感谢 HW STUDIO 予gooood分享以下内容。更多请至：HW STUDIO on gooood。
Appreciations towards HW STUDIO for providing the following description：

▼视频，video ©Mavix. Hugo Tirso Dominguez

该项目所处的环境中夹杂着自然的低语，它们需要被细细聆听，再加上业主对保护与庇护的追求，促成了该项目的设计理念。人们怎样才能感到被保护？当感到没有安全感时，又能做些什么？这些问题总是伴随着一个画面或一段记忆：一个受到惊吓的孩子用薄薄的床单将自己裹住，并向外张望，确认周围发生的事情。将床单盖在身上这一行为暗示了自我意识，即床单隐藏、保护、包裹并创造了隐秘而安全的空间，它能够赶走任何房间周围的幽灵或恶魔。对于该项目来说，建筑则在山丘环境中形成一座“新山丘”，衔接了美丽的土地表面。

The idea that originated this project came from the subtle murmurs whispered by an environment like this, which were carefully listened to, and from the client’s search for protection and shelter. How can one feel protected? and in any case, what can be done when feeling vulnerable? This question was accompanied by an image or perhaps a memory: that of a frightened child covering himself with a light bed sheet as he looks out to make sure he sees what is going on around him. Pulling a bed sheet to cover up is a very elemental act that alludes to the most basic part of the self; a bed sheet hides, protects, wraps, and creates a space underneath so safe and intimate that it is able to keep away any spirit, ghost, or demon that may be surrounding the room. At the same time, it generates a continuity in the beautiful living surface around the land, forming a new hill in a place already surrounded by many of them.

▼项目鸟瞰，aerial view ©Dane Alonso

在这种环境中，如果用诗做比喻，建筑应该是诗的重音、逗号或问号，并且永远不会是诗本身。松树、橡树、鸭皂树、萤火虫、道路、篱笆、邻家水井、大地、果园和夜莺，已经谱写了这首诗。四堵混凝土墙则好比诗的重音，它们出奇地暴露在景观中，其中两堵支撑着如同掀开的床单的“新山丘”，另两堵则构成入口通道，将客人护送至屋内。

The architecture should be in this case an accent on the words of the poem, a comma, or in any case a question mark, but it should never be the poem itself. The poem is already given by the pines, the oaks, the sweet acacia, the fireflies, the road, the fence, the neighbor’s water well, the earth, the orchard, and the nightingale. Such accents in the poem were four concrete walls that emerged surprisingly from the landscape; two of them bear the land of this new hill that was created by raising the bed sheet, and two others frame the access and escort the guests on their way into the house.

▼项目外观，external view ©Dane Alonso

▼局部立面，facade ©Dane Alonso

▼混凝土墙，the concrete walls ©Dane Alonso

▼两堵混凝土墙构成入口通道，two concrete walls frame the access ©Dane Alonso

▼入口通道鸟瞰，aerial view of the access ©Dane Alonso

这条通道很宽，可供一人舒服地走过，但它又很窄，不能两人结伴而行。客人在独自朝圣的过程中，通向一棵古树，这棵古树意义重要，因此设计师将旁边的直墙微微弯曲，使人们可以从旁边经过，并且距离近到几乎是擦肩而过的程度。路过古树，走下几级坚硬的石阶，推开一扇沉重的钢门，一个混凝土拱顶矗立在那里，支撑着上方的绿色“床单”，使人仿佛置身于寒冷、黑暗却异常舒适的洞穴之中。

This path is wide enough to walk it comfortably alone but narrow enough not to be able to do it accompanied. Visitors are cast into a pilgrimage in solitude that leads to an old tree with such a significant presence that it was necessary to distort the linearity of one of the walls with a gentle curve to be able to pass next to it…so close that it is even possible to graze it. After crossing the tree threshold, going down a few solid pearled stone steps, and opening a heavy steel door, a concrete vault stands there, supporting the loads of the green bed sheet that rests on it; it gives a sensation of being inside a cold, dark, but strangely cozy cave.

▼古树一侧墙壁微微弯曲 ©Cesar Bejar
one of the the walls with a gentle curve

▼坚硬的石阶，the solid stone steps ©Cesar Bejar

在该项目中，混凝土是主要材料，因为它可以不断地与森林产生互动，由灰色变成绿色、黑色和黄色，逐渐融入环境。地面则采用木材，呼应了环绕周围的松树，并且平衡了混凝土的冷色调。最后，该项目还应用了钢材，随着时间流逝和降雨天气，它会变得像树皮一样。在空间组织上，房屋左侧是完全暴露在山谷中的公共区域，右侧是微微向庭院开放的私人区域，可以看到些许天空和树梢，跟左侧相比则更加封闭。

Concrete was chosen as the main material because of a dream of this new rock melting while inevitably interacting with the forest, changing colors… grays that turned to greens, blacks and yellows that were gradually incorporated into the environment. The flooring would emphasize the aroma of wood that is perceived when surrounded by pine trees, giving balance to the cold temperature of the concrete; and finally, the steel took place because with time and rainfall, it acquires an appearance like tree bark. As for the spatial organization, on the left side of the house are the public areas completely exposed to the wooded ravine, and on the right side the private areas open more timidly to a courtyard that allows to see the sky and the top of some trees but that closes a bit towards the outside.

▼完全暴露在山谷中的公共区域，the public areas completely exposed to the wooded ravine ©Cesar Bejar

▼公共区域一角，corner of the public area ©Cesar Bejar

▼微微向庭院开放的私人区域 ©Cesar Bejar
the private areas open more timidly to a courtyard

▼走廊，corridor ©Cesar Bejar

▼混凝土与木材搭配，mix of concrete and wood ©Cesar Bejar

▼卧室，bedroom ©Cesar Bejar

减少在特定时刻使用的元素十分重要，因此冰箱等电器被隐藏，照明布置也十分讲究，项目仅采用四种主要材料：石材、木材、混凝土和钢材，最终保留了山间粗犷原始的氛围。

It was important to have very few references of elements that would connect to a specific moment in time, so the refrigerator and appliances were hidden, the lighting was arranged very discreetly, and only the four main materials were included: stone, wood, concrete, and steel. It was very important for the client to preserve the rough and primitive atmosphere of being in the mountains.

▼雾中小屋，the cabin in the mist ©Cesar Bejar

▼由篱笆望向小屋，the cabin from the fence ©Cesar Bejar

▼平面图，plan ©HW STUDIO

▼立面图，elevations ©HW STUDIO

▼剖面图，sections ©HW STUDIO

Arquitectos: HW STUDIO
Website: www.hw-studio.com
Contact e-mail: hwarcstudio@gmail.com
Facebook: @hwstudioarquitectos
Instagram: @hwstudioarq
Localizacio: El vaquerito, Morelia, Michoacán. Mexico
Google maps link: https://goo.gl/maps/HibBsYDsX4iKazYL7
Completion Year: 2021
Tamaño: 250 mts 2
OTRA INFORMACION TECNICA I OTHER TECHNICAL INFO
Arquitectos: Rogelio Vallejo Bores y Oscar Didier Ascencio Castro.
Equipo: Sergio Antonio Garcia Padilla, Jesus Alejandro Lopez Hernandez, Alberto Gallegos Negrete.
Constructora: ARGA Constructora
Rainy Mood Pictures: Cesar Bejar
Photographer’s website: www.cesarbejarstudio.com
Sunny Mood Pictures: Dane Alonso
Photographer’s website: www.danealonso.com
Video: Mavix. Hugo Tirso Dominguez

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