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“Beauvaisis剧院”被构想为一座“世俗的殿堂”，向天空延展。其高度从10米到27米不等，因此自然而然地获得了在城市对话中新的重要地位。项目的目标是与博韦的两座地标性建筑展开优雅的对话：近处的圣艾蒂安教堂，以及稍远处的圣皮埃尔大教堂。

The “Théâtre du Beauvaisis” was conceived as a “secular nave” reaching towards the sky. Rising from 10 to 27 meters in height, the project thus earnsipso facto
the status of a major new participant in the urban dialogue. The aim is to gracefully sustain the dialogue with Beauvais’s two emblematic monuments: the Saint-Étienne Church, nearby, and the Saint-Pierre Cathedral, standing a little further away.

▼与博韦的两座地标性建筑展开优雅的对话，the dialogue with Beauvais’s two emblematic monuments © Sergio Grazia

▼与博韦的两座地标性建筑展开优雅的对话，the dialogue with Beauvais’s two emblematic monuments © Sergio Grazia

凭借其独特性，剧院为这两座历史悠久的建筑赋予了当代的共鸣。为实现这一点，建筑高度被尽可能降低，以柔化与周边街区的关系，同时提高主厅体量的高度。“世俗的殿堂”这一表达有意借鉴了罗马大殿，其建筑象征着市民在特定时刻因共同目标而聚集。

Through its singularity, the theatre oers a contemporary resonance with the two prestigious buildings from past centuries. To achieve this, the building’s height has been minimized as much as possible, softening its relationship with the surrounding neighbourhood while increasing the height of the main volume. The expression “secular nave” is an intentional reference to Roman basilicas, whose architecture evokes citizen assemblies gathered together at a given moment with a shared objective.

▼与周边街区的关系，relationship with the surrounding neighbourhood © Sergio Grazia

▼象征着市民在特定时刻因共同目标而聚集，evokes citizen assemblies gathered together at a given moment with a shared objective © Sergio Grazia

重建过程中形成的城市与建筑关系在亲近与疏远之间交替。这一布局使场地与城市围合的连续性相衔接，正如意大利比萨或法国奥尔良所见的城市格局。新剧院的建造因此成为一个契机，以温和却庄重的方式，完成了一种独特而成功的城市愿景。

The urban and architectural interplay initiated during reconstruction alternates between proximity and distance. This conguration situates the site within the continuity of urban enclosures, like those found in Pisa, Italy, or Orléans, France. The construction of the new theatre thus provided an opportunity to complete, in a gentle yet dignied manner, a distinctive and successful urban vision.

▼独特而成功的城市地标，distinctive and successful urban landmark © Sergio Grazia

▼面向城市打开的公共界面，the public interface open up to the city © Sergio Grazia

该项目遵循两大原则：融入与朝向。新剧院的选址使公共空间得以围绕其展开，如同圣艾蒂安修道院回廊环绕着教堂一般。由此，一个新的“博韦围合空间”（clos beauvaisien）由此诞生。

▼设计策略，schematic design © Atelier d’architecture AJC

The project was guided by two key principles: integration and orientation. The positioning of the new theatre allows public space to revolve around it, much like the void of the Saint-Étienne cloister encircles the church itself. In this way, a new clos beauvaisien is born.

▼形成新的围合空间，a new clos beauvaisien is born © Sergio Grazia

▼围合的庭院，enclosed courtyard © Sergio Grazia

剧院门厅几乎以Piranesian式的建筑语言体现了迎接与流动的理念，营造出一种访客间的动态氛围。内部设计并未唤起传统剧院的资产阶级气息，而是宛如黄昏时分的一片林间空地。主厅的散光雕塑如同木质浮雕，其灵感来自博韦挂毯上的植物纹样。它们让深色的墙壁仿佛化作林下植被，或是环绕着一处独特林间空地的枝叶，而林间空地上“马格利特般的蓝天”则唤起夏日晚霞的氛围。

The foyer, with its almost Piranesian architecture, reects the idea of welcoming movement and creating a sense of dynamism among visitors. The interior design does not evoke the bourgeois spirit of traditional theatre halls but rather stages a clearing at dusk. The light-diusing sculptures of the main hall, like wooden bas-reliefs, are inspired by the vegetal motifs found in Beauvais tapestries. They give the dark walls the appearance of forest undergrowth or foliage surrounding a singular glade, whose Magrittian blue sky evokes the twilight of a summer evening.

▼门厅体现了迎接与流动的理念，The foyer reects the idea of welcoming movement © Sergio Grazia

▼营造出一种访客间的动态氛围，creating a sense of dynamism among visitors © Sergio Grazia

▼墙壁细部，wall detail © Sergio Grazia

▼剧院空间，theater space © Sergio Grazia

▼墙壁装饰细部，the wall decoration detail © AJC

▼化妆室，Dressing room © Nicolas Borel

艺术家与观众之间的心理与视觉联系因包厢与大厅的面对面布局而得到强化。这一关系沿着受意大利“corso”启发的流动动线延续。坡道、露台与交汇空间之间的流通顺畅，这里成为一个人们自由交谈的场所。对交流氛围的追求最终造就了一座可以称为“人民的宫殿”的空间——一座社区之家。

The mental and visual connection between artist and audience is reinforced by the face-to-face positioning of the boxes and the lobby. This relationship continues along a uid pathway inspired by the Italian corso. Circulation between the ramps, terraces, and areas of intersection is easy, it’s a place where people can freely engage in conversation.The pursuit of a setting conducive to connection leads here to what one could refer to as a “people’s palace” a community house.

▼傍晚景象，building at dusk © Sergio Grazia

▼夜景，night view © Sergio Grazia

▼场地区位，site location © Atelier d’architecture AJC

▼场地平面，site plan © Atelier d’architecture AJC

▼一层平面，ground floor plan © Atelier d’architecture AJC

▼二层平面，first floor plan © Atelier d’architecture AJC

▼三层平面，third floor plan © Atelier d’architecture AJC

▼东立面，East Elevation © Atelier d’architecture AJC

▼剖面，Section © Atelier d’architecture AJC

▼剖面，Section © Atelier d’architecture AJC

PROJECT OWNER: City of Beauvais
PROJECT MANAGEMENT: Atelier d’architecture AJC
ARCHITECTS: François Chochon, Laurent Pierre, David Joulin
LOCATION: 3 Place Georges Brassens, 60 000 Beauvais
PROGRAM: Construction of the regional theatre of the Beauvaisis
FLOOR AREA: 6 032 m2+ 555 m2 of accessible terraces
COST: €13 350 000 ex-VAT
DELIVERY: 2025
PHOTOS: Sergio Grazia

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