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在2018年春季，Barkow Leibinger按计划对柏林邵宾纳剧院的接待大厅进行了重新规划和扩建。自1981年以来，邵宾纳剧院便被安置在Lehniner Platz上。这座马蹄形的建筑被埃里希·门德尔松打造为当时柏林最大的电影院，于二战期间遭到严重破坏。从1946年起，建筑被陆续重建，并经历了包括舞蹈俱乐部和音乐剧院在内的各种转型。1978至1981年间，柏林建筑师尤尔根·萨瓦德将其改造为多功能的现代化剧院建筑，并为邵宾纳合奏团搭建了舞台。

In spring 2018 the reception area of the Schaubühne Berlin underwent a redesign and expansion following the plans by Barkow Leibinger. Since 1981, Schaubühne Berlin has been housed on Lehniner Platz. Designed by Erich Mendelsohn to be Berlin’s largest cinema at the time, the horseshoe-shaped building was severely damaged during World War II. From 1946, it was gradually rebuilt and went through various transformations, including a dance club and a venue for musical theater. From 1978 to 1981, the Berlin architect Jürgen Sawade converted the building into a multifunctional state-of-the-art theater building and stage for the Schaubühne ensemble.

▼项目概览，overview ©Simon Menges

▼从窗外向接待大厅看去，look through the window to the reception hall ©Simon Menges

位于主入口西侧的新票房于原“宇宙酒廊”的场地上打造，是Barkow Leibinger改建计划的一部分。该方案沿用了尤尔根·萨瓦德一个未竟的餐厅设计理念：一个包含了开放售票柜台，以及遵循建筑曲线的长凳的中心纤长家具带。与此对应，低矮的长椅被整合到面向Kurfurstendamm的窗户凹槽中。中央长椅上方的一个长而弯曲的灯箱，以及嵌入后墙和柜台的几个显示器，为展示当前节目的内容以及售票信息提供了空间。位于柜台旁的是一间小型后勤办公室。

As part of Barkow Leibinger’s redesign, a new box office was created on the premises of the former “Universum Lounge”, west of the main entrance. The plan picks up on an unrealized design concept by Jürgen Sawade for a restaurant that was initially planned for the space: a central, elongated piece of furniture, here incorporating an open box office counter and a bench that follows the curved geometry of the building. As a counterpart, low benches are incorporated into the window recesses facing Kurfürstendamm. A long, curved light box above the central bench and several monitors and display surfaces embedded into the back wall and the counter provide space for engaging content on current programming alongside ticket sale information. Next to the counter a small back office was built.

▼售票大厅，the ticket hall ©Simon Menges

▼遵循建筑曲线的长凳，benches that follow the curve of the building ©Simon Menges

尤尔根·萨瓦德设计的圆柱形售票亭现在被用作酒吧和出版物销售点。在取下周围的玻璃杯和闭合的半圆形后盖后，形成了一个圆形的开放柜台。该空间的亮点是一个由丙烯酸玻璃杯制成的圆形照明元素。它们像水晶云一样漂浮在吧台上方，同时通过835个独立的灯管之间大量的折射来提供大气照明。

The cylindrical former ticket booth by Jürgen Sawade is now used as a bar and point of sale for publications. An open, round counter resulted from removing the surrounding glass and the closed, semicircular back. A new accent to the space is a circular lighting element made from acrylic glass, floating like a crystalline cloud above the bar while providing atmospheric lighting via myriad refractions amongst its 835 individual tubes.

▼室内空间概览，interior overview ©Simon Menges

▼圆柱形售票亭现在被用作酒吧和出版物销售点，the cylindrical former ticket booth is now used as a bar and point of sale for publications ©Simon Menges

▼像水晶云一样漂浮在吧台上方的玻璃杯灯，glass lamps floating like crystal clouds above the bar ©Simon Menges

本次改造旨在将当代剧院票房的功能和技术要求，与列入文物保护名录的建筑特征融为一体。利用谨慎的干预措施，来尽可能保留20世纪30年代的原始设计语言。

The aim of the renovation was to bring into unison the functional and technical demands of a contemporary theater box office with the characteristic design features of the listed building, utilizing careful interventions to preserve as much as possible while carrying forward the formal language of the original 1930s design.

▼吧台上部天花板，ceiling above bar ©Simon Menges

▼灯具细部，details of the lighting elements ©Reinecke Ina

▼平面图，plan ©Barkow Leibinger

▼剖面图，section ©Barkow Leibinger

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