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黑色的小屋，
恒石般静立，
存在风景中，
与自然同歌，
把生活入诗。

Eyrie度假屋位于Kaiwaka附近，项目整体包括两栋小屋，每栋面积不大，都用木材制成，外表皮的木材均被碳化。场地位于一个河口处，这个1500米的用地建筑面积限定在两个29㎡中。

Eyrie comprises two houses near Kaiwaka. Each is barely larger than four sheets of plywood. They are made from wood, are off-grid and autonomous, their outsides burnt black. This project is part polemic, part escape. Holiday homes have become this country’s decadence. Our sub-prime estuarine site permitted a 1500m² palace. It forbade two 29m² cabins.

在这里，夜晚被讨论的是有关马列维奇的至上主义，晨间则书写专著。建筑师期盼给新西兰沿海地段的景愿带来不同的呈现。这些房屋像是漂浮在草海中的诗意小船。甚至没有门，需要爬上建筑这块巨石从窗户进入。

建筑师希望，这些小小的建筑不仅仅只是建筑那么多，它们甚至能够颠覆一些东西。

At night we talked excitedly about Malevich’s Suprematism; in the morning we got up and wrote legal submissions on visual density and the attrition of driveways. We wanted a different vision for New Zealand’s coastal future. In these houses a history of prismatic abstraction is conflated with a poetic of small boats bobbing in a sea of grass. There are no doors. One climbs up boulders and in through a window instead. We hoped that in subverting the shorthand language of building these little constructions might feel like something other than – and more than – houses.

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