非常感谢 Izaskun Chinchilla 将项目介绍和项目图片授权gooood发行。更多关于他们：Izaskun Chinchilla Architects on gooood
Appreciation towards Izaskun Chinchilla for providing the following description:

这间临时性的礼堂位于一栋具有明显19世纪特征的建筑中，同时也融合了一些20世纪初期的风格与特征。该设计借鉴了当地建筑在19世纪末期所呈现出来的特色，并重点致敬了与之毗邻的Prado博物馆：项目中选用的材料以及关于空间的构思均受到了西班牙著名画家Mariano Fortuny作品的影响，而Prado博物馆正是这些作品的容身之所。

Fortuny Auditorium is located in a building with strong 19th Century typology, and also celebrates the first years of the twentieth century. The intervention adopts elements and inspirations from the last decades of the 19th century, when they were built and the streets and most of the buildings in the neighborhood. It also tries to celebrate and pay homage to the presence of the most illustrious of its neighbors: the Prado Museum. The painting by Mariano Fortuny, one of the great artists of the 19th century that the Museum houses, has influenced the selection of materials and the conception of space.

▼礼堂概览，overview

Mariano Fortuny的画作展示了19世纪以浪漫主义为基调的审美偏好：对荒废之美的欣赏、东方主义的灵感、对自由生命的向往，以及从旅行中获取的文化思考。设计师试图为这一旧空间赋予新的美学与文化趣味：对于荒废之地的迷恋，加上现代主义的干预手法，共同产生了新的价值和意义。

These paintings embody many of the aesthetic preferences of the nineteenth and the romantic repertoire: the taste for ruin, the orientalist inspiration, the interest in life forms that denoted freedom, the cultural consideration of travel. The space tries to update this aesthetic and cultural repertoire in the old goal of Antonio Maura 8. The aesthetic fascination for ruinous places, inhabited with provisional means, has a new meaning and a new validity today.

▼舞台区，stage area

▼细部，detail

▼座位区细部，seating area

空间中的每个角落都通过覆盖或重做得到了更新，看上去如同来自一个新的、独一无二的时代。这对于当代的建筑和室内设计有着重要的启示作用：废弃的场所也可以是严肃的、丰富的，并且充满记忆的。临时性的空间则可以成为自由的象征，促使我们以不同的方式来构想我们的生活。

In this transformation, everything was renewed through covering and redoing, until the interior, and sometimes the exterior, seems entirely new and coming from a single era. The Fortuny paintings helped the designers to discover the beauty of the spaces where the deteriorated coexists with the provisional. This is a message of great relevance and relevance to current architecture and interior design. The deteriorated can, in fact, be solemn, collective and be full of memory, while the provisional can become a sign of freedom, through which we can reimagine our way of life every day.

▼天花板细部，ceiling detailed view

▼空间中的每个角落都通过覆盖或重做得到了更新，in n this transformation, everything was renewed through covering and redoing

▼废弃的场所也可以是严肃的、丰富的，并且充满记忆的，the deteriorated can, in fact, be solemn, collective and be full of memory

▼墙面细部，material detail

“我们将翻新视为一种关于自然和想象力的联系。我们试图展示出修补痕迹本身的美感，不需要刻意隐藏。我们将这种质朴的感觉与大量的视觉想象相结合，在被弃置的空间中营造出一座多彩的花园，在这里，人们只需要尽情欣赏美妙的音乐，而无需在意自己身处怎样的时代。” ——来自建筑师

“We understand rehabilitation as an exercise of naturalness and imagination. We try to make patches and repairs look beautiful and do not need to be hidden. We combine this austerity with large doses of visual imagination, inviting visitors to sit inside a wild garden, in an abandoned ruin, listening to delicious music even though we are in the old goal of Antonio Maura.” -from the architects

▼轴测图，axon

▼平面图，plan

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