非常感谢 水相设计 将以下内容授权gooood发行。更多关于：Waterfrom Design on gooood.
Appreciation towards Waterfrom Design for providing the following description:

在色彩到不了的世界，少了以颜色理解真实的共鸣与意义，日常熟悉的物体变得陌生，开始以全新路径欣赏光影的轮廓布局。

In a colorless world, without the resonance and meanings from colors, the familiar daily objects become strange; hence, the outline and layout of light and shadow are appreciated from a new perspective.

▼空间概览，overview ©李国民空间摄影事务所

灰，是黑与白共用的影子
Gray is the shadow shared by black and white

消减色彩的错综交织，保留黑与白单纯二元逻辑是本案设计特点。根据业主提出的色调偏好，水相设计认为空间调性应如艺术界看待单色画的观点：少了五颜六色的扰乱，更专注于物的轮廓、质地，以及光影能形塑的立体感。

The design in this case is characterized by the removal of mixture of colors and the use of binary logic of simply black and white. According to the employer’s preference for color, Waterfrom Design views the color design of this pace as monochrome painting: the outline, texture of objects, as well as the three-dimensional sense shaped by light and shadow can indeed by accentuated without the interference of colors.

▼从入口看室内空间，view of the interior space from the entrance ©李国民空间摄影事务所

▼阅览区，study ©李国民空间摄影事务所

但净化色彩并非仅有绝对而两极的黑与白互衬，我们必须创造两者间的灰阶地带，恰如毕卡索的黑白画《玛丽-特蕾莎，正面和侧面》，多种层度的灰色和谐地交杂于黑白间，表现各种进退面的阴影。单纯色相能使复杂的轮廓安静下来，令人开始欣赏细节的微妙之处，灰阶成了对现实的一种简单想像。

However, the pure color is not only the black and white that are absolute and at opposite ends; varied shades of gray between black and white could be created, just as Picasso’s “Marie-Thérèse, Face and Profile”, so that the multitude of shades of gray can be harmoniously entwined between black and white, showing various parts of the shadow. The pure colors pacify the complex contours, thus allowing people to enjoy the nuance of details. The grayscale leaves room for simple imagination on reality.

▼从入口进入宽敞的起居区，entering the spacious living area ©李国民空间摄影事务所

黑，最能表现光线纯粹的色彩
Black, a color to fully exhibit the purity of lights

空间中，我们以黑色作为表现质地张力的主轴，贯穿公共空间的是一张长达4米、桌面为天然火山岩的长型餐桌，矿岩表面自然的质地疏密，在干净均质的色块环境里凸显出物的本质力道。

In this space, we use black as a primary color to express the texture. A 4-meter long dining table is placed across the public area, of which the top is made from the natural volcanic rock. This ore-rock with natural texture and density on its surface highlights the original power of objects in the environment of clean and homogeneous color blocks.

▼贯穿公共空间的长型餐桌，the long dining table across the public area ©李国民空间摄影事务所

▼餐厅与客厅相连，the dining room connected to the living room ©李国民空间摄影事务所

这笔浓黑的线条，打破长型开放格局会安排的阵列习性，架构出与窗对景的视觉中心，串连玄关旁黑色调阅读角落与另端卧室区轴线，任室内行为自由流动于两侧平面。而藏在桌面下一抹勃艮第红，在默片般的场域画出冷艳的戏剧张力，稍纵即逝但后劲十足。

The thick black line breaks the habitual arrangement in a long open space, and constructs a visual focus between the window and view. By linking the black reading corner beside the entryway with the axle of bedroom area at the other end, the indoor movements flow freely between the two sides. Also, a hint of Burgundy red under the tabletop expresses a cool dramatic effect in a silent film-like field, which is transient but impressive.

▼客厅，the living room ©李国民空间摄影事务所

▼黑色表现质地张力，black as a primary color to express the texture ©李国民空间摄影事务所

带领视觉的黑色，在90度轴线上迎来另一重点——立面纯净的哑黑色VIPP厨房，利用类家具的轮廓设计特点，延续开放空间由各种黑色元件拼组层次的语汇。我们拼接、叠放质地各异的黑：黝黑雾黑焦黑、原始粗犷的黑、细如发丝的黑、冷硬宁静的黑和奶油般浓醇的黑…从前在画里一致隶属影子，净化色彩同时也解放黑色的局限，经由日光在其表面折射的光线强弱，影子有了轻重的韵律变化。

Black is the color that leads visual focus horizontally to another key area – the VIPP kitchen with a pure matte black facade. We use the outline design characteristics of quasi-furniture, and extend various black elements to constitute the layers of open space. We splice and stack black blocks with different textures: dark black, matte black, charred black, coarse black, super-fine black, stone-cold black, tranquil black, mellow black. In the past, black was generally used for the shadow in the painting. It purified many other colors and at the same time broke through the limitations of black itself. The shadow has a deep or shallow rhythmic variation through the intensity of light reflected by daylight on its surface.

▼转角处的厨房空间，key area – the VIPP kitchen with a pure matte black facade ©李国民空间摄影事务所

▼叠放质地各异的黑，black blocks with different textures ©李国民空间摄影事务所

白，广袤寂静的温柔映衬
White, being a wide and quiet background in a gentle way

餐桌末端、与向光面垂直的灰白色长型墙面，以间距约略的切割线创造极浅阴影，配合色调一致的天花板系统、灰色手工漆梁柱结构，以及同样面积占比广的米灰色地坪，皆属站在黑色对立面的淡色语汇。并非纯然净白的表情，它们以互衬的形式诠释画布上代表光的部分，在黑与白、明与暗的二极概念间柔和衍生出更丰富的层次，和谐地整合形体轮廓。

At the end of the dining table, the long grayish-white wall vertical to the reflective surface creates super-shallow shades with equally spaced cutting lines. The ceiling system of matching color, gray hand-painted beam-column structure, and the beige gray flooring of the same large area, together are the expression of light color opposite to the black. They are not pure white color, but complement each other to convey a sense of light on canvas. Between black and white, dark and light, these light color gently derive rich layers and integrate the shapes and contours harmoniously.

▼主卧入口，entrance of the master bedroom ©李国民空间摄影事务所

▼连接两侧卧室的走廊，corridor connecting the master bedrooms on both sides ©李国民空间摄影事务所

▼主卧，master bedroom ©李国民空间摄影事务所

▼从主卧看健身房，view of the exercise room from the master bedroom ©李国民空间摄影事务所

生活是反覆播放日常串连起的记忆长卷，在家的场域即便选择对比强的黑与白，还是可以应用材质扩充单色变化的细腻度，带来回味无穷的隽永。而层层叠叠不同调性的灰，消弭了黑与白的锐利，像不同时序里各种浓度、长短的影子纪录在同一画面中，掺入真实生活需要的温柔。

Life is repetitively playing the long scroll of daily memories. Even using the contrasting colors of black and white for home décor, we can apply various materials to add the subtlety to the variation of monochrome, and make it impressive. The gray color of different tonalities diminishes the sharpness brought by black and white, as the shadows with different concentrations and lengths at different times recorded in the same drawing, adding a sense of tenderness needed in true life.

▼次卧，bedroom ©李国民空间摄影事务所

▼细部，家具设计，details, furniture design ©李国民空间摄影事务所

▼概念图，concept sketch © 水相设计

▼平面图，plan © 水相设计

空间设计：李智翔、张子轩/水相设计
业主：黄先生
空间性质：住宅
座落位置：台湾
室内面积：264平方米
空间格局：客厅、餐厅、厨房、主卧室、次卧室、阳台、卫浴
设计时间：2019.03~2019.07
施工时间：2019.10~2020.06
主要材料：黑铁烤漆、灰色手工漆、白色手工漆、橡木实木皮染黑、横纹木皮染白、橡木实木地板、深色石材
摄影：李国民空间摄影事务所

Designer: Waterfrom Design
Client: Ms. Huang
Category: Residential
Location: Taiwan
Area: 264 m²Layout: living room. dining room. kitchen. master room. second room. balcony. bathroom
Material：gray hand paint, white hand paint, black oak, white oak, oak solid wood flooring, dark stone
Design Period：2019.03-2019.07
Construction Period：2019.10-2020.06
Photographer：Lee Kuomin Photography Teams
Copyright: Waterfrom Design

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