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Appreciation towards Mjölk architekti for providing the following description:

“森林的制造”（Making of a Forest）展览以捷克的森林现状为基础，展示了依赖于森林的制造业，以及与森林的维护及砍伐有关的内容。展览中的视觉素材收集花费了一年时间，最终以延时影像的方式呈现出来，影像中记录了森林的百年循环，以及树木从生长到被砍伐、再到变成木材的过程。

The exhibition “Making of a Forest” is based on the current state of Czech forestry. It presents the keystones of forest-based production, forest maintenance and logging. The visual material for the exhibition was created over the course of one year and represents a time-lapse record of the 100-year-long cycle of a forest. It captures the process of cultivation of trees, logging and the transformation of trees into wood.

▼展厅概貌，an overview of the exhibition

展览反映了森林中蕴含的文化概念。观众将首先置身于城市场景，通过展厅的视觉与结构特征感受到“人类文明”，随后再经由影像被带入到对自然、文化、艺术与工业的审视之中：我们始终在用一种以人类为中心的视角看待森林，我们将森林视为植树造林的结果。通过强调人类行为对森林环境的影像，展览试图引发对人类行为本质的探讨。策展人相信，社会责任感和长远森林观的树立，将有助于维护森林在文化和自然语境中的脆弱地位。

The exhibition reflects the cultural conception of a forest. We’re passing through an urban environment, through exhibition halls whose visual and structural nature makes reference to the “temples” of our civilization. The photographic representation calls into question the very dichotomy nature vs. culture, art and industry. Our view of the forest is an anthropocentric one – we see it as a silvicultural environment. By placing emphasis on the activities that affect the function of forests, we’re opening a debate about the nature of human influence. We believe in social responsibility and a long-term concept of forestry which will preserve the complex role of forests in both cultural and natural contexts.

▼展览展示了与制造业、森林的维护及砍伐有关的内容，the exhibition presents the keystones of forest-based production, forest maintenance and logging

▼每个摄影主题分布于独立的空间当中，each photography topic is separated into an independent space

▼除影像之外展览中还有一些补充性的装置，besides exhibition objects there is also supplementary installation

展览的陈列将每个摄影主题分配到独立的空间当中，但整体覆盖在同一体量之内。这一双重性的感知没有被立刻展现出来，而是为每个主题提供了私密的房间，并通过这些不同的部分最终形成一个整体。每个房间内的独特场景各自展现了主题的一部分内容。房间结构由预制的木材构成，外围则以无纺布包覆。布料的颜色呼应了房间的功能。黑色提供了黑暗的场景，白色则提供了明亮的空间。隔板装置将展览空间划分为不同的部分，如同城市场景一般。除了展览房间之外，展厅中还分布着一些补充性的装置，可作为家具或建造工具使用。

Exposure of exhibition separates each photography topic into the independent space, even though together it generates outer cover. This double perception doesn´t show it all at once, but offers intimate room for each topic and together with fractional elements creates staged unit. Unique inside surroundings of each cell complement main topics of exhibition. Objects are made of prefabricated wooden panels. Fractional elements are coated by nonwoven fabric. The color of fabric responds to function of panels. Black serves for the space where we want to set dark, white on the contrary for the illuminated space. Installation composed of panels breaks exhibition space into urbanized environment. Wooden construction made of panels repeats in rhythm and gives touchstones to exhibition hall. Besides exhibition objects there is also supplementary installation which can be used as furniture or building kit for the youngest visitors.

▼房间结构由预制木材构成，objects are made of prefabricated wooden panels

▼结构外围包覆着一层无纺布，fractional elements are coated by non-woven fabric

▼布料的颜色呼应了房间的功能，the color of fabric responds to function of panels

▼部分展出的摄影作品，parts of the original photography

Concept: Kloboucká lesní, Boysplaynice, Mjölk architekti
Photography: BoysPlayNice (www.boysplaynice.com)
Architecture: Mjölk architekti (www.mjolk.cz)
Realization: Kloboucká lesní (www.klobouckalesni.cz)
Graphic design: Lenka Mičolová

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