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如何呈现一座个性的木结构建筑，满足业主度假与排练音乐的需求？

How does a timber building present itself, including the apartment for the client, a holiday apartment and a music rehearsal room?

▼建筑概览，Overview of the building ©Adolf Bereuter

这座建筑位于Schoppernau坐北朝南的坡地上，能够看到Bregenzerwald三面山景。在冬季周围会有缆车滑过这片草地，山谷间的火车站也近在咫尺。使得这座公寓更加引人入胜。这里还有一间音乐排练室供业主和她的学生或是乐队成员学习和排练使用。

The building is located on a north-south slope in Schoppernau. This allows a three-sided view into the mountains of the Bregenzerwald. The adjacent meadows are used by the practice ski lift in winter, and the valley station for the mountain railways is within sight. That makes the apartment attractive. There is also a music rehearsal room that is used for rehearsals and music lessons by the client and her students or band members.

▼车库入口，Entrance of the garage ©Adolf Bereuter

建筑体量中整体的空间布局由纵向结构与坡屋顶组成。木结构是业主最初对设计概念的要求之一。

The entire spatial program is organized in a building volume with a longitudinal structure and saddle roof. Timber construction as part of the client’s order was part of the design concept from the start.

▼建筑立面，Facade of the building ©Adolf Bereuter

由于建筑位于山地上，底层的车库和入口以及附属房间采用了砌体结构。其余部分为木质结构。室内楼梯引导人来到首层的门廊（集成在建筑中的露台），示意从这里进入“公共”空间。就是这样一间度假小屋，带有音乐排练室和独立入口，还配有花园。

Due to the hillside location, only the base floor with the garage, the open access and the ancillary rooms was designed as a solid construction. The rest of the building is a wooden structure. The stairs lead to the shed (integrated terrace in the building) of the ground floor. It represents access to the “public” floor. Here is the holiday apartment, the music rehearsal room and the entrance to the house, as well as access to the garden.

▼排练室，Rehearsal room ©Adolf Bereuter

家庭公寓位于顶层。中央楼梯引导人们进入起居空间，这里面朝山景。在起居室面前的是建筑中另一个私人露台。它避免了起居室过于炎热，围栏的设计还保护了业主的隐私。

The family’s apartment is on the top floor. The centrally located staircase leads to the living room, which is open up to the ridge. In front of it is another private terrace integrated into the building. It protects the living space from overheating and offers privacy for the client through the parapet.

▼客厅，Living room ©Adolf Bereuter

▼由客厅望向露台，Viewing the terrace from living room ©Adolf Bereuter

生态与经济可持续性是设计的一贯追求。建筑的木结构完全来源于月之森林。所有木材需求都由业主从自己的树林中采伐所满足。业主自己会尽其所能为自己的房子添把手。他们称这是“关键时期促进关系的活动”。嵌入式瓷砖炉是二手的，从一座被拆除的建筑里拆下来重新安装在这里。这是对可持续发展意识的又一次贡献。所有的工匠，建筑材料和技术都在方圆50公里内选择。

▼露台特写，Close-up of the terrace ©Adolf Bereuter

▼客厅特写，Close-up of the living room ©Adolf Bereuter

Ecological and economic sustainability are consistently pursued concerns. The timber construction is made entirely from ,moonwood”. All the timber needed was harvested by the client himself in their own woods. Wherever possible, the client themselves have been involved and lent a hand. They called this “relationship-promoting activity in stressful times”. The built-in tiled stove is a 2nd hand stove. The oven was removed from a demolished house and reinstalled here. Another contribution to a conscious approach to sustainability. All craftsmen, building materials and technology come from a radius of no more than 50kilometers.

▼楼梯特写，Close-up of the staircase ©Adolf Bereuter

墙面与天花采用的是云杉木。立面上的木瓦采用的也是云杉木，当然这是由业主自己贴上去的。窗户、家具和吸音天花采用了冷杉木。卧室内，天花采用涂料已获得良好的保温。整个房子的木地板都由白蜡木铺设。

Walls and ceilings are made of spruce wood. The wooden shingles on the facade are also made of spruce wood and of course attached by the client himself. Fir is used for windows, furniture and the acoustic ceiling. In the bedrooms, a clay ceiling ensures a pleasant room climate. One walks in the whole building on a soaped wooden floor made of ash wood.

▼卫生间，Toilet ©Adolf Bereuter

▼厨房，Kitchen ©Adolf Bereuter

▼餐厅，Dining room ©Adolf Bereuter

▼总平面图，Master plan ©firm Architekten

▼地下平面，Underground floor plan ©firm Architekten

▼首层平面，Ground floor plan ©firm Architekten

▼一层平面，First floor plan ©firm Architekten

▼纵剖面， Longitudinal section ©firm Architekten

▼横剖面，Cross section ©firm Architekten

architecture: firm Architekten, www.firm.ac
client: private
site: 6886 Schoppernau, Österreich
size: 250 m2
planning: 2020-2021
construction: 2021-2022
photography: Adolf Bereuter

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