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Appreciations towards NEBR Arquitetura for providing the following description:

▼视频，video © NEBR Arquitetura

内陆地区卡皮纳的上空总有鸟群飞过，并且常常伴随着鸟叫声。在如此独特的环境之中，该住宅设计的关键在于尽情享用周围的环境。建筑走向顺应纵向的斜坡并契合于Zona da Mata Pernambucana中心区域的基地轮廓。

In the skies of the inland municipality of Carpina, there is always a flock passing by, there is always a bird singing. In this very unique setting, the design of the country house emerges in its primary condition – enjoying the surrounding atmosphere through architecture without excess. The generatrix of the architectural party comes from the longitudinal cut of the sloping geography and appropriates the natural profile of the site in the middle of the Zona da Mata Pernambucana.

▼山林中的住宅，the house in mountains © Manuel Sá

出于经济性和建设性考虑，建筑由两部分构成。当地普遍的传统钢筋混凝土建造体系使建造这个特殊的建筑具有可行性，设计师也因此可以在施工现场通过精确的技术将两部分建筑组合在一起。设计师将紧凑的布局组织并容纳在分布于两层楼的240㎡区域中，使建筑平面呈现模块化分区。尽管住宅布局紧凑，设计师依然对灰空间做了几何处理，使这里与基地周围连续的乡村景观产生对话，成功地提升了该住宅所在空间的品质。

The pragmatic design process comprises the premises imposed on its dichotomy – balancing economic and constructive reasons. In summary, the conventional construction system in reinforced concrete, omnipresent in the territory, validates the unfolding and tracing of an identity architecture within the possibilities. Therefore, the technical accuracy of the designers at the construction site orchestrates the conscious apparatus in the materialization of this dialectic. The regulatory layout of the plants assumes a modular division, by ordering and accommodating a dense programmatic scope for a residence of 240m² of built area, distributed over two floors. On the other hand, despite the compact conformation of the domestic program, the geometric resolution of the building void succeeds in qualifying the ambience of the occupied spaces, in an attempt to legitimize dialogues with the enjoyment of the uninterrupted rural landscape surrounding the habitat.

▼住宅顺坡地而建，the house is built along the slope © Manuel Sá

▼两个体块紧凑相接，two blocks are tightly connected © Manuel Sá

▼入口，entrance © Manuel Sá

两个不同体块的交接处采用可塑性的外观，它颠覆了常规的主体，突显出分离体块严谨的几何形制。笔直而硬朗的建筑线条时而连续、时而间断，如同变换不断的书法笔触。

From the articulation of volumetrically disparate orthogonal solids, the plastic expression of rigorous design aims to accentuate the geometric rigor with a certain fragmentation by subverting formal protagonisms. The straight, hard, inflexible line created by man sometimes comprises continuous strokes, sometimes discontinuous, emerging when advancing and retracting the calligraphy with non-coplanar edges.

▼笔直而硬朗的建筑线条，straight and hard line © Manuel Sá

▼严谨的几何形制，rigorous geometry © Manuel Sá

在材料方面，项目利用大量玻璃砖的协同作用，通过多元光学效应减弱了阳光强度。这使光影透过有韵律感的体块洒进室内，形成诗意的叙述。

In its materiality, the project takes advantage of the tangible synergy in the profusion of the glass blocks in attenuating the natural light through a plural optics. This experience combines a sensitive poetic narrative by virtue of the shadow, between the metric coexistence of the blocks before the slender embroidery of nature placed there.

▼透过玻璃砖的诗意光影 © Manuel Sá
the poetic light and shadow through glass bricks

▼不同窗户将景观引入室内 © Manuel Sá
different windows bring the landscape into the room

玻璃走廊悬浮在景观之上，成为建筑中心部位的另一显著元素，它通过引入自然和赋予空间长久的意义见证了有限空间的无限可能。存在先于本质，这使得房屋的灵魂永存，即建立在崇高自然上的空寂优雅。

Another element gives rise to a notable role in its heart, an unexpected glass walkway paradoxically hovers over the landscape and witnesses the finite by gravitating the natural interfaces and building the perennial meaning of space. Existence precedes its essence, this value perpetuates the soul of the house – the elegance of the emptiness built up against the sublime nature.

▼夜景，night view © Manuel Sá

▼模型，models © NEBR Arquitetura

▼一层平面图，ground floor plan © NEBR Arquitetura

▼地下一层平面图，lower floor plan © NEBR Arquitetura

Location: Carpina, PE, 2021
Project date: 2020
Land area: 450 m2
Built area: 240 m2
Architecture: NEBR Arquitetura
Author: Edson Muniz
Collaborators: Amanda Brandão and Chico Santos
Construction: RWM Construtora
Manufacturers: Seves Glass Block, Alcoa, Pamesa, Tramontina, Deca
Photos: Manuel Sá

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