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这是nendo为“Daikin”在2019米兰设计周所设计的沉浸式装置。“Daikin”是一家专门为多样空间与环境提供气候控制解决方案的空调制造商，基于品牌极其注重环境质量的特点，装置围绕着对“无形空气”的体验和感知进行设计。

▼设计概念，design concept

An immersive installation designed for “Daikin” held during 2019 Milan design week. “Daikin” is a manufacturer of air conditioners that specialises in climate control solutions for various spaces and environments. Due to the brand’s unique attention to air quality, the installation revolves around the experience and sensation of “invisible air”.

▼装置概览，overview of the installation ©Takumi Ota

当聚光灯经偏光片分层并投射到另一个花形偏光膜上时，透过两层偏光片的光线使花形阴影比预期的更深。将偏光片旋转45度后可以形成一个更加通透的阴影，再继续旋转45度后，阴影将完全消失。

When a spotlight is layered with a polarizing filter and projected on to another flower-shaped polarizing film, the light passes through two layers of filters which makes the flower’s shadow darker than expected. Pivoting the filter 45 degrees creates a more translucent shadow, and by rotating it an additional 45 degrees, the shadow completely disappears.

▼展览装置入口，entrance of the installation exhibition ©Takumi Ota

为了使用这一原理来塑造空间体验，设计师将115个带有独立控制电机的偏光聚光灯安装到天花板上。地板上17000张花型偏光膜按照计算后的图形模式布置。每一朵花型偏光膜所处高度不同，因此整个空间呈现一个平滑波浪状的景观，如同真实的花园。

In order to create a spatial experience using this principle, 115 polarized spotlights with individually-controlled motors were suspended from the ceiling. On the floor, 17,000 flower-shaped polarizing films were spread in calculated patterns. Each flower was placed in a different height so the entire space appears as a smooth and wavy landscape, as if it was a real garden of flowers.

▼整个空间如同真实的花园，the entire space acts as if it was a real garden of flowers ©Takumi Ota

▼装置由115个偏光聚光灯和17000张花型偏光膜组成，the installation is made by 115 polarized spotlights and 17,000 flower-shaped polarizing films ©Takumi Ota

▼平滑起伏的波浪形景观，space appears as a smooth and wavy landscape ©Takumi Ota

聚光灯上偏光膜的移动让花朵在空间光线总量不变的情况下，形成深浅不断变化的阴影。并且尽管室内没有空气流动，但影子仿佛受到了花园内吹拂的微风的影响。通过以一个看不见的事物为主题，装置提供了一个让人们体验现实生活中只能感知到的东西的独特机会。

The movement of the polarizing films on the spotlights allows constant change in the intensity of the flower’s shadows, even though there is no change in the amount of light in the space. And although there is no air blowing in the room, the shadows appear to be effected by a gentle breeze passing through the garden. By focusing on an invisible subject, the installation offers a unique opportunity to experience in sight what we can only feel in real life.

▼聚光灯上偏光膜的移动形成深浅变化的花形阴影，the movement of the polarizing films on the spotlights allows constant change in the intensity of the flower’s shadows ©Takumi Ota

▼高低不同的偏光膜细节，detail of flower films at different heights ©Takumi Ota

Collaborator : sin, vac (space) / mit (moving image) / fuk (research)
Photographer : Takumi Ota
Filming : Toru Shiomi
Editing : Yoshimasa Takano

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