Fondazione Prada by OMA

非常感谢摄影师 Simón García · arqfoto 予gooood分享以下内容。更多请至：OMA on gooood
Appreciation towards photographer Simón García · arqfoto for providing the following description:

更多关于该项目的报道：Fondazione Prada complex in Milan / OMA
For more information regarding this project: Fondazione Prada complex in Milan / OMA

“废弃的工业厂房凭借其空间的包容性，成为越来越多艺术领域场所的首选，Prada基金会也不例外。废弃的工业园区经过我们的改造后，新建的三个体量与场地内的旧建筑既相对独立又密切相关。在这多样化的建筑空间内，所有的差异和变量都对立并存于这个不稳定的复杂环境中，建筑和艺术相辅相成。” ——库哈斯

“It is surprising that the enormous expansion of the art system has taken place in a reduced number of typologies for art’s display. To apparently everybody’s satisfaction, the abandoned industrial space has become art’s default preference — attractive because its predictable conditions do not challenge the artist’s intentions — enlivened occasionally with exceptional architectural gestures. The new Fondazione Prada is projected in a former industrial complex too, but one with an unusual diversity of spatial environments. To this repertoire, we are adding three new buildings — a large exhibition pavilion, a tower, and a cinema — so that the new Fondazione Prada represents a genuine collection of architectural spaces in addition to its holdings in art.The Fondazione is not a preservation project and not a new architecture. Two conditions that are usually kept separate here confront each other in a state of permanent interaction – offering an ensemble of fragments that will not congeal into a single image, or allow any part to dominate the others. New, old, horizontal, vertical, wide, narrow, white, black, open, enclosed — all these contrasts establish the range of oppositions that define the new Fondazione. By introducing so many spatial variables, the complexity of the architecture will promote an unstable, open programming, where art and architecture will benefit from each other’s challenges.” Rem Koolhaas

▽ 鸟瞰效果图，birdview

Prada新的基金会总部位于米兰南部的Largo Isarco工业建筑园，前身是一座建于1910年的杜松子酒厂。改造后的建筑将拥有多样化的展览空间模式。除七栋包括仓库、实验室、酿造筒仓在内的保留建筑外，方案围绕中庭增加了三座新建筑，分别为Podium－短期主题展厅，Cinema－多媒体礼堂和仍在建设中的Torre－用于展览基金会藏品并承办活动的九层常展空间。

Located in a former gin distillery dating from 1910 in the Largo Isarco industrial complex on the southern edge of Milan, the new home of Fondazione Prada is a coexistence of new and regenerated buildings including warehouses, laboratories and brewing silos, as well as new buildings surrounding a large courtyard.

The complex aims to expand the repertoire of spatial typologies in which art can be exhibited. The project consists of seven existing buildings, and three new structures: Podium, a space for temporary exhibitions; Cinema, a multimedia auditorium; and Torre, a nine-story permanent exhibition space for displaying the foundation’s collection and activities. Torre, currently undergoing construction work, will be open to the public at a later date.

▽ 从入口看向Haunted House，view from the entrance to the Haunted House

▽ 从Haunted House看向入口，view to the entrance from the Haunted House

在Largo Isarco工业院内原有两栋独立结构的建筑。在经过仔细研究后，没有改造潜力的方形低矮建筑被拆除，开放式中庭的面积得以扩大。而位于园区西部的较高大的空间Deposito则经过了巧妙的调整，地下部分同时容纳了展品的储藏和部分展示两个功能，参观者将可以看到部分作品，如a fleet of artists’ cars，拆封和前期准备工作的进行过程。

Within the perimeter of the Largo Isarco complex existed two freestanding structures: one flat and square and the second more vertical. On close inspection, the square building did not offer attractive possibilities and was demolished, enabling the courtyard to become a significant element for open-air use. The Deposito, an existing building on the west edge of the complex, is adapted for curatorial ingenuity: in its basement, the Fondazione’s collection is arranged in a hybrid of strict storage and partial display, creating ‘chambers’ where work such as a fleet of artists’ cars can be unpacked or half opened to the public.

▽ 入口大厅，entance

位于大会堂the Great Hall东侧的独立结构式建筑名为Cisterna。建筑内部的三个小空间通过“诵经台”与外侧的阳台相连，曾经为工业服务的结构如今带上了些许宗教性的意味。

The freestanding object to the east of the Great Hall, dubbed the Cisterna, is divided in three rooms with three interior ‘pulpits’ connected to an exterior balcony. Its configuration suggests a precise industrial need that now reads as a quasi-religious environment.

▽ 咖啡厅，gallery cafe

Cinema的功能则更为灵活多变。建筑一侧外墙以双折叠门构成，封闭的空间可变成向中庭敞开的半开放空间。内部的阶梯式座位亦可通过折叠还原为平坦的地面，作为户外活动的舞台空间或附加的室内展览空间。

The Cinema acts as an autonomous cell within the compound. With large bi-fold doors, it can be instantly connected to the courtyard. Inside, the raked seating can be bi-fold converted into a flat floor, allowing the space to be used for staging outdoor events or as additional, covered gallery space.

▽ The cinema

中庭南部的四座小房子以及废弃的庭院如今用作基金会的办公室和长期展览厅，它们之间耸立着金箔外墙的“Haunted House”，其内部狭小的空间让特定的作品可以在更亲密的空间氛围中展出。

Four ‘houses’ that face the courtyard to the north and an abandoned garden to the south accommodate Fondazione offices and permanent galleries. Within their confines sits the ‘Haunted House’, an existing building with its exterior covered entirely in gold leaf. Inside, the intimate scale of its interiors generates a ‘domestic’ setting for specific works.

▽ Haunted House

毗邻的Podium 位于场地内两条视觉通道的相交点，成为了整个建筑群的视觉中心。这座新建建筑由两个体块组成，内部空间格局相似，皆为多功能的临展大空间，然而从外表上看去却截然不同，一层光滑的玻璃幕墙与其上二层斑驳的泡沫铝外墙形成了鲜明对比。

Adjacent, the Podium forms the center of the compound, sitting at the intersection of the two perpendicular axes through the site. This addition combines two volumes of very different qualities: a fully glazed, column-free podium on the ground floor. Resting on top is another gallery space clad in aluminum foam , with a bubbled pattern. Both galleries provide large, multi-purpose areas for temporary exhibitions and events.

▽ 轴测图，Axonometric drawing

▽ 分析图，analysis

▽ （左）改造前平面，plan before renovation; （右）改造后平面，plan after renovation

▽ 东立面图，East Elevation

▽ 北立面图，North Elevation

Client: Fondazione Prada
Location: Milan, Italy
Total public area:12300 m2
Total private area: 6600 m2
Total built area:18900 m2
Photo credits: Simón García · arqfoto
OMA Team
Partner in Charge: Rem Koolhaas, Chris van Duijn
Project leader: Federico Pompignoli
Preliminary Design: Sam Aitkenhead, Doug Allard, Andrea Bertassi, Aleksandr Bierig, Eva Dietrich, Paul-Emmanuel Lambert, Jonah Gamblin, Takuya Hosokai, Stephen Hodgson, Jan Kroman, Jedidiah Lau, Francesco Marullo, Vincent McIlduff, Alexander Menke,
Aoibheann Ni Mhearain, Sophie van Noten, Jan Pawlik, Rocio Paz Chavez, Christopher Parlato, Ippolito Pestellini Laparelli, Dirk Peters, Andrea Sollazzo, Michaela Tonus, Jussi Vuori, Luca Vigliero, Mei-Lun Xue
Progetto Definitivo: Anna Dzierzon, Jonah Gamblin, Ross Harrison, Hans Hammink, Matthew Jull, Taiga Koponen, Vincent Konate, Andres Mendoza, Susanan Mondejar, Vincent McIlduff, Sasha Smolin, Michaela Tonus
Construction documentation: Katarina Barunica, Marco Cimenti, Cecilia Del Pozo Rios, Anita Ernodi, Felix Fassbinder, Peter Feldmann, Siliang Fu, Romina Grillo, Jonah Gamblin, Clive Hennessey, Taiga Koponen, Roy Lin, Debora Mateo, Vincent Mc Ilduff, Andres Mendoza, Arminas Sadzevicius, Magdalena Stanescu, Lingxiao Zhang
Construction Administration: Mateo Budel, Marco Cimenti, Andrea Giovenzana, Nicolas Lee, Victor Pricop, Pawel Panfiluk