非常感谢设计方Arturo Franco将项目介绍和项目图片授权gooood发行。更多请至：Arturo Franco on gooood
Appreciation towards Arturo Franco for providing the following description:

In a small warehouse of the old slaughterhouse of Madrid, warehouse 8B, the tiles in bad condition have been removed from the roof, been stacked and been put inside to solve a problem. This could be the summary of the intervention.

The priority of the intervention was to replace a roof of flat shingle tiles over boards and successively patched thin, hollow bricks, to carry out a structural reinforcement of the whole set, and to fit out the indoors, thermally and acoustically, so as to provide service to the new uses. This process had been followed before in some other warehouses of the slaughterhouse and, as a result, mountains of tile, timber, cladding and granite slab rubble piled up waiting to be taken to the dump.

I prefer to think that this project emerged from opportunity, from discovering an opportunity in that rubble.

In the path of exploring all the reasonable possibilities, the construction system turns into a project generator, in the place where a certain ethic view on rehabilitation rests, before architecture.

The absence of some bonding elements produce lattices, the passing of light. Sometimes a whole piece for the walls, others, half a piece for the claddings. The problem of the corners, the lintels. The universal problems that architecture faces arise. At the same time and with the same intensity the workforce and imperfection appear. The imperfection of man and the old, the recovered. I recall a naïve order given on the building site: “Twist yourself José, it doesn’t matter” and an answer, a lecture from the site manager: “I won’t twist! There will always be time for that!” A job of many, full of vibrations. The vibrations of the collective craftsmen, the craftsman that Richard Sennett claims.

Like that cottage in the woods by the Swedish architect Ralph Erskine, where he piled trunks to protect himself from the harshness of winter, this project is also bioclimatic. It is bioclimatic because the tile contributes to the thermal and acoustic comfort and it’s sustainable because it reinvents itself with what it has within range. It is bioclimatic like architecture of a small country village, like those hearth-chimneys lined with clay that can be found in the province of Soria.

这是马德里一个旧屠宰场仓库的改建，最初仓库屋顶的瓦片已经落下被放置在一边。因此首要的任务是更换屋顶的瓦片，修补破损处，对建筑进行结构加固，室内重新装修，以得以发挥新用途。同时周边其它的仓库和建筑也有很多建筑垃圾，瓷砖，木材，花岗岩等等，像小山一样堆着，等待着被送往垃圾场。

建筑师认为，这个项目会出现从废墟而生的机会。

在建筑之前考虑空间中触目可及，应该修复的地方，在研究的过程中，所有合理建设的可能性都是项目的推进力。光的传递，一面墙，抑或是半面墙，角落，门楣等要素，被建筑师们考虑着。在施工中出现了劳力不足以及种种缺陷，形成一些不完美的结果。同时建筑像瑞典建筑师拉尔夫厄斯金的小木屋，用堆积木材来抵御寒冬。这个项目也考虑到气候，使用适应气候以及能够带来声学愉悦性，以及触感良好的，可持续性材料。

更多的信息请参见上方英文。

Location:
C/ PASEO DE LA CHOPERA, 14. NAVE 8B. ANTIGUO MATADERO LEGAZPI. 28045 MADRID.
Preparation of the project and completion of construction schedule:
January 2009_December 2009.
Project’s authorship:
Arturo Franco. (architect)
Arturo Franco.
estudio@arturofranco.es
Architecture
C/ Ventura Rodríguez, 22. Bajo.
28008 Madrid.
Tel: 917 583 760 / 630 922 369. Fax. 917 583 761.
estudio@arturofranco.es www.arturofranco.es
Project’s collaborators
Diego Castellanos. (interior architect)
Yolanda Ferrero. (architect)
Site Supervisor and Quantity Surveyor:
Jose H. Largo Díaz. DITE SL.
Photographer/s:
Carlos Fernandez Piñar.
Developer/Owner
ARTS COUNCIL OF MADRID CITY COUNCIL
Construction Company:
PECSA.s.a.
Period for completion:
8 months
Work budget: 500.000 €.
Intervention area: 1.000 m2
Furnishing budget:
Not contracted except locksmith’s work designed by the office and included in global budget.

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