感谢 REIICHI IKEDA DESIGN 将以下内容授权gooood发行。更多请至：REIICHI IKEDA DESIGN on gooood
Appreciation towards REIICHI IKEDA DESIGN for providing the following description:

约在150万年前，原始人类——直立人栖居于天然洞穴深处，通过设置陷阱捕捉小型动物，并使用锋利的打制石器成群猎杀猛犸象。随后，他们围绕由燧石点燃的火焰而坐，烹煮捕获的肉类并共同进食。与此同时，非洲的原住民将收集来的灌木整理成穹顶状或圆锥状结构，并以树皮将树叶与草茎编织成的垫子覆盖其上，形成居所并进入其中栖身。当他们迁徙时，会将这些居所的骨架，有时甚至连同藤编门，一并驮在骆驼或驴背上。

About 1.5 million years ago, the primitive humans—Homo erectus inhabit a depth of natural cave, catching small animals by traps, and hunting mammoth in groups using sharp chopped stone tool. Then, they enjoyed their dish circled the started fire burned by flints, and cooking caught meats. Also, the indigenous peoples in Africa slipped into huts with covered a mat made from leaves and straw tied together with bark, after arranged collected shrubs into dome-shaped or cone-shaped structures. When they migration, they carried skeletal frame of huts and, sometimes wicker doors on camels and donkey.

▼项目鸟瞰，Aerial view of the project © Yoshiro Masuda

“图像”的可识别性始于“圆”。我刚上幼儿园的儿子，总是把动物和人物画成圆形；在他尚显稚拙的手中，木棍在地面无目的地划出一个个圆，而他则在其上嬉戏跳跃。或许，圆正是人类在无意识中不断塑造的形态。对“圆”的轮廓加以强调，正是在追溯人类群体、个体、行为与生活的起点。在人类生活中，那些尚未发生之事的预兆——存在于自然或人群之中的某种现象或感知——正是预示共同体生成的“征兆”。它是一种不稳定的存在，但某种必然将要发生的事却已注定。

The Icon recognizability starts from CIRCLE. My first year of kindergarten son draws all animals and people roundly, in the grasp of pure his hand, the stick brings forth circles without destination on the ground, and upon them he frolics and leaps. The circle may be the shape that humanity moulds unconsciously. The outline emphasis a round is tracing the start of people’s community, personality, conduct, and life. In human life, the omens of what is yet to come — phenomena or sense that lies before events unfold, in nature or among people — The very “Indication” that herald the rise of community. It is unstable being, yet something is destined is sure to happen.

▼顶视，top view © Yoshiro Masuda

本作品是一件装置，通过具象化的方式呈现人类从游牧狩猎生活向定居农业生活转变，以及共同体逐渐形成的过程。直径为1200毫米的圆盘以网格状散布排列，作为轮廓，抽象地唤起聚落的景观。这些均匀布置的圆盘既象征个体居所，也通过彼此之间的距离与关系，暗示出共同体的结构。所使用的材料为柳安木层压胶合板，这是一种由多层叠合而形成整体强度的材料，在此被理解为一种“结构”——人们通过协作构建社会的共同体结构。

This work is an installation that gives tangible form to the process by which humanity shifted from a nomadic hunter-gatherer way of life to settled agricultural living and communities began to form. Discs 1,200 mm in diameter are scattered in a grid-like arrangement, positioned as outlines that abstractly evoke the landscape of a settlement. The uniformly arranged discs represent individual dwellings while also suggesting the structure of a community, formed through the distances and relationships between them. The lauan laminated plywood used as the material is a substance in which multiple layers overlap to produce a single strength, and is understood here as the “structure” of a community in which people build society through collaboration.

▼材料细部，material details © Yoshiro Masuda

此外，每个圆盘均由石块轻微支撑而呈倾斜状态，其朝向暗示太阳的位置，表达出人类生活与自然以及时间循环之间的联系。当观者在其间行走时，这些散置的元素逐渐建立起空间关系，一个聚落也随之显现。

In addition, each disc is tilted slightly by a stone, and its orientation suggests the position of the sun, expressing how human life is tied to nature and the cycle of time. As viewers walk among them, the scattered elements take on spatial relationships, and a settlement emerges.

▼平面，plan © RID

Project Name
INDICATION36
Design
RID®︎
Ganre
Installation
Creation Date
2025
Technique, Materials
Luan plywood, stone
Size
Φ1200（36 points）
Photographer
Yoshiro Masuda
Film
Taiki Masuda

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