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Appreciation towards Marià Castelló for providing the following description:

这栋建筑为一对夫妇设计，主要功能是住宅和办公。滑动的墙壁隔断对各个功能空间进行分区，并创造各个私密空间，让建筑具备多功能性和灵活性。

建筑位于的内陆小岛上有着无边无际的小麦和青稞田。附近还有小树林以及石墙片段，古老的教堂。独一无二的环境让建筑有着不可复制性。建筑师避开公共环境，为夫妇打造一个避难所。建筑靠近树林，一端迎向阳光，面对前方开阔的自然花园。白色的方形建筑仿佛是一个漂浮在这里的关卡，联系了人造世界和自然世界。

主材为混凝土和热粘土。室内家具陈设的设计同建筑气质一致。

1. PLACE

Es Pujol de s’Era is a fairly representative fragment of the inland landscape of the island of Formentera. It comprises 33,022 square metres of wheat and barley fields, a small wood of common and Phoenician juniper and rosemary, and dry-stone walls on a practically flat topography.

The intervention seeks refuge among the existing vegetation and a fragment of dry-stone wall. These two conditions draw out the dimensions, the orientation and the height of a construction of austere geometry that bears some relation to the architectural tradition of Formentera.

A traditional dry-stone wall establishes the alignment in the territory and becomes part of the northern elevation of the building, at the same time setting it in the landscape. An old chapel built over an underground water cistern marks out the building’s longitudinal axis and is a constant reference of dialogue/tension, both in the exterior and the interior. This is an architecture that seeks context by means of relations with its surroundings, shunning mimesis.

2. PROGRAMME

The north-south orientation of the proposal generates a duality that was required by the programme and that the ground plan radi- cally synthesizes: segregation of the more public activity from private life.

The north side is the most exposed; it is clearly visible from kilometre 2.3 on the Camí Vell de la Mola, the main approach route.

On the north side there is a small architec- ture studio, repeated on the south side in the form of a space of identical dimensions, designed as a small dwelling-refuge for a couple.

As well as seeking sunlight, the orienta- tion of the refuge responds to the desire to appropriate the small wood of common and Phoenician juniper and rosemary that extends like a native garden, requiring no transformation or maintenance, and gener- ates a high level of privacy.

Between the studio and the dwelling is a nucleus of services that separates work from private life: bookshelves, files, bath- room, kitchen, beds, cupboards, installa- tions and two sliding walls to divide up the two main areas and create more intimate spaces, such as an annexed office or a guest room. This makes the house both flexible and multifunctional.

The envelope containing the programme (12×12 m) extends in the two main direc- tions, generating spaces of transition that are vital in these latitudes.

3. MATTER

The volume is defined by an envelope of rendered thermo-clay masonry and reinforced concrete. An extruded section represents the only part where masonry is used on the site. The other interior and exterior facings were dry assembled, using glass and iroko timber.

A small setback around the edge in section creates the sensation that the building is floating over the site. This is the transition between an artificial world and the pre- existing organic environment.

The side openings are conceived as slashes that rend the façade from top to bottom, fragmenting the east and west elevations and giving them a smaller “grain”.

With the idea of obtaining greater sobriety and harmony, the auxiliary elements and furnishings were specially designed, using the same materials employed for the dry-as- sembled elements of internal division.

location: Camí Vell de la Mola km. 2,3. Formentera. SPAIN
promoter: Marià Castelló Martínez
Architect: Marià Castelló Martínez
building engineer: Agustí Yern Ribas + Albert Yern Ribas
structure: Albert Yern Ribas, José Antonio Molina, Salvador Soteras y Agustí Yern
collaborators: Marga Ferrer, Laura Tur, Carmen Martínez, Josep Castelló, Catalina Verdera,
Jaume Luís, Segundo García, Pep Yern y Belén Molina.
builder: Construccions Pep Sala SL
finishes: Can Guirau SL – Alfredo Juan
project: 2004-2011
end of work: 2011
surface: 201 m2
photography: Estudi EPDSE – taken on July-Agoust 2011

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Marià Castelló Martínez

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