、停留与互动提供条件，让人有机会主动参与，而不是被动接收预先安排好的信息。因此，体验路径不仅是动线的组织，也是不同感知层次之间的转换。从看见产品，到理解技术；从操作设备，到感受技术如何回应人的行为。空间希望逐步建立起人与技术之间的联系。在这一逻辑下，互动装置与人工智能不只是吸引注意力的手段，而应成为体验的一部分。它们的意义不在于制造一次短暂的新奇感，而在于帮助人们重新认识技术与日常生活之间的关系。我们并不试图用空间给出一个关于未来的标准答案。相反，我们希望通过一次具体的体验，让人们开始想象：当技术拥有更多能力时，生活是否也可以变得更加简单、自然。
Spatial circulation therefore becomes more than a functional route; it also marks a transition between different layers of experience.From observing products to understanding technologies.From operating devices to experiencing how technologies respond to human behavior.Interactive installations and AI systems are not merely there to capture attention, but form integral parts of the overall experiential narrative.Rather than offering definitive answers about the future, the project invites visitors to imagine how advanced technologies may contribute to a simpler, more natural way of living.
▼Mixc Orb对视装置互动区，Interactive Installation © 是然建筑摄影 / SCHRAN
05｜一颗星球，而不是一台机器
A Planet Rather Than a Machine
为什么选择Orb作为项目名称？星球让我们想到一个完整运行的生态系统。它由不同的组成部分共同构成，彼此关联，又维持着整体的秩序。我们希望未来生活也能够被如此理解。它不是某一种超级设备独立发挥作用的结果，而是不同技术、环境与人的行为共同作用的系统。技术之间需要协作，空间中的不同区域也需要建立联系。这一理解最终转化为Mixc Orb的空间形态。
▼Mixc Orb空间发展分析图 ，Spatial Generation Diagram © y.ad studio
Why the name “Orb”? A planet evokes a complete ecosystem in which interconnected elements work together to maintain an overall balance.We believe future living should be understood in a similar way.It is not defined by a single device operating independently, but by the interplay between technologies, environments, and human behavior.This understanding informed the spatial language of the project.
▼Mixc Orb华为与宇树产品展区，HUAWEI and UNITREE Display Areas © 是然建筑摄影 / SCHRAN
设计以球体作为基本的形态参照，通过球体之间的连接与共享边界，形成连续生长的多穹顶结构。不同的空间单元彼此关联，共同构成一个整体，而不是以独立盒子的方式并置。球体与穹顶所形成的连续曲线，弱化了传统展陈空间中常见的锐利折线与明确的边界感。不同区域之间由此形成相对柔和的过渡，也使空间在整体上呈现出一种连续、内聚的形态。我们希望人在其中的移动，不只是从一个展位走向另一个展位，而是在一个相互联系的空间中不断发现新的场景。
▼Mixc Orb爆炸分析图，Exploded Diagram © y.ad studio
Spheres were adopted as the primary geometric reference. Through overlapping boundaries and shared surfaces, a continuous multi-domed structure emerged.Individual spaces remain distinct yet interconnected, forming an integrated whole rather than a collection of separate rooms.The curved geometries soften boundaries and reduce the rigidity often associated with conventional exhibition spaces, creating gentler transitions between different zones.Visitors move not simply from one display area to another, but through a continuously unfolding spatial experience.
▼Mixc Orb宇树产品展区，UNITREE Display Area © 是然建筑摄影 / SCHRAN
多穹顶并非单纯的形式表达。它也承载着我们对未来系统的一种理解：不同单元可以保有自身的功能，同时参与整体的运行；空间不必依赖一个绝对突出的中心，而可以通过彼此连接形成秩序。从这个意义上说，Orb既是对未来生活系统的想象，也是将这种想象转化为空间语言的一种尝试。
▼Mixc Orb轴侧图，Axonometric Diagram © y.ad studio
The multi-domed system is not merely a formal gesture; it reflects an understanding of future systems — distributed, collaborative, and without a singular center.In this sense, Mixc Orb represents both a vision of future living and an attempt to translate that vision into spatial form.
▼Mixc Orb千问区域产品展示区，QWEN Display Area © 是然建筑摄影 / SCHRAN
06｜柔和，而不是炫耀
Softness Rather than Spectacle
在材料与色彩的选择上，我们有意避开了传统科技空间中常见的蓝光、镜面与高反射材质。我们并不认为未来必须呈现出冰冷、锋利或充满机械感的面貌。如果技术最终是为了服务人的生活，那么空间也不必通过夸张的视觉语言反复强调科技的存在。相比制造强烈的未来感，我们更希望建立一种能够容纳日常、让人愿意停留的环境。
In terms of materials and colors, the project deliberately avoids the blue lighting, mirrored finishes, and highly reflective surfaces commonly associated with technological aesthetics.The future does not have to appear cold, sharp, or overtly mechanical.If technology ultimately serves human life, the space does not need to constantly assert its technological identity.Instead of creating a striking sense of futurism, we sought to establish a setting that feels calm, familiar, and inviting.
▼Mixc Orb华为区域产品展示区，HUAWEI Display Area © 是然建筑摄影 / SCHRAN
因此，空间以灰色、米白色及低饱和色彩作为基础，通过浅色木饰面的天然纹理与艺术涂料的质感，建立相对克制的材料关系。这些材料并不试图成为独立的视觉主角，而是共同构成空间的背景，让产品、人的行为与空间氛围之间保持适当的平衡。木材所呈现的温度与纹理，也在一定程度上削弱了科技展示可能带来的距离感。空间不再试图通过材料的光泽与反射证明自身的先进，而是希望在视觉与触觉层面，建立一种更接近日常生活的感受。我们相信，未来空间并不一定需要以未来的面貌出现。它可以是柔和的、安静的，甚至是不那么引人注目的。技术在其中持续运行，而空间不必不断提醒人们技术的存在。
A restrained material palette of warm neutrals, light timber finishes, and textured surfaces creates a softer atmosphere.Materials are not intended as visual statements, but as a backdrop that allows products, activities, and spatial experiences to coexist in balance.Technology gradually recedes. Nature quietly returns.
▼木饰面展台细部，Timber display table detail © 是然建筑摄影 / SCHRAN
07｜未来，不是不断更新，而是持续生长
The Future is Not Constant Renewal, but Continuous Growth
Mixc Orb并不是对未来生活的完整预言。我们无法通过一个空间定义未来技术将如何发展，也无法预先回答人工智能与人的关系最终会走向何处。但建筑与空间设计可以提出问题，并通过真实的空间体验，让这些问题变得具体。对我们而言，这个项目真正想讨论的，并不是如何让一个空间看起来更有科技感，而是当技术不断发展时，我们是否还能够把人的感受放在重要的位置。
Mixc Orb is not a prediction of the future.Nor does it attempt to define the future relationship between humans and artificial intelligence.Instead, the project proposes a question: As technology evolves, can human experience remain at the center?
▼圆形展台细部，Circular display counter detail © 是然建筑摄影 / SCHRAN
技术可以持续迭代，设备可以不断更新，品牌与产品也会随着时间发生变化。但一个空间是否有价值，并不只取决于它在某个时刻展示了多少新技术，也取决于它能否容纳真实的行为、建立人与环境之间的联系，并在变化中继续生长。我们希望Mixc Orb能够成为这样一个样本。它不是一座用来展示未来的舱体，而是一个让人暂时进入未来生活想象的场所。不是看见未来，而是感知未来。也许，当科技不再急于证明自己，当空间不再急于表达形式，未来才真正有机会回到它本来应该服务的对象身上——人，以及人的生活。
Technologies will continue to change. Products will be updated. Systems will evolve.Yet the value of a space lies not in how much technology it displays, but in its ability to accommodate real behaviors, foster relationships, and continue growing over time.Mixc Orb is conceived as a temporary encounter with another possibility of living. Not seeing the future, but sensing it.
▼Mixc Orb模型，Model © y.ad studio
▼设计平面图，Floor Plan © y.ad studio
▼设计平面图，Floor Plan © y.ad studio
▼设计平面图，Floor Plan © y.ad studio
▼技术图纸 1，Technical Drawing 1 © y.ad studio
项目名称：Mixc Orb未至之舱
建设单位： 华润置地(武汉)开发有限公司-武汉万象城
设计单位：y.ad studio | 上海严旸建筑设计工作室
设计团队：严旸、赵思缘、严昱
建筑面积：641.84平方米
主要材质：GRG、艺术涂料、地砖、不锈钢
设计时间：2026/05
建造时间：2026/09
摄影版权：是然建筑摄影
Project Name: Mixc Orb
Client: China Resources Land (Wuhan) Development Limited –Wuhan MixC
Design Firm: y.ad studio
Design Team: Yan Yang, Zhao Siyuan, Yan Yu
Area: 641.84 m²
Main Materials: GRG, decorative paint, floor tiles, stainless steel
Design: May 2026
Completion: September 2026
Photography: SCHRAN
More：y.ad studio。更多关于他们：y.ad studio on gooood
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