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你可以在脑海中想象这样一块地毯—早上离家时它鲜明而艳丽；傍晚回家时它却变得柔和而沉静。这是一种物品的两种表现方式，两种不同的观看角度，但只有站在正确的位置上，才能看到它真正的全貌。

Imagine a rug that looks very vivid and colourful when you leave home, but the very same rug will appear more relaxing and calming when coming back from work. It is like having two approaches for one thing, two different ways to look at it but then when standing at the right place, you could actually see the whole picture.

听起来可能很像令人迷惑的幻觉，其实这是一种通过幻视艺术透镜技巧营造出来的效果。Golran Nepalese聪明的工匠们已经将这种技术运用到制作神奇的地毯当中。第一个系列的花纹基于传统的基里姆地毯图案，但采用了不同的高度以形成凹凸有致的效果。

This may sound like illusion confusion but it is all based on existing op-art lenticular technique that, thanks to Golran Nepalese’s craftsmen’s, has been translated into marvellous rug making.

The graphic of the first series is based on traditional kilim, but here in varying heights of pile technique.

该系列是对波斯地毯的重新解读，其灵感来自于专注于透镜技巧的以色列艺术家Yaacov Agam。Yaacov Agam与Victor Vasarely一起颠覆了世界对艺术中光学技术应用的看法。这套彩虹系列地毯由白天的明亮慢慢变为傍晚的柔和，如明镜般的湖水一般改变着倒映其中的影像。

The collection, conceived as second reading of the persian rug, takes its inspiration from the lenticular Israeli artist Yaacov Agam who, together with Victor Vasarely, revolutionised the world of optic perception in art. An iridescent collection, capable of moving from the vivid colours of daytime to the less bright shades of the evening, just like the mirror of water of a lake, changes its reflection.

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