感谢 EXMURO 对gooood的分享。更多关于他们：EXMURO on gooood
Appreciation towards EXMURO for providing the following description:

EXMURO arts publics和魁北克市诚邀居民与游客参与到今年的PASSAGES INSOLITES公共艺术巡展活动中。从6月25日到10月10日的十七周中，18位来自魁北克当地、加拿大以及其他国家的艺术家将沿一条长达2.5公里的巡回道路展示他们的作品，范围覆盖Place Royale，Petit Champlain和Old Port等地区。

EXMURO arts publics and the Ville de Québec are pleased to invite residents and visitors to enjoy this year’s PASSAGES INSOLITES, a public art circuit and events. From June 25 to October 10, 2022, 17 works by 18 local, Canadian, and international artists will be showcased along a 2.5 km circuit in the historic sectors of Place Royale, Petit Champlain, and the Old Port.

▼《适应性瞬间》，艺术家：Nicole Banowetz
An Adaptative Moment by Nicole Banowetz ©Stéphane Bourgeois

▼壮观的作品
a spectacular project ©Stéphane Bourgeois

经过九年的发展，PASSAGES INSOLITES在城市景观和魁北克居民的心中雕琢出了一个独特的位置。今年的展出创造了让行人与艺术相遇的空间，反映了环境、去殖民地、地缘政治等议题。用EXMURO执行官和艺术总监Vincent Roy的话来说，这些壮观且带有启发性的作品将“帮助魁北克市成为一个展览艺术和推广当地及国际艺术家的场所，进而在世界艺术地图上占有一席之地。”

In its nine years of existence, PASSAGES INSOLITES has carved out a unique niche in the urban landscape and the hearts of Quebec City residents. This year’s edition creates spaces for artistic encounters and reflections on the environment, decolonization, and geopolitics. In the words of Vincent Roy, EXMURO’s executive and artistic director, this year’s spectacular, provocative programming will “help put Quebec City on the global art map as a venue for exhibiting art and promoting artists, both locally and internationally.”

▼《希望2.0》，艺术家：Sébastien Giguère
Hope 2.0 by Sébastien Giguère ©Stéphane Bourgeois

▼《希望2.0》近景，
closer view to Hope 2.0 ©Stéphane Bourgeois

▼《谜与证据》，艺术家：Mathieu Valade
Mythe and evidence by Mathieu Valade ©Stéphane Bourgeois

▼《舞台》，艺术家：Benoît Maubrey
ARENA by Benoît Maubrey ©Stéphane Bourgeois

▼《舞台》近景
closer view to ARENA ©Stéphane Bourgeois

▼《在土的材料与温度中冥想》，艺术家：Mia Feuer
Meditations on Earthy Materials and Temperatures by Mia Feuer ©Stéphane Bourgeois

▼《在土的材料与温度中冥想》近景
closer view to Meditations on Earthy Materials and Temperatures ©Stéphane Bourgeois

▼《Namus Pamus》，艺术家：Gaspard Combes
Namus Pamus by Gaspard Combes ©Stéphane Bourgeois

2022年的主角艾未未和PASSAGES INSOLITES首位大使、艺术家PONY共同代表了此次活动的使命。

The event’s mission is represented by 2022 headliner, Ai Weiwei, and PASSAGES INSOLITES’ first-ever ambassador, the artist known as PONY.

世界级项目
World-class programming

PASSAGES INSOLITES万分激动地呈现了知名艺术家艾未未的新作，这是该作品首次在北美亮相。他是世界最具影响力的在世当代艺术家之一，不要错过与他的作品近距离接触的机会。作为一个文化标志和坚定的人权活动家，艾未未以其对政治的参与和颠覆性的实践闻名。他的作品挑战正统观念，批判经济、政治和社会权力的不平等。

PASSAGES INSOLITES is thrilled to present the North American premiere of a major new work by renowned artist, Ai Weiwei. Don’t miss this rare opportunity for an intimate encounter with one of the world’s most influential living contemporary artists. An iconic cultural figure and committed humanitarian activist, Ai Weiwei is celebrated for his politically engaged, subversive practice that challenges orthodoxies and critiques economic, political, and social power imbalances.

▼《救生衣》，艺术家：艾未未
Life Jackets by Ai Weiwei ©Stéphane Bourgeois

▼游客与作品的互动
interaction between visitors and the artwork ©Stéphane Bourgeois

▼《救生衣》近景
closer view to Life Jacket ©Stéphane Bourgeois

PONY：游戏艺术的女王，成为了PASSAGES INSOLITES的首位大使
PONY: The queen of playful art is PASSAGES INSOLITES’ first ambassador

长久以来，Gabrielle Laïla Tittley，即大家所知的PONY，都是PASSAGES INSOLITES的最爱。她是一位多专业的艺术家，以充满趣味的感性为标志。她成功的秘诀是什么？包容的、平易近人的艺术作品将人们带到一起，产生积极的改变，促进心理健康。对于来自普通背景的Tittley来说，像PASSAGES INSOLITES这样可以进入的艺术项目十分重要，尤其是当他们“为多样化的声音提供空间，摆脱了多年来主流社会的话语垄断。”

Long-time PASSAGES INSOLITES favourite, Gabrielle Laïla Tittley, known as PONY (Poor One Newly Young), is a multidisciplinary artist with a trademark playful sensibility. The secret to her success? Inclusive, accessible art that brings people together, pushes for positive change, and promotes mental health. For Tittley, who comes from a humble background, accessible art projects like PASSAGES INSOLITES are crucial, especially when they “give space to diverse voices outside the dominant discourses that have monopolized the conversation for too long.”

▼《领土2.0》，艺术家：Olivier Roberge
Territories 2.0 by Olivier Roberge ©Stéphane Bourgeois

▼《仍旧不是我的故事》，艺术家：Vincent Olinet
Still Not My Story by Vincent Olinet ©Stéphane Bourgeois

Complete program of artists
Nicole Banowetz (Denver, Colorado) – An Adaptive Moment (2021 and 2022)
Collectif Bélanger-Sacy (Quebec City, Quebec) – An Uprising of Sorts (2022)
Tracey-Mae Chambers (Hamilton, Ontario) – #hopeandhealingcanada (2022)
Eva Clouard (Quebec City, Quebec) – Forbidden Games (2022)
Gaspard Combes (Arles, France) – Namas Pamus (2022)
Julia Duranleau and Marie-Pier Lachance (Quebec City, Quebec) – Our Reality, Augmented! (2022)
Mia Feuer (Winnipeg, Manitoba) – Meditations on Earthly Materials and Temperatures (2022)
Sébastien Giguère (Stoneham, Quebec) – Hope 2.0 (2022)
Susanna Hesselberg (Malmö, Sweden) – When my father died it was like a whole library had burned down II (2015, 2021, and 2022)
Benoît Maubrey (Berlin, Germany) – ARENA II (2017, 2021 and 2022)
The Museum of Bad Art (Boston, Massachusetts) – The Museum of Bad Art: The Best of the Worst, new collection (2022)
Vincent Olinet (Paris, France) – Still Not My Story (2022)
Olivier Roberge (Montreal, Quebec) – Territories 2.0 (2021)
Sarah Thibault and the students of École Secondaire Vanier (Quebec City, Quebec) – Traces of our Spaces (2022)
Mathieu Valade (Chicoutimi, Quebec) – Myth and Evidence (2017)
Ai Weiwei (Beijing, China) – Life Jackets (2022)
Embuscades artistiques – Pop-up “art ambushes” in public spaces – Théâtre Kata, Le CRue and Flip Fabrique (Quebec City, Quebec).

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