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Appreciation towards AD ARCHITECTURE for providing the following description:

作品概述 | Project description

X，是“未知”，是静是燥，是同是异，是不被界定。世界看似平静，却暗藏许多未知的可能，既和谐又矛盾，当我们放任自由，回归真我，不克制躁动的勇气，就能越过心中的界。矛盾、形式、构成、极致一同涌上，就如当下的我们，既简单又复杂。

▼洽谈区空间概览，overview of the communal area

设计理念 | Design concept

过滤心中的顾忌——创造躁动的“界”，跨越现实与理想，突破惯性思维，沉淀潜意识的力量，AD艾克为“形色界”办公室探索出属于另一个未知的“界”。设计师在空间中强调方与圆的对比和冲突、极致的材料与形态的构成、克制的色彩与抽象的理念，创造性地表达出一个未知游戏。

Through filtering the scruples in the mind, crossing the boundary of reality and ideal, breaking inertial thinking and precipitating the power of the subconsciousness, AD ARCHITECTURE explored undiscovered “boundaries” in the XZONE Office. With the contrast of square and round elements, the ingenuous utilization of materials, colors and formations, as well as application of abstract concept, the designer created a space full of unknowns.

▼开放办公区概览，overview of the open working space

形态不一：冲突与和谐
Diversified formations: Harmony in diversity

空间以方盒子作为主要框架，交谈区的半圆与单一体块共存，开放的形态空间延伸到顶上的圆球，形成不同边界的交汇。无墨守成规的规律可循，只有更多未知的组合。若有趣不一的元素碰撞,即使在不优质的空间里，也能赋有独一无二创造性。

A square box constitutes the main framework of the workspace. In the conversation area, the designer integrated semi-circle structures and a ball hung from the ceiling into the single spatial block, resulting in intersection of different boundaries. Not restricted to a certain rule, all the elements in the space can form various combinations. When these interesting and diversified elements collide with each other, the originally ordinary space becomes unique.

▼交谈区开放的形态空间延伸到顶上的圆球，形成不同边界的交汇，the semi-circle structures and a ball hanging from the ceiling into the single spatial block create an intersection of different boundaries

▼洽谈区座位，seating area

材质对立：感受与灵感
Contrasting textures: Feeling and inspiration

通过材质的关联，天花与地面的分割，打破空间的一致性，天花保留了原建筑的钢筋结构，看似孤立的元素却无心成了最躁动的存在。通过原始的粗犷与细腻的形态构成，整个空间看上去都是自由的表达。既对立而又协调。

Materials of different textures break the consistency in the space and endow it with various features. The reinforced concrete structure of the ceiling was retained, which becomes a highlight of the spatial design. The coordinated combination of rough and delicate textures generates contrast in the space, and creates a free atmosphere in it.

▼天花保留了原建筑的钢筋结构， the reinforced concrete structure of the ceiling was retained

▼办公空间，working area

▼方与圆形成对比和冲突，the square and round elements contrast

▼黑色幕帘构成半透明的边界，the screen offers a translucent boundary

有色之分：克制与躁动
Different colors: Restraint and agitation

在空间整体冷静色彩的提炼中，具有无限张力的留白处理，是设计师的克制处理。跳脱的红与粉，就像是这未知空间中躁动的原点。白本身处于色界的极端，在这界线分明的空间中，会议区成了克制的纯与空，红色沙发与粉色板块的激进表达，完全抛开了界的比例，对比鲜明。从色界极端入手，除了大胆的尝试，克制与躁动的较量，还交织着与情绪相辅的空间感受，引发人的行为特征，促进情感交流、思想碰撞。

The designer adopted a restraint color scheme, with white and light gray as major hues, full of tension. Striking red and pink colors are dotted in the space, injecting vitality into it. In the conference area, the red sofa and pink panel form contrast with the spatial overtone set by white color. Different colors bring collisions of restraint and agitation, and at the same time facilitate emotional and idea exchanges in the space.

▼会议室，meeting room

▼具有无限张力的留白处理，a restraint color scheme, with white and light gray as major hues

▼空间细部，detailed view

未知，独立于“界”之外，是一种虚幻意象的根源，而虚幻意象促使我们去探索不被限定的界。在这意志力和注意力逐渐被弱化，感观愉悦不断被追捧的今天，我们似乎在用陌生、审视的目光注视着这座城市的中心，常常染上能够扼杀兴趣和消解愿意接受的“抑郁”。这个办公空间就犹如城市中的一座游乐场，每天都在营业；自由、模糊、突破、往外延伸正示意着每场“未知”游戏的开始。未知的永远在躁动，无拘界限。

▼跳脱的红与粉成为未知空间中躁动的原点，striking red and pink colors are dotted in the space

▼空间细部，detailed view

▼光影，light and shadow

▼设计概念图，design concept

▼轴测图，axon

▼平面图，floor plan

项目名称：X游戏∣形色界办公室
设计机构： AD ARCHITECTURE∣艾克建筑设计（WWW.ADCASA.HK）
总设计师：谢培河
设计团队：艾克创意
施工团队：艾克工程
项目地点：广东汕头
建筑面积：280㎡
主要材料：地坪漆、灰色乳胶漆（立邦）、混凝土板
设计时间：2018年5月
竣工时间：2018年7月
摄影师：欧阳云
Project name: XZONE Office
Design company: AD ARCHITECTURE（WWW.ADCASA.HK）
Chief designer: Xie Peihe
Design team: AD ARCHITECTURE
Construction team: AD ARCHITECTURE
Project location: Shantou City, Guangzhou Province
Project area: 280 m2
Main materials: floor paint, gray latex paint (NipponPaint), concrete slabs
Design time: May 2018
Completion time: July 2018
Photographer: Ouyang Yun

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