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往届报道请至：法国FAV建筑节
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2022年的法国FAV建筑节参观人次达1万人，收到了十分积极的反馈。FAV建筑节旨在提升公共对建筑领域的广泛认识，力求为年轻的建筑、景观、城市规划师们提供展示的舞台，带领人们发现意想不到的城市空间。

The 2022 edition of the Festival des Architectures Vives received very positive feedback from the public with a number of visitors around 10,000 people. The purpose of the Festival des Architectures Vives is to raise public awareness of the broad field of architecture. It strives not only to highlight the work of a young generation of architects, landscape architects, urban planners, but also to discover unexpected urban territories.

▼展览现场，exhibition scene

展览中的一些装置可与公众发生互动，在不留下任何物理痕迹的同时，在参观者心中留下深刻印象。从而引发人们对全球化背景下城市语境中建筑发展现状的反思，并促进当代作品和历史遗产的对话。每个展览点都有蒙彼利埃建筑学院的学生作为解说员，他们将帮助游客更好地欣赏作品。该活动完全免费，传递出最大化公众参与的美好愿景。

Some installations allow interaction with the public. Without leaving physical traces, the FAV seeks to mark the spirits, to initiate a global reflection on architecture and its development in an existing urban context as well as to create a dialogue between contemporary creation and heritage. Mediators, students at the Montpellier School of Architecture are present at each location and allow visitors to better appreciate the course. The event is free, testifying to this desire to be open to as many people as possible.

所有照片版权 | Photo credit: ©photoarchitecture ©FestivaldesArchitecturesVives

作品导览
Presentation

临时装置团队从9月份发起的申请中选出，分别来自法国和不同的国家。
The teams that create the ephemeral installations are selected after a call for applications launched in September. They come from France and abroad.

2022年FAV评审团大奖：海上浮瓶
Jury Prize: BOUTEILLE A LA MER
设计者 | OLLEKTIV GESAMTKUNSTWERK: Killian Petracek, Anton V. Schmunk, Marcel Navid Sharifian, Kalieb Johanes, Anh Khoa Ngo, Timur Zhigaylo
国家：比利时、德国 | Brussels, Belgium- Frankfurt am Main, Germany

瓶子的本质是无常的。装置以交互式邮箱的形式赋予瓶子临时性功能来强调其“无常”。

Bottles are by nature subject to impermanence. Through our installation, we elevate this idea by adding a transient use to bottles in form of an interactive postbox.

▼海上浮瓶，BOUTEILLE A LA MER

方案打造了一座空玻璃瓶塔，作为蒙彼利埃展览参观者之间的交流枢纽。每增加一条信息，思想的集合就会增加，而瓶子的透明度则会暂时降低。装置的外观不断变化，也强调了这种“无常”。

We will construct a tower of empty glass bottles that function as a means of communication between visitors to the exhibition in Montpellier. With each added message, the collection of thoughts grows while the bottles’ lucency temporarily decreases. The appearance of the installation changes continuously, emphasising its impermanence.

▼与公众互动，interaction with the public

▼细部，details

2022年FAV公众奖：永恒的幻觉
Public Prize: UNE ILLUSION D’ETERNITE
设计者 | Malo Chabrol, Lucas Buti
国家：法国 | Marseille, France

建筑在建设性和形式的维度中找到了时间锚点。首先是建设性，建筑总是寻求永恒，但实际上却找不到任何形式的永恒。其次是形式，形式是多变的，它受制于其历史的曲线。然而，除了表面的变化，仍有不变的存在。

Architecture finds its temporal anchorage in its constructive and formal dimensions. Constructive first, permanence is always sought but no building can claim any form of eternity. Formal next, it is versatile, it is subjected to the curved lines of its history. However, beyond the appearances, the invariants are still there.

▼永恒的幻觉，UNE ILLUSION D’ETERNITE

在这里，装置以物质的无常挑战形式的永恒。透明的托斯卡纳柱子安置在轻便的座椅上，与Hôtel de Griffy的柱子相呼应。构成柱子的沙将在下方流动，形成一组奇怪的沙漏，引导参观者们思考千年历史的建筑元素的消亡。等计时结束，院子里将空无一物，只有留下冻结在永恒幻觉中的建筑形式。“物质消失了，形式仍然存在。”

Here, the installation experiment physical impermanence facing a formal permanence. Transparent Tuscan columns echoing those of the Hôtel de Griffy are placed on light seats. Under these columns will flow the matter which constitutes them. These strange hourglasses will lead the visitors to a contemplation of the disappearance of multi-millennial architectural elements. Once the matter has passed away, there will be nothing left in the courtyard but architectural forms frozen in an illusion of eternity. The materiality disappears, the form remains

▼鸟瞰，aerial view

▼细部，details

2022年FAV特别提名奖：碎片
Special mention: FRAGMENT
设计者 | Chiara Vigneri & François Chantier
国家：德国 |Berlin, Germany

侘寂起源于日本文化，可定义为：简单、短暂、错误与不完美。方案试图将这一术语转化为与现有空间对话的装置，以简单、基础的几何形式反射历史建筑。

Wabi-sabi, which has its origins in Japanese culture, can be defined as follows: simplicity, ephemerality, error, imperfection. Our project attempts to translate these terms into an installation that dialogues with the existing architecture. The goal is to reflect historical buildings in simple, elementary geometric forms.

▼鸟瞰，aerial view

▼破碎的状态，pieces of fragments

院子里随意自发散落着大小不一的“碎片”，让人想起一件碎成一千块的物体，唤起一种材料的脆弱感觉，仿佛一块掉在地上的瓷器，也映射了精神、生活、人类社会与城市等世界上的一切事物。

通过更仔细的观察，人们将发现，所有这些碎片都来自一个更大的体量，这个整体在平面上形成了一个正方形，象征着一个过去的时代。然后，一个特殊的事件与一个事故导致了整体的分崩离析。通过把碎片重新组合在一起，设计者希望修复这件破损的物体。

The “fragments” scattered in the courtyard in a random and spontaneous way, of different heights, remind us of a broken object, shattered into a thousand pieces, evoking the fragility of Material – like a piece of porcelain that has been dropped – and more broadly of all things in the world: of the spirit, of life, of human societies, of cities.

By observing more closely, we can see that all these fragments come from a larger volume, forming a square in plan, a sign of a past era. A particular event, an accident, took place. We are then tempted to put the pieces back together, to repair the broken object.

▼装置与建筑，the installation and the surroundings

那些残破不堪、几经毁灭的城市，那些承载着岁月痕迹的材料使人们的思绪无限延展。观者将在刹那间意识到，一切都是转瞬即逝的。

The partly ruined, crumbly city, the assemblies and combinations of materials, which bear the traces of time, are thus extended in the thoughts and highlight the beauty of aging, making the visitor aware, for a moment, that everything is ephemeral.

▼与公众互动，interaction with the public

2022年FAV特别提名奖：天文望远镜
Special mention: CAELOSCOPE
设计者 | Alek Rokosz
国家：波兰 | Krakow, Poland

我们很少抬头仰望天空。城市挡住了视线，建筑物占据了景观，蓝色的天空只剩狭窄一隅。在最近的隔离期间，这种与天空的隔阂进一步加剧。许多人发现自己被锁在小公寓里，无法进入开放空间。对于一些人来说，看到天空已经成为一种奢侈，甚至是一种挑战，而被剥夺天空就意味着忘记如何获得自由。

Rarely do we lift our heads to look at the sky. The city obstructs the view, buildings dominate the landscape, leaving only narrow channels of the visible blue. This estrangement from the sky was further intensified during the recent confinement. Many of us have found ourselves locked in small apartments with no access to open space. For some, seeing the sky has become an effort, even a challenge. And to be deprived of the sky is to forget how to be free.

▼天文望远镜，CAELOSCOPE

天文望远镜是一种仪器，旨在将人们的视线再次引向天空。那始终存在又始终不同的天空，诠释了无常与永恒的本质。天文望远镜允许人们以最高精度观察常数和变量之间的关系，设备采用大型不锈钢镜面，可以反映环境中最细微的变化。

A Caeloscope is an instrument which aims to turn our gaze upwards again, towards the sky which is always there yet always different, an essence of impermanence and its antithesis at the same time. Caeloscope allows us to observe this relationship between the constant and the variable with the highest accuracy. The device uses a large stainless steel mirror that reflects the slightest change in the environment.

▼映射天空，to reflect the sky

该装置是交互式的，只需转动镜面即可查看相应的城市天空片段。

The installation is interactive, just turn the Cealoscope to examine the desired fragment of the urban sky.

▼与公众互动，interaction with the public

▼细部，details

两支华尔兹之间
ENTRE DEUX VALSES
设计者 | AMBLA: Morgane BERSON, Karen LE CORROLLER, Maxime MOLINARI
国家：法国 | Marseilles – Béziers, France

▼两支华尔兹之间，ENTRE DEUX VALSES

▼细部，details

永恒的错觉
L’ILLUSION DE LA PERMANENCE
设计者 | Atelier VYà: GAUQUELIN Achille & BOSSARD Timothée
国家：法国 | Paris, France

▼永恒的错觉，L’ILLUSION DE LA PERMANENCE

▼细部，details

暂停景观
PAYSAGE EN SUSPENS
设计者 | BoON Architecture + mock up : Jean-Nicolas Bouchard, Julie Bradette, Hugo Thibeaudeau, Thierry Thibaudeau, Véronique Côté
国家：加拿大 | Quebec, Canada

▼暂停景观，PAYSAGE EN SUSPENS

▼细部，details

杂草永不会死
LA MAUVAISE HERBE NE MEURT JAMAIS
设计者 | Atelier Mobile : Cristiano Tosco, Miriam Quassolo, Corrado Scudellaro, Fabrizia Muci, Francesco Paolo Rolfo
国家：意大利 | Torino, Italy

▼杂草永不会死，LA MAUVAISE HERBE NE MEURT JAMAIS

▼展览现场，exhibition scene

▼细部，details

样品 T22U.RFU
ÉCHANTILLON T22U.RFU
设计者 | Slow architectures & Mobiterre: Olivia Frapolli, Sébastien Soulez-Larivière, Rachid Mizrahi, Miki Nectoux
国家：法国 | Montpellier, France

▼样品T22U.RFU，ÉCHANTILLON T22U.RFU

▼与公众互动，interaction with the public

▼细部，details

纸牌屋
LE CHATEAU DE CARTES
设计者 | B.O: Joan BARDY, Jean ORLIAC
国家：西班牙 | Barcelona, Spain

▼纸牌屋，LE CHATEAU DE CARTES

▼细部，details

关于FAV建筑节：
About The Festival des Architectures Vives:

FAV建筑节是一个公共建筑展览。自 2006 年以来，以建筑节为契机，参与其中的游客认识与重新发现了蒙彼利埃的历史地标。活动邀请游客通过散布在城市各处的装置与丰富的历史遗产发生互动。装置通常放置于蒙彼利埃历史悠久的小镇中，通过一条小路邀请游客们进入通常不开放参观的私人庭院。FAV的主办者是来自蒙彼利埃的建筑师Elodie Nourrigat和Jacques Brion。

The Festival des Architectures Vives is a public architectural exhibition. Visitors can discover or rediscover the historical landmarks of the city of Montpellier since 2006. The event invites visitors to interact with the rich heritage by offering installations scattered around the city. In Montpellier, it takes place in the historic town and offers a path connecting mansions and courtyards, mostly private, that are usually not accessible to visitors. The FAV is organized by Elodie Nourrigat and Jacques Brion, architects in Montpellier.

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