感谢 隈研吾建筑都市设计事务所， MASU Planning 予gooood分享以下内容。更多关于他们：Kengo Kuma and Associates on gooood，MASU Planning on gooood.
Appreciation towards Kengo Kuma and Associates ， MASU Planning for providing the following description:

本项目是隈研吾事务所与MASU Planning合作设计的全新H.C.安徒生博物馆，该博物馆坐落在安徒生出生的城市中心的花园和Tinderbox文化中心内。博物馆所在场地位于Odense市中心老住宅区和新城区之间，周边围绕着众多中世纪的传统小木屋。

The project is to create a new building for the H.C. Andersen museum, the garden and Tinderbox cultural center in the heart of the city where Andersen was born. The site is located in between the residential area with small traditional wooden houses from the middle age and the newly developed urban area in Odense.

▼项目概览，overall of the project © Rasmus Hjortshøj / COAST

在本项目中，那些著名的童话故事不仅将以书面形式呈现出来，更会通过博物馆和花园的物理空间为人们带来沉浸式的体验和感知。安徒生的作品中蕴含着深刻的哲理，同时也反映了作者的人生和经历。他的作品投射出我们周围对立事物的二元性：真实与想象，自然与人造，人与动物，光明与黑暗……世间的事物并不是非黑即白的，对立事物也是普遍共存的。本项目的设计就是要以建筑和景观的形式来体现安徒生作品的精髓。

The stories to be told here are not only in written form, but it is to be experienced and sensed through physical spaces in the museum and in the garden. There are profound messages in HC Andersen ’s writing tha t reflects the author’s life and his life time journey. Andersen’s work projects the duality of the opposite that surrounds us; real and imaginary, nature and manmade, human and animal, light and dark… The opposite of the matters coexist, they are not in black and white. Our architectural design is to reflect this essence of his work in architectural and landscape form.

▼项目与周边环境鸟瞰，aerial view of the project and surrounding environment © Rasmus Hjortshøj / COAST

▼顶视图，top view of the site © Rasmus Hjortshøj / COAST

博物馆空间由一系列相切的圆形体量组成，体量之间相互串联，如同一条项链，以无等级、无中心的方式组织在一起。连续的曲面绿墙在场地中延伸，勾勒出地下空间的轮廓，同时界定出地面上的花园和路径。它们在整个场地中蜿蜒曲折，将地上景观与地下空间联系在一起。随着绿墙的出现和消失，游客们会发现室外和室内场景在不经意之间发生了自然地转换。整个博物馆的探索之旅将是带有叙事性的，并呈现出安徒生童话故事作品的元素；相反的二元性，消解的边界，将通过空间的构成和模糊的空间概念得到解读。

The museum spaces are composed by a series of circular forms that are tangent to each other like a chain. They are organized in non-hierarchical, non-centric manner. The continuous curve linear green wall expands and traces the underground space structure and defines the garden and paths above ground. It meanders and weaves in and out, above and under the ground throughout the site. In the sequence of intertwined spaces visitors will find themselves in between outside and inside as the green wall appears and disappears. The journey of the museum would be the narrative, the elements of his work; duality of the opposite, dissolving the boundary, will be read through spatial composition and the ambiguity.

▼由轻轨看博物馆，viewing the museum from the tramway © Rasmus Hjortshøj / COAST

▼建筑与景观的融合，integration of architecture and landscape © Rasmus Hjortshøj / COAST

▼场地中的慢行自行车道，the slow cycle path in the site © Rasmus Hjortshøj / COAST

展览空间被规划在地下，迷人的地面花园由曲线树篱组成，勾勒出地下展览空间的轮廓。博物馆的参观体验以花园中蜿蜒小径的形式得到了延伸。在这里，建筑的建造形式被削弱，游客将被引入由茂盛树木和树叶创造的“迷宫”般的空间中。地下世界通过一系列下沉庭院与地面花园相连，从地面上看，这些下沉庭院如同一个个“洞穴”，打开了从童话世界到现实世界的“大门”。自然元素与建筑元素的融合造就了这座景观建筑，进而为游客们创造出独特的体验。

The exhibition spaces are planned underground. The enchanting garden above ground is composed with curve linear hedge that traces the exhibition spaces below ground. The meandering paths through the garden are to be experienced as the extension of the museum. Here the architectural built form is diminished and visitors would be lead into the “maze” like space created by trees and leaves. Underground world is connected to the garden above through series of sunken garden that appears like a “hole” on the ground, “portal ” from fairytale world to the world outside. The landscaped architecture, where elements of nature are merged with architectural elements, is what would make the experience unique.

▼由地面花园看下沉庭院，viewing the sunken patio from the ground garden © Rasmus Hjortshøj / COAST

▼由花园看建筑，
viewing the museum from the garden © Rasmus Hjortshøj / COAST

建筑的落成也是花园生机的开始，随着时间的推移，丰富的植物将在花园中扎根发芽。在未来的几年里，花园将逐渐趋于成熟，色彩、气味、景观密度，建筑透明度，以及花园风景都将改变，让游客和社区感受到自然的气息与季节的交替。可以说，HC安徒生博物馆将在Odense新城市景观中发挥核心的作用。

The building completion is the beginning of the life of garden. It is designed to grow overtime and set its root. Over the years to come, the garden will mature, will offer the visitors and the community the sense of nature and seasons, change of colors, scent, density, transparency, and scenery in its growth. The HC Andersen’s Museum would play a core role in new Urban-scape of Odense city.

▼下沉庭院，the sunken patio © Rasmus Hjortshøj / COAST

▼下沉庭院景观，landscape of the sunken patio © Rasmus Hjortshøj / COAST

博物馆的平面规划涉及到一条城市主干道的封闭，其目的旨在将目前割裂的新旧两个城区联系在一起。博物馆花园为城市创造出一处高质量的全新公共空间，为这个处于新旧交界处的地块赋予了“生命”。这个安徒生出生的城市如今仍保留着大量中世纪的城镇景观，街道蜿蜒曲折，与现代城市中宽阔笔直的快车道形成对比。蜿蜒的小径与树篱花园旨在恢复城市中人文尺度的品质，在新旧城区之间形成软性的链接。

The development plan is to close off one of the arterial roads and reconnect two parts of the city; new and old, which are currently separated. The Garden of the museum is to offer a new quality public area, giving life to this “in between” zone. One part of the city where the birth house of the writer is, remains the medieval townscape with small and meandering streets, the opposite of modern urban development with wide and straight fast lanes. The meandering path and hedge garden is to bring back the human scale quality to make a soft link to the urban area of the city.

▼老城区街道一侧入口，entrance of the site along the old town street © Rasmus Hjortshøj / COAST

▼入口大厅，entrance hall © Rasmus Hjortshøj / COAST

▼楼梯，staircase © Rasmus Hjortshøj / COAST

▼通高中庭，double-height atrium © Rasmus Hjortshøj / COAST

▼儿童工坊，children’s workshop © Rasmus Hjortshøj / COAST

疫情为本项目的建造带来了意想不到的挑战，包括工作顺序与计划的改变、采购的困难等等。人们日常活动中所习惯的现实和规范都受到了无形、甚至无理的制约。对建筑师来说，这种过程就如同安徒生的童话世界，需要逃离这种“无形”或学会适应，应对未知。可以说，安徒生故事中所蕴含的哲理直到今天都是很有说服力的。

During the construction of the building, we were put in the unique situation, the Pandemic. it imposed us all unexpected challenges in carrying the work, in sequencing, planning, sourcing and so on. The reality and norm we were accustomed to in daily activities were questioned by the cause that were intangible and incomprehensible. It felt to me as if we were experiencing Andersen’s world of fairytales, flighting the invisible or learn to adapt, cope with the unknow. His stories speak to us loud today.

▼夜景，night view © Rasmus Hjortshøj / COAST

▼地上花园与建筑夜景，night view of architecture and ground garden © Rasmus Hjortshøj / COAST

▼建筑细部，details of the building © Rasmus Hjortshøj / COAST

TEAM: Yuki Ikeguchi, Nicolas Guichard, Miruna Constantinescu, Elise Fauquembergue
CONSTRUCTION: S. Guldfeldt Nielsen A/S
COOPERATION: Søren Jensen Engineering Consultants A/S
FACILITY: Søren Jensen Engineering Consultants A/S
EXTERIOR: MASU Planning
ILLUMINATION: Jesper Kongshaug
OTHERS: EVENT Communication, C&W Architect, Mir
PUBLICATION: GA DOCUMENT 162 , GA JAPAN 178 , GA DOCUMENT 147 International 2018 , Nikkei Architecture 2016/06/09
PHOTOGRAPHY: ©︎ Rasmus Hjortshøj / COAST
TEXT: Yuki Ikeguchi, Partner in charge, Kengo Kuma and Associates

More: 隈研吾建筑都市设计事务所， MASU Planning。更多关于他们：Kengo Kuma and Associates on gooood，MASU Planning on gooood.

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