前几年的濑户内岛艺术节产生了不少让人惊叹的创作作品，日本Tato Architects的设计的小豆岛公共厕所基于古老的酱油作坊而改建，采用玻璃透明瓦片搭配普通瓦片采光，利用柔展自由的曲墙限定空间，是一件栖息自然让人放松的低调之作。更多请至：Tato architects on gooood

gooood之前还曾介绍过建筑师的
窄屋宽居 House in Itami
神户六甲山之宅 House in Rokko
自由光屋 House in Yamasaki

源于建筑师文本：我在小豆岛设计了一个公共厕所，作为此次我来参与的濑户内艺术节项目的设计作品。场地位于被称为Hishio-no-sato（酱油之家）的地方，这里是日本前现代酱油制作作坊建筑最集中的区域。这些作坊被授予登记在册的有形文化财产，在这些作坊内，酱油仍以老式配方制作而成。传统小屋的构架和地上的大香柏木桶是此地独具特色的场景。

我决定制作一个适合于这种环境的洗手间，并在传统小屋之下，用柔软得像布一样得材料制成弯曲表面，隔开空间，使洗手间成为走道的起始点。

因为场地环境，建筑必须在大约两个月内完成。我试图一边让工厂制作钢板曲形表面，一边在场地进行地基工作，来缩减建筑时间。

from the architect: I made a public toilet at Shodoshima Island as a part of the project of Setouchi Art Festival in which I came to participate from this time. The site is in the area called “Hishio-no-sato (Native place of sauce)” where pre-modern architecture of soy sauce making warehouse remains collectively most in Japan. These warehouses are authorized as registered tangible cultural property, where soy sauce has been made still in the old-fashioned formula. Framing of a traditional cabin and large cedar barrels on the floor are the characteristic scene.

I decided to make the toilet adapted to such surroundings and make it be the starting point of a walk by partitioning the space with curved surfaces as softly as a cloth under a traditional cabin roof.

Due to circumstances on the site the construction had to be completed in about two months. I tried to shorten the construction period by making the curved surfaces with steel plate and by, while making them at factory, proceeding with the foundation work at site at the same time.

我依照附近房子的式样，采用了瓦片屋面。实际上，我用烟色瓦片和玻璃瓦片排成马赛克花式做成屋顶，因为制作的标准化，所以两种瓦片能够互相兼容。我使用增强纤维复合板作为覆盖物以使空间明亮，就像阳光穿透树木枝干照射进屋内。

I adopted tile roofing following nearby houses. Actually I roofed with smoked tiles and glass tiles in mosaic pattern as these are compatible with each other thanks to the standardization, and I used FRP plates for the sheathing to make the place light as if sunlight came in through branches of trees.

烟灰色瓦片和玻璃瓦片不能轻易辨别，白天从室外来看，屋顶上的瓦片就和附近年久不平的瓦片相似。但当夜晚降临时，不同之处就显现了，室内光线开始从里面倾斜出来。在室内空间里，柔软材质的曲形表面似乎在引领着人们走向前去。我觉得这个空间会比实际上看去更为宽敞，使人身心放松，并带给人安全感。

The smoked tiles and glass tiles cannot easily be distinguished, during the day, from outside and may be mistaken for the same as the unevenness of the aged roof tiles of the neighborhood. But the difference appears clearly when night falls and light begins to leak from inside. The internal space will give feeling of being guided on while walking along the softly curved surface. I think I may have realized such a place as looks more spacious than actually is and as being secured while being relieved.

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