The Louvre Lens museum park by Catherine Mosbach

Catherine Mosbach transform the slag heap into a tranquil city park.

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非常感谢 Catherine Mosbach 予gooood分享以下内容 。更多请至: Catherine Mosbach  on gooood 
Appreciation towards Catherine Mosbach for providing the following description:

这片附属于卢浮宫摄影博物馆的公园坐落在水平延伸的废弃煤矿地之上,设计师将公园的地平面抬升了4米,通过优化土壤的垂直结构层次矿渣沉淀的负面影响。

The Louvre Lens museum park sits on a horizontal slag heap, storage mode for the exploitation rebus going up to 4 meters above the adjoining parcels before the electrification which limited the impact on soil to optimise vertical deposit.

▽ 建筑与花园,architecture and its garden

001-The Louvre Lens museum park by Catherine Mosbach

▽  生长在下凹空间的植被,trees are planted in the pits

002-The Louvre Lens museum park by Catherine Mosbach

▽ 傍晚树影倒影在建筑立面上,reflection of the trees on the facade

003-The Louvre Lens museum park by Catherine Mosbach

过往的煤矿重镇法国北部小城Loos-en-Gohelle如今已被建设为花园城市,然而场地内的两个矿渣堆遗存仍透露着旧日的气息。在东南西北四个方向,曾经作为交通要道,连接矿区与港口、火车站的道路与铁轨系统延绵数公里,将城市与场地连接在一起。而博物馆公园也因此得以影响到这座花园城市的每一个角落,提升了博物馆周边的环境质量。

The terrain is oriented by the two slag heaps in Loos-en-Gohelle all around delimited by garden cities. At four cardinal points the terrain is joined to the territories on several kilometers by what remains of the cavaliers: network of raised roads/excavated earth for the transport of materials by rail from the railway stations and ports. As such the museum park irrigates the country in-depth the same as the garden cities so singular are all naturally brought to the threshold of the museum.

▽ 设计意向,vision

052-The Louvre Lens museum park by Catherine Mosbach

▽ 城市中心的大公园,park in the city

024-The Louvre Lens museum park by Catherine Mosbach

带着工业运输流程深深烙印细长的空间结构也影响到了土地的利用方式。在过去的20年中,人们将废弃的铁路空间改造为了菜地,场地的西侧,一片小森林初见雏形,而一条条动植物生态廊道也占领了碎片化矿区之间的零星空间。这种自发涌现、充满生机的绿色斑块对于生态环境已高度透支的区域来说至关重要。

This elongated form, print of the distribution method of industrial flows, deflected the manner of installing itself in the ground plate. The abandoned rails were the premier niches of vegetable recolonization that in 20 years of abandonment have engaged a pioneer forest to the west and faunistics and floral corridors between fragmented and controlled territories by the mines of the hold of the border cavaliers. The critical mass of this spontaneous vegetable vigour and that of the adjoining garden cities is capital in an overdrawn region of arborescent heritage.

▽ 充满生机的绿色斑块,spontaneous vegetable vigor

035-The Louvre Lens museum park by Catherine Mosbach

048-The Louvre Lens museum park by Catherine Mosbach     039-The Louvre Lens museum park by Catherine Mosbach

在竞赛中,随着设计师对场地认识的逐步加深,“连接”成为了设计的主题。生机勃勃的植被让场所更具吸引力,博物馆自身的文化吸引力提供了极具潜力的活动平台,带状延伸空间建立起场地与城市的柔和联系,而作为煤矿遗址,这里有着最生动的过往痕迹。人们将原油是做经济资源,而设计师将植物视为这片场地最宝贵的遗产资源。

It is then a question of articulation through this program of museum park that which we established during the competition, the vegetable dynamic that primed the attractively of the terrain, the cultural dynamic with the museum itself, the event platforms, the soft ties of cavaliers and the living memory of the mining base of the cycle of plant materials to valued oils as an economic resource, then in an inverted symmetry, of the oil to the valued plant as heritage resource.

▽ 主入口空间,圆形以平面的形式出现在硬质铺地上,the foyer is mainly hard surfaced

005-The Louvre Lens museum park by Catherine Mosbach

015-The Louvre Lens museum park by Catherine Mosbach

010-The Louvre Lens museum park by Catherine Mosbach

位于博物馆入口处的这片场地占地20公顷。场地片岩土壤的垂直面中土壤结构清晰可见,底层是煤矿开采活动遗留的痕迹而上层则是以修复生态为目的的重设计。苔藓在这些垂直面中繁茂的生长着,稳固着这些林地边缘区域的土壤。

If I come back to the earth clod at the begining of the milieus gallery in the botanical garden, that which at Bordeaux took 400m2 per represented milieu, is at Louvre a clod in the order of 20 hecters. This vertical slice of schist soil, basically that which is deposited by the mining activity and redesigned to form an enclosure, is open to moss colonization and in particular to the consolidation of the edges towards a perennial wood.

▽ 苔藓在垂直面繁茂的生长,稳固着这些林地边缘区域的土壤,the vertical slice of schist soil is open to moss colonization to the consolidation of the edges towards a perennial wood

049-The Louvre Lens museum park by Catherine Mosbach

Photo pleine page     051-The Louvre Lens museum park by Catherine Mosbach

土壤中的微生物将大气中的氮转化为硝态氮,而地面上由矿石和渗水石形成的小区域将雨水收集、留存、过滤,而多余的部分将渗入花园。作为苔藓类植物最适宜的繁殖区,大量苔藓将在渗水区生长繁衍,吸收、固定土壤中的重金属并显著降低环境中的灰尘。

In the manner of threads of micro organisms who fix to atmospheric nitrogen in order to transform it into nitric nitrogen, the surface of the ground is perforated with pockets of draining stones, mineral storage, at the same as clusters of drops that capture water, retain it, infiltrate it and bring the excess to the strip gardens. These perforations will be the favoured substrate of mosses which have the ability to capture and to fix heavy metals to the soils and actually to reduce the ambient dust.

▽ 地面上由矿石和渗水石形成的小区域,the surface of the ground is perforated with pockets of draining stones and mineral storage

026-The Louvre Lens museum park by Catherine Mosbach

设计师通过改变场地中矿石铺地的比例,让空间从鲜花生态的草坪地带成果的过渡到前厅外侧的硬质铺地,再到边缘茂密林区。

This regular perforation of mineral surfaces around the foyer allows for an articulated transition from blossoming prairie clearings, to the mineral surfaces around the foyer by densifying towards a level of the Landes formations and in order to finish in the pioneer forest.

▽  草坪空间只有少量硬质铺地,grass surface with a few hard surface

018-The Louvre Lens museum park by Catherine Mosbach

▽  硬质铺地中点缀着草地,hard surface with small bushes

004-The Louvre Lens museum park by Catherine Mosbach

▽  硬质铺地与草地的衔接,the border between hard surface and grass land

041-The Louvre Lens museum park by Catherine Mosbach

在入口处的景观装置中,一座座绿意盎然的“山丘”充当着座椅,而在植被的环绕中,一个个沙坑如同点缀在花园中的小沙滩。人们在这里休息、野餐,而教育协会也可以借用此地举办临时性的展览,一座座小花园展示着植物的生命周期,也是深受附近居民喜爱的向阳小公园。

Among the reception installations, the benches are green canopies, grass hemlines around sand beaches on the parvis or yet monolithes on excavated leaning places in the lais gardens. An excuse to picnic, supporting pedagogical association to the temporary exibits of the galeries, gardens as memories of plant cycle to oil or simply neighborhood gardens exposed due south.

▽  一座座绿意盎然的“山丘”充当着座椅,the benches are green canopies

012-The Louvre Lens museum park by Catherine Mosbach

011-The Louvre Lens museum park by Catherine Mosbach

▽ 玩耍的孩子,a playground for kids

007-The Louvre Lens museum park by Catherine Mosbach     008-The Louvre Lens museum park by Catherine Mosbach

▽  自然以多种形式出现在场地各处,the diverse nature

048-The Louvre Lens museum park by Catherine Mosbach

040-The Louvre Lens museum park by Catherine Mosbach

036-The Louvre Lens museum park by Catherine Mosbach

043-The Louvre Lens museum park by Catherine Mosbach

034-The Louvre Lens museum park by Catherine Mosbach

031-The Louvre Lens museum park by Catherine Mosbach

028-The Louvre Lens museum park by Catherine Mosbach

045-The Louvre Lens museum park by Catherine Mosbach

▽ 总平面图,site plan

S:Affaires ADLL LOUVRE LENSLL 12LL DETLL DET SIGNALETIQUEL     110727 signalétique LOGO LOGO avec arbre (1)

▽ 平面图,plan

055-The Louvre Lens museum park by Catherine Mosbach

▽ 放大平面,detailed plan

056-The Louvre Lens museum park by Catherine Mosbach     057-The Louvre Lens museum park by Catherine Mosbach

058-The Louvre Lens museum park by Catherine Mosbach     059-The Louvre Lens museum park by Catherine Mosbach

060-The Louvre Lens museum park by Catherine Mosbach     061-The Louvre Lens museum park by Catherine Mosbach

▽ 剖面,section

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