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玛丽娜•阿布拉莫维奇(Marina Abramovic)是全球闻名的行为艺术家，在漫长的艺术表演生涯中，她一次又一次的挑战着自己，她称自己为“行为艺术的祖母”。她委托了库哈斯和Shohei Shigematsu率领的OMA纽约办事处设计位于纽约哈德森，以她名字命名的玛丽娜•阿布拉莫维奇表演艺术宫殿。

▼Marina with Study Model

这里将创造一种新的现实和新的艺术。在用作表演空间和档案归档历史保存用途外，还作为一个集合音乐，歌剧，视频，电影，戏剧，舞蹈，表演的实验，教育，从业场地。这里将于世界各个学校和机构联系，举办研讨会，公开讲座和联欢，以及艺术培训。

Marina Abramovic表示这里要保存和保护从1970年以来到未来的表演艺术，以及精神和智慧遗产，这是在时间轴下对非物质艺术的敬意。

OMA合伙人，也是OMA纽约办事处的领导人Shohei Shigematsu说他很高兴有机会设计这样一个独特的新类型工程。

这个场所被Marina Abramovic在2007年购买下来，OMA将加强老建筑的结构，设计一个可以持续超长时间表演的场地。为了适应这种超长时间的表演，还得设计相应的家具，比如OMA想要开发一种带轮子的但是又可以坐在上面睡觉的椅子。

▼Southwest Facade

OMA to develop The Marina Abramović Institute for the Preservation of Performance Art in Hudson

Artist Marina Abramovic has commissioned OMA to develop a former theater in Hudson into the Marina Abramović Institute for the Preservation of Performance Art (MAI). The project, led by Shohei Shigematsu and Rem Koolhaas in OMA’s New York office, marries Abramović’s 40 years of pioneering work in the genre with OMA’s innovation in theatres, museums and curation.

The mission of the MAI is to cultivate new kinds of performance while functioning as a living archive, preserving and hosting performances of historic pieces. Abramovic plans to use the space as a laboratory for exploring time-based and immaterial art – including performance, dance, theater, film, video, opera, and music – through collaboration with practitioners in the realms of science, technology, and education. Working with the local Hudson community as well as schools and institutions from around the world, the MAI will host workshops, public lectures and festivals. As well as training artists, Abramovic also wants to train audiences in the mental and physical disciplines of creating and experiencing long-durational work.

Abramovic commented: “MAI’s aim is to protect and preserve the intellectual and spiritual legacy of performance art from the 1970’s into the future, and will serve as an homage to time-based and immaterial art.”

Led by partners Shohei Shigematsu and Rem Koolhaas in collaboration with associate Jason Long, the project will be designed locally out of OMA’s New York office. Shigematsu commented: “We are excited to design a new performance typology, unique in its integration of specific parameters for long duration works.”

The institute will be housed in a former theatre in Hudson, New York, the birthplace of the Hudson River School, the first American Movement, which later became an indoor tennis court, then an antiques warehouse and market before falling into disrepair. Abramovic bought the theatre in 2007. OMA’s design will enhance the existing structure to accommodate both the research and production of performance art. As a venue specifically created for long duration performances, OMA will also develop new types of furniture, lighting and other elements to facilitate the viewing of such works.

▼Performance Hall Flexibility

▼Supporting Program

▼Section

▼Abramovic Method_Performing and Observing Public

▼Abramovic Method_Crystal Room

▼Abramovic Method_Classroom

▼Performance_Artists Overlook

▼Performance

▼Staying Connected_Library

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